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Expulsion was formed in November 1988 by Calle Fransson on drums, Anders Holmberg on bass and Stefan Lagergren on guitars. April 1989, Expulsion released their first demo called ‘Cerebral Cessation’. November that year they recorded their second demo ‘Veiled in the mists of mystery’. In 1990 Expulsion entered the Sunlight Studios (Entombed Dismember, Tiamat etc.), to record two tracks produced by Tomas Skogsberg. After these recordings Expulsion split up due to military services of the band members and reformed with 2 new members 2 years later. Their first new release was the ‘A Bitter Twist of Fate’ 3 track mini cd.
This self-released mini cd is now a much sought after album and is for sale on eBay and discogs for 250 to 400 euros. Now finally re-issued, including one special bonus track "Let the Ravens Fly" (taken from the ‘History of Things to Come’ comp cd, 1994). The booklet contains liner notes, rare pictures and has the original artwork restored.
Tracks 11 to 13 are bonus tracks.
Released in a jewel case, a 16-page booklet.
Tracks 11 to 13 are bonus tracks.
Released in a jewel case, a 16-page booklet.
Abruptum worship insanity by Swartadauþuz of Ancient Records.
Original LP and Tape release kills. Equally excellent mastered CD edition that won't leave anyone unsatisfied.
Music written by Swartadauthuz (Azelisassath, Bekëth Nexëhmü, Gnipahålan, Urkaos, etc..)
https://youtu.be/_xc0yyn0670
In late October 2019, following a successful UK tour ending in a sold-out concert at the mythical Roundhouse in London, SUNN O))) entered studio 4 of the BBC Maida Vale. On invitation to record a live session for Mary Anne Hobbs to be broadcast on Samhain via her excellent radio show on BBC6. To enter the legendary John Peel studios was to enter a temple of music and experimentation, liberty in ideas and sound. The band was nearing the end of a long touring year around the Life Metal and Pyroclast albums. SUNN O))) had developed the compositions extensively, embracing the formative concepts of the Life Metal album conceptually and emotionally, but actualised and evolved into vast, open and bright hypersaturated arrangements. Particularly the pieces the band chose to perform on this recording: Troubled Air and Pyroclasts. The former enriched into a total aspect of the band's ethos and form in many ways, and Pyroclasts had evolved to become all-inclusive radiation of O))). The radiation embraces collaboration and freedom of interpretation by each player, within a structural format of the massive monuments of sound and distortion which define SUNN O))). Anna Von Hausswolf and her band had accompanied SUNN O))) on the UK leg, and Anna joined SUNN O))) in the studio on synths and with her tremendous voice on the Pyroclasts pieces.
Two years after the release of their last album “Wolves Among The Ashes”, Svart Crown comes
back with a sixth and new opus. The EP, called “Les Terres Brûlées” will be released as a coproduction
between the band’s label Nova Lux Production and Les Acteurs de l’Ombre Productions.
Just like a return to the basics, the five tracks that compose this EP form up a sulfuric halo between
rage and transcendance. Recorded in several Southern France places and once again mixed by
Francis Caste at Saint-Marthe studio, the organic, made for live production gives a suffocating
warmth to the album’s five pieces. Like a kind of epitaph, “Les Terres Brûlées” is a true abstract of
the band’s 18 years of experience.
The first track to be revealed, “Digitalis Purpurea” is an astral journey through the
inconscience limbo. A chaotic vision of its own death warrant, between dream and reality,
where fire, opiates and sulfur smell coexist.
Hailing from Italy, TALV started in early 2012 under the name of Trees In The Fog. Their purpose has always been to merge dissonant and melancholic black metal with a touch of ambient music.
Like painting a dismal scenario, TALV’s new effort is drowned into the darkest north-Italian naturalistic black metal inspiration. The cold and freezing guitar sound reminds of Tenebrae in Perpetuum and Beatrik’s classics, while the prevailing desperate feelings position the band within the groove of depressive black metal.
What makes of Talv a personal and unique project is the wise equilibrium between a hateful, cold hunger and a fragile background soundscape. The ColdWorld cover further emphasizes the strong visionary ambient perspective and inspiration of this raising underground project.
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