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Norwegian duo, Darkthrone, return with their first new studio material since 2013’s triumphant The Underground Resistance.
An eclectic mix of free-spirited 80’s fuelled blackened heavy metal, all executed in Darkthrone’s trademark raw and organic style, Arctic Thunder was recorded & produced by the band themselves, with the sessions conducted at Darkthrone’s old rehearsal unit, “The Bomb Shelter”, which they had originally used during 1988-1990.
180g black vinyl (includes mp3 download)
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digipack cd - NEAR MINT
Once again self-produced by the band, Wider than the Sky is 40WS long awaited second album, and features six new songs and, in the spirit of the band’s previous music, is imbued with soaring melodies yet sparse, minimalist arrangements.
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Digipack
Black Metal Manda Hijos de Puta is to be seen as a tribute to the black metal scene of Latin America regarding the experiences during the Latin American tours in the years 2008, 2009, 2010 & 2011.
Extremely putrid-fresh from the cabalistic land of Sweden comes
Death Metal supremos TEMISTO, with their brand new debut magnum-occultus simply entitled "Temisto".
Blending a perfect mix of the blasphemous nature that is Death Metal with bursts of intricate maze-like passages executed with razor sharp precision, TEMISTO undoubtedly exudes an unspeakable zeal for the obscurity and unworldly.
Produced and engineered by ex-Morbus Chron frontman Robert Andersson with Elias Scharmer (ex-Abduction, ex-Mutilate) and then painstakingly mastered at Necromorbus Studio by Tore Stjerna (Watain, Desultory, Repugnant, etc). Also featuring the gracefully morbid artwork of Obsessed By Cruelty (Enforcer, Sabbat, Wolfbrigade, etc).
For fans of Autopsy, Morbus Chron, Obliteration, Morbid Angel, etc
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The Swedish masters of aversion and forlorn VANHELGD returns with an even darker aspect of Death Metal surpassing what is deemed traditional and into the realms of blackened Doom Metal with "Temple Of Phobos".
While still firmly locked into that unmistakable VANHELGD sound, it is clear that on "Temple Of Phobos" they have steered into a much more despondent territory; very reminiscent of the early Nineties Doom. VANHELGD have managed to capture the essence and vibe with such perfection on "Temple Of Phobos" that perhaps this will go down in VANHELGD's history as one of their heaviest, gloomiest and blackest record ever.
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