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Doedsmaghird, the new project from Yusaf “Vicotnik” Parvez, the mind behind longstanding leaders of the Norwegian metal scene, Dødheimsgard, and esteemed French multi-instrumentalist and Dødheimsgard guitarist Camille Giradeau, will release their debut album Omniverse Consciousness, set for release on 11th October on Peaceville
Building upon the symphonic Black Metal stylings of their masterful 2022 debut "The Ashen Abhorrence", enigmatic Finnish duo PESTILENT HEX return with second opus, "Sorceries of Sanguine & Shadow", to herald a new era of malevolent grandeur and melodic aggression.
The work of multi-instrumentalist L. Oathe (DESOLATE SHRINE, CONVOCATION, ORDINANCE) and vocalist/lyricist M. Malignant (CORPSESSED, TYRANNY, PROFETUS), "Sorceries of Sanguine & Shadow" is still primarily inspired by legendary '90s second wave Black Metal but diverges from the neoclassical and baroque undertones of the debut into more contemporary, complex and exquisitely labyrinthine realms.
Vafurlogi is rooted both spiritually and literally in the early 2000s black metal movement, as the earliest songs were written nearly twenty years ago. Like the stalwarts of that era, Vafurlogi draws inspiration not only from the staunch traditionalism of the ‘90s but also from its rebellious spirit of discovery and creation.
Fronted by guitarist Þórir Garðarsson of Sinmara and Svartidauði, who now also takes on vocal and bass duties, Vafurlogi presents a new chapter for him as a songwriter. Throughout years of activity with his other bands, the essence of Vafurlogi slowly cultivated in parallel below the surface. Initially a vessel for accumulated works not suitable for Svartidauði or Sinmara, Vafurlogi developed into an avenue for him to freely explore different creative ideas and moods. While touching on the apocalyptic, nightmarish realms of Svartidauði and the haunting atmospherics of Sinmara, Vafurlogi places greater emphasis on triumphant and unabashedly melodic flourishes through a comparatively stripped-down compositional approach.
In Vafurlogi, Þórir has joined forces with drummer Ragnar Sverrisson, a seasoned veteran of the underground metal scene, having played in various bands both in Iceland and abroad, such as Helfró, Ophidian I, Abyssal, and Valkyrja. After the album recordings, the lineup was reinforced with Eysteinn Orri Sigurðsson of Nyrst and Úlfúð on guitars and Samúel Ásgeirsson of Volcanova on bass. “Í vökulli áþján” was produced at the esteemed Studio Emissary by Stephen Lockhart of Rebirth of Nefast between 2020 and 2024, presenting songs written mostly between 2018 and 2020.
Vafurlogi is Icelandic for ‘flickering flame’, but the name can also be literally translated as ‘wandering light’ – and therein lies the key to the project’s thematic essence. Vafurlogi explores man’s incessant and despairing search for meaning and the ever-elusive sacred light while condemned to roam spiritual wastelands.
Gatefold Sleeve. Limited to 300 copies worldwide. Includes etching on D-side.
The earnest progressive metal group Green Carnation unveil ‘Leaves of Yesteryear,’ the first new music from the band in 14 years. More approachable than the Norwegian's work in the metal bands In the Woods, Emperor, and Tristania; their unpretentious, punchy and smart sound appeals to broad swaths of the rock community. As the first part of the act's second trilogy, ‘Leaves of Yesteryear,’ serves as both a retrospective look at the band’s storied career while setting the foundation for their future.
Bone White vinyl version limited to 100 copies.
Includes 12-page A5 booklet and A2-size poster.
Returning from time apart to a world forever changed, dread-fuelled duo A SWARM OF THE SUN bring with them their fourth studio album, ‘An Empire’; its brooding, yet beautiful, melancholic narrative arc allows the band to dig ever deeper into desolation whilst a newfound lyrical focus adds a tenderness that is both harrowing and heartwarming at once.
With the early bones of forthcoming ‘An Empire’ tabled by events beyond their control in 2019, Erik and Jakob came together years later and scrapped them in favour of creating something entirely new; something distinctly different to break the cycle, defy categorisation and reflect the uncomfortable uncertainties of the times we now live in. The result is astounding; continuing the thread of narrative composition seen on ‘The Woods’, ‘An Empire’ is a six-track tale told in four distinct movements that are nothing short of devastating, from plaintive piano ballads to raw, full-band fury.
