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The Belarusian quintet delivers a fast-paced, cold and pure black metal which is looking at both the classic European sound and its more contemporary interpretations. You will find loads of riffs, as well as the odd solo and melodic hook, which will relentlessly drag you toward the Darkness.
German ILLUM ADORA return once again from the gutter of the underground to celebrate their filthy 2nd Wave Black Metal
300x heavyweight white vinyl 12" (180g) in a black poly-lined innersleeve, download card, booklet 8 page vinyl sized, 140g offset paper, jacket, full-color, black flooded inside printed on 350g with 3D UV spot lacquer, all assembled in a plastic overbag
No need to introduce HATE FOREST.
6 pieces of DEVASTATION and DESOLATION, an uncompromised other journey into the HATE FOREST!
"Innermost" was recorded in December 2021.
Compilation with all their eps, splits, the demo and the "live at Roadburn" recordings
Reissue 2026, comes in gatefold cover, incl. bonus track, printed innersleeve, 24" x 24" poster, logo sticker and download.
Green/brown galaxy vinyl.
Mysterious sounds from the island to the center of the Mediterranean sea
The name Ilienses comes from the tribes who lived in the heart of Sardinia, in Barbagia, in the Nuragic Era. The music is a combination of contemporary and archaic instruments of Barbagia, used in the ancient rituals and the esoteric traditions, as the Sardinian Carnival.
Regular version on black vinyl. Double LP with an etching on side D, housed in a gatefold jacket with a 12"x12" insert and an A2 poster.
Acephalix wakes from five years in morbid repose with a new offering upon the glistening altar of flesh, a devastatingly tormented study on Theothanatology, the idea or belief that God is dead. Within this cerebrum shattering inquiry lies, as always, a primal spewing forth of vicious death metal malignity and bomb-raid hardcore dispersions.
Across a decade and a half lifespan, the evolution of Acephalix into the bludgeoning instrument of discord and dead faith displayed on Theothanatology has never felt so urgent. The crumbling siege-like mentality of modern life leaves no doubt God has left the building and Acephalix adeptly soundtrack the contradictions, atrocity and inner turmoil of such massive loss and decay.
From the opening title track to closer “Atheonomist,” Acephalix is razor-focused on its greatest strengths, commanding the unambiguous sonic pulverizing of a bulldozer over the decimated skull pile of a once thriving civilization. Simultaneously more musically complex and savagely barbaric, Theothanatology heralds a collapse already in motion.
