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TRELLDOM are the brainchild of Kristian Eivind Espedal, who is better known under his artist's name Gaahl. The Norwegian became one of the leading figures of the Nordic black metal scene after joining the notorious Bergen outfit GORGOROTH in 1998. For many years, the vocalist was pigeonholed for his extreme vocals and attracted many, often dark rumours about his person. If any notion is true about Espedal, it is to always expect the unexpected. TRELLDOM have already written black metal history. The band founded by Gaahl in Sunnfjord, Vestland in 1992 released their debut album "Til evighet..." (1995) to great acclaim in underground black metal circles. Having changed the line-up to include guitarist Valgard and Stian "Sir" Kårstad on bass, TRELLDOM unleashed their sophomore full-length "Til et annet..." (1999) to already much attention of mainstream metal media. This album was produced by the legendary sound engineer Pytten at Grieghallen Studios in Bergen. Pytten also recorded the third milestone "Til minne..." (2007), which became highly regarded both by critics and fans. One of the key aspects of TRELLDOM's first trilogy has always been that in his own band Gaahl was free of the strict limitations under which GORGOROTH operated, and therefore able to explore his voice at will. With "...by the shadows..." the Norwegian artist breaks free from another mould. Returning after many years of dormancy, in which the musicians involved went on to work with several other projects, there is both continuity and change. The crucial collaboration with Stian Kårstad remains at the musical heart of the band. The by far the largest part of all songs on "...by the shadows..." has been created by Sir, who has also taken over all guitar duties. Yet Espedal has changed other aspects of TRELLDOM, which created fascinating effects. Now the renowned percussionist Kenneth Kapstad sits on the drum-stool,who was formerly of MOTORPSYCHO and is also driving the beats in SPIDERGAWD, MØSTER!, and THORNS. Kapstad also brought the internationally acclaimed jazz musician and saxophone player Kjetil Møster (MØSTER!, RÖYKSOPP, THE END) into the fold. The inclusion of Møster's unorthodox saxophone sounds can already be taken as an indication that TRELLDOM are no longer shackled by the narrowest definition of black metal. The music on "...by the shadows..." does remain dark and fierce. It is also clearly still growing out of its roots in the black past. Yet Espedal has willed his band into becoming a far more layered beast and set it free to roam in an avant-garde dimension – with the dissonant sound at times even turning towards the experimental. TRELLDOM have awakened from their slumber and "...by the shadows..." is a spirited manifesto for artistic freedom as well as a grand declaration of war against nostalgic stagnation. This album poses a challenge that states: love it or leave it!

Grotesque and rabid metal of death, hailing from Palermo's catacombs, for all the punx and metal necrophiliacs out there on the cruel earth. This CD collects all the productions of our heroes, the 2020 demo, the 2021 Ep and the pieces from the 2022 split. 
Ffo: Benediction, Autopsy, Abscess, Bolt Thrower
 

Pathological goregrind collection with all disgusting productions from 2010 to 2021: split CD’s, tapes, 7”, cdr, unreleased demo and many more.

93 traks for a massive collection of repugnant goregrind in one sick mix between Last Days of Humanity and Lymphatic Phlegm.
 

Those who know Zemial are aware of the progressive and off-centered approach they have taken since their beginning in 1989 and how influential they have been on the burgeoning black metal underground of the time.
None of their releases have been readily accessible or easy to grasp and that's a quality that we at Iron Tyrant have silently but steadfastly admired, as it is one of the few tell-tale signs of genius at play.
Clocking in at around 15 minutes, The Repairer of Reputations is a Victorian era tale that follows the dark journey into the psyche and inner world of an embittered megalomaniac.
The song features exceptional song-writing, revealing Zemial’s progressive rock side. The production follows a mellow 70s aesthetic in instrumentation, recording and mixing, making it sound authentically old.
Although recorded back in 2016 and originally composed as part of a future album, it was eventually decided to commit this one-of-a-kind composition to its own to release.
To complement the dark tale aesthetic of the release, mastermind Vorskaath unburied one of the greatest songs that Black Sabbath ever penned, namely "The Sign of the Southern Cross" and rearranged it under the Zemial banner, with additional parts and elements, making it a perfect companion to complete the LP.
What you can certainly expect within this LP is the combination of two dark pieces of music that effortlessly dance between 70’s prog rock and 80s heavy metal, with an aesthetic to match the music, in both artwork and layout.
While not entirely representative of the past, present, or future Zemial sound, it is our aim that this release reaches the shelves of the true underground connoisseurs - those who are not afraid to dive into the such uncharted brilliance.
Available as regular Black or as limited Green Marble Vinyl, including a 4 page insert.
Official Release Date is Summer Solstice 2024.

 High Roller Records, picture disc, ltd 524, handnumbered, lyric sheet, deluxe plastic bag, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021.  

"Auf zerfetzten Schwingen" marks the return of the melancholic dark metal signature Autumnblaze sound after the dreamy and more ethereal "Welkin Shores Burning". With songs like "Die Unseligen", "Niedertracht" or "Zerfetzt", Autumnblaze prove that they still can combine darkest metal and melancholic harmonies to an unique sound.

Danish doom/gothic metal combo Blazing Eternity is back with a new album. “A Certain End Of Everything” – to be released on April 19th 2024 – is the first new album since 2003 from one of Denmark’s pioneer bands within the melodic doom/goth metal genre.

“A Certain End Of Everything” consists of seven new tracks, including the already released first single “One Thousand Lights”. The music has the well known Blazing Eternity atmosphere and fingerprint – a melancholic, epic and atmospheric doom/gothic metal mix with weeping guitars and harsh vocals. The album is bleak and melancholic, but with a certain beauty shining in the darkness – and with very personal lyrics dealing with death, depression, and personal tragedies. But
with a gleam of hope in the end…

New Hate Forest EP recorded in summer 2023. It's chapter II of the planned EP trilogy (along with "Sowing with Salt"). Unlike pre-war releases of the band, the current stuff is down to earth, warlike and gory. Moscovia delenda est.
300x marble crystal clear with black) 12" (140g) in a microtene innerbag, innersleeve printed, full-color on 220g carton (coated paper); simple jacket, full-color printed on 350g carton (coated paper), all assembled in a plastic overbag.

The 1990 recording finally released on vinyl.
- 200 on purple vinyl
Old school Swedish Death Metal!

Well, who doesn’t know Therion?? As anyone should know, back in the early 90’s they got widely known in the Death Metal scene through their demo’s, EP and subsequent album “Of Darkness…” offering old-school Swedish Death Metal at its very best!
But what many of you surely don’t know, is that while Therion was in fact still in its demo-days - we’re talking 1990 here - founding member Christofer Johnsson had another project called PROCREATION (together with Peter Hansson, also from Therion, and David Isberg from Opeth), which remained pretty much lingering in the shadows throughout the years.
Notwithstanding the quality of the music, only one official demo, an unofficial one and a putrid rehearsal tape were made, having been spread around only a very small bunch of friends and tape-traders at the time.