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"oxblood & orange" vinyl

The quest for a complete Solar Fields reissue collection continues here at Sidereal, and this time we bring back to light the first installments in Magnus Birgersson’s unfinished tracks archive.

Origin #01, originally released in 2010, was the first compilation of Solar Fields finished unfinished pieces. A series of audio stems born in various periods of time, in this case from 2002 to 2008, then completed and refined.

Such a genesis makes the Origin series something different in the Solar Fields catalog, as the usual consistency and unity of Magnus’s studio albums is nowhere to be found here, in favor of a multi-faceted, various and fragmented approach. Every track is completely different from the other, and you never know what’s lying behind the next corner. Every note sounds 101% Solar Fields, but the spectre covered by Origin #01 was an entirely different width compared to what the Swedish producer released until that moment.

"gold & orange" vinyl

The quest for a complete Solar Fields reissue collection continues here at Sidereal, and this time we bring back to light the first installments in Magnus Birgersson’s unfinished tracks archive.

Origin #01, originally released in 2010, was the first compilation of Solar Fields finished unfinished pieces. A series of audio stems born in various periods of time, in this case from 2002 to 2008, then completed and refined.

Such a genesis makes the Origin series something different in the Solar Fields catalog, as the usual consistency and unity of Magnus’s studio albums is nowhere to be found here, in favor of a multi-faceted, various and fragmented approach. Every track is completely different from the other, and you never know what’s lying behind the next corner. Every note sounds 101% Solar Fields, but the spectre covered by Origin #01 was an entirely different width compared to what the Swedish producer released until that moment.

Criminally, SHADOW'S MORTUARY are still one of the best-kept secrets in the always-fertile Finnish black metal scene. The quartet formed in 2013, and patiently released two digital-only EPs - Kylmään Hautaan in 2015, and then Tulen Valtakunta in 2018 - before releasing their debut album, also titled Tulen Valtakunta, in 2018. That album was initially released on cassette through the cult Worship Tapes label, but soon did PURITY THROUGH FIRE step in to release it on a wider scale on CD format. A year later came the band's equally strong second album, Kuoleman Portit, also released by PURITY THROUGH FIRE. Across these recordings but especially the two full-lengths, SHADOW'S MORTUARY displayed righteously traditional and ever-fiery Finnish BLACK METAL - no more, but certainly no less - that possessed all the iron-clad trademarks of that idiom.

While things have been relatively quiet on their front since then, SHADOW'S MORTUARY return with a righteous fervor with Unohdettu Maa. Translated into English as "The Forgotten Land," Unohdettu Maa "stands for a vision of a place where no religions reign," the band explain, "Without its effect on human behavior and thinking. With this album, we attack towards Abrahamic religions with full force, carrying the torch of northern heritage and mysticism." Indeed do they accomplish that in a swift-yet-satisfying 32 minutes here, making their point plain and proud: melancholic melodicism, cold-fire execution, a punkish straightforwardness but never primitively so, and simply strong songs, just like the album's two predecessors. But Unohdettu Maa's true trump card comes in SHADOW'S MORTUARY's increasingly effortless ability to span the epic and the rabble-rousing, bringing forth grandeur in less cliched "epic" ways and, similarly, to sound incensed and headbanging without resorting to "party black metal" corniness. 

TERRA are one of the most intangible and enigmatic presences to emerge from within the UK underground music scene in recent times. The Cambridge-based Atmospheric Black metal group formed in 2014 and since have worked dedicatedly to carve an atypical niche for themselves with their uncompromising musicality, seeking to communicate a shared experience of existentialism. 

The band comments: "Für Dich Existiert Das Alles Nicht is the purest example of this bands determination to concentrate all of its unrelenting elements into a pressure vacuum and explode them out into new and unexpected textures that will remain with the listener in a multitude of ways. TERRA have been biding their time; sharpening their claws on the pavement they have dragged themselves through to better utilize a way to gift the most honest statement of intent imaginable."

“Björndansen” is the new album by Hagathorn, a folk project by American musician Will Ott. The material is largely derived from traditional Nordic folk songs which feature added improvisation and thematic elements to compliment the original melodies. Two of the tracks are not traditional but rather original Hagathorn compositions inspired by Nordic folklore.

The atmosphere and aesthetics of “Björndansen” are conjured with a historic sound driven by rhythms from an older era. Mystery and melodies from the past intertwine to invoke feelings of magic, ancient forests, and rural antiquity.

Silent Future Recordings proudly present a true artistic enigma from western France. With influences ranging everywhere from contemporary music, ambient electronics, and shoegaze to extreme metal in its many guises, Erebe have chiselled out an obsidian slab of otherworldly sounds. Perhaps rooted somewhere between the realms of progressive rock and post-metal. As far as comparisons go, Opeth, The Ocean, Karnivool, Katatonia, and The Contortionist all come to mind at various points in this multifaceted masterpiece.

Fresh on the heels of their second album, “Strayed in Shadows”, Sweden’s premiere gothic rock band De Arma return with a three-song EP called “Nightcall”. Whereas the full-length still showed some traces of De Arma’s metal past, the EP introduces elements of darkwave into their ever-expanding sonic palette. Nonetheless, it retains many of the characteristics which earned the previous effort such critical acclaim: the outpouring of raw emotion materialising through sweeping dreamscapes, gripping choruses, and the mesmerising interplay between vocalists Andreas Pettersson and Maria Oja.

Black Vinyl

180g black vinyl and features heavy stock, a special natural green card stock sleeve (handcrafted), and a poster on uncoated paper.

Limited deluxe Digipak CD edition with natural green cardstock and poster

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

Pressed on black / blue galaxy effect heavy vinyl. Comes with a 12-page 12"x12" booklet and a download card. Colors on final record may vary to a degree from the mockup.

Drinking deep from the well of ‘90s second wave Black Metal, the masterful first utterance from Finnish newcomers PESTILENT HEX is a flawlessly reverent blend of symphonic nostalgia, modern power and ravishing grimness.