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Three years after The Necrotrophic Abyss, Australian one-man band Snorlax is back to wreak havoc.

Brendan Auld’s signature style, blending death metal with an oppressive and obscure black metal vibe takes a turn towards the lands of grindcore, both musically and conceptually.

Toxic Current is the new studio album by the multi-instrumentalist from Brisbane, and it comes with two covers from Australian grind and hardcore bands, Agents Of Abhorrence and The Fevered. To those familiar with Auld’s work, particularly Snorlax, these influences have always been part of his art, but never to such a clear extent. 

Comes in a 6-panel digipack. First batch comes in black polycarbonate CD.

Originally released in 2017 by Dark Descent records and long sold out, "Holókauston" is - for now - the crowning achievement of BESTIA ARCANA, the occultist Black Metal outlet for Naas Alcameth (AKHLYS, AORATOS, NIGHTBRINGER) alongside current and ex-members of NIGHTBRINGER.

s to mankind's ruin and the final triumph of Death. Who will withstand the Fires of Judgment? Our hands are full of Blood! Oh Lord, our hands are full of Blood!

Comes in a 6-panel digipack with a 12-page booklet and poster. First batch comes in black polycarbonate CD.

The electrifying 9th full-length from Czech avant-Black Metal voyagers INFERNO distils the bleak grandeur of 2021's "Paradeigma" into another disturbed and profound psychological trip, where the listener takes the role of 'silent witness to the chaos within our cosmos'.

The journey of Spirit Adrift has come full circle. With their sixth album in a decade, mastermind Nathan Garrett is ready to unleash the band’s final chapter. Infinite Illumination, the Spirit Adrift swansong, is a return to the wellspring that first inspired it all and testament to a band that in the last ten years has crafted an impeccable signature thoroughly their own, molded from the elemental matter of more than a half century of heavy metal exaltation.

Infinite Illumination has a directness to it, a sense of urgency and raw intensity. The songs feel inevitable, like they had to be driven out from deep within during a time of great upheaval. The fatalistic “Born in a Bad Way” summons a vengeful “broken relic from another age” that must “live again and make them pay” via Garrett’s swaggering snarl, while “White Death” impugns “God shined on a chosen few, we must kill the rest of you”. These songs have a palpable sense of malaise both spiritual and terrestrial, personal and universal, inflicted via crushing traditional doom riffs, thunderous mid-tempo marches and Garrett’s impassioned vocal delivery.

Norwegian titan, Mork, was created by Thomas Eriksen in 2004, with the debut album ‘Isebakke’ eventually surfacing in 2013. Since then, Mork has been ceaselessly rising through the echelons of Black Metal, and on the heels of 2024’s intense and groundbreaking ‘Syv’ opus - which has resulted in the band branching out with tours in the Far East & Australia - Eriksen continues on this evolutionary path with the new album, and what is undoubtedly set to be a new benchmark, ‘Monolitt’.

“A stark monument to the unrelenting brutality of reality, the monolith looms above us, immovable, indifferent, eternal. Its crushing presence bears down on the spirit, suffocating hope and testing the limits of endurance. It is an experience carved in stone, unyielding”.

‘Monolitt’ is an album that further expands the sonic and atmospheric depth of existing Mork releases; unafraid to challenge the listener, while steadfastly rooted in the cold traditions of the genre. With this uncompromising vision and direction for ‘Monolitt’, Mork delivers a sound which is brutal yet expansive, whilst also heavy and epic, for a relentless journey through the shadows of Norwegian Black Metal, while forging new paths within that ancient and revered framework.

Across these songs, themes of collapse, transformation, isolation, and destruction form the central pillars. From the crushing burden of existence to spectral wanderings through forgotten landscapes, ‘Monolitt’ explores the human condition through bleak introspection and grand imagery. Nature rages, giants awaken, faith crumbles, all in pursuit of experience beyond the limits of flesh and mind.

Ltd. CD box set, clam shell box incl. CD Digipak, 4 photo cards, double-sided poster, 20-page booklet with additional artwork, ltd. To 2000 copies!

Stormkeep return with symphonic black metal that feels hand-built and world-sized: sweeping orchestration, driving momentum, and a darkly radiant sense of grandeur. Bridging distant, mythic eras with the urgency of the present, their songs unfold as transporting epics—majestic, precise, and utterly absorbing.

Long-due official reissue!

Ships around June 5th 2026, limited to 250 copies.

Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp!

First time on vinyl and digi-CD.

After releasing four demo tapes, Mithotyn finally put out their first full-length album in 1997. “In the Sign of the Ravens” might not quite reach the heights of the band’s later releases, but there’s still plenty here to enjoy. The album delivers a hard, cold take on Viking Metal, and at this early stage the band hadn’t yet fully embraced the stronger melodic elements that would become more prominent on later records.

If you’re already a fan of Viking or Black Metal, you’ll know roughly what to expect: longer songs with some variation, harsh growled vocals balanced with cleaner chorus sections, and a strong sense of atmosphere. It’s a familiar formula, but one that works well and captures what makes this style of music so enjoyable.