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Great things are on the horizon with the debut of French band OPPRESSION and their vehement, multifaceted, and profound black metal of the highest order!

Old buddies, scouring concert halls and bars, G.S.V (vocals) and Tom L (guitar) decided to form a band together, allowing them to control the composition and direction from start to finish. Faced with a growing number of ambient-oriented releases, they wanted to raise the tone with a very straight forward project. Speed, power, and a touch of melody (added with some healthy hate) – this is how they laid the foundations for OPPRESSION, quickly joined by Predark (guitar).
Once the composition of the first album was well underway, they brought in two well-known musicians from the Bordeaux scene to fill the positions on drums and bass: the brothers John (Otargos, Lifestream) and Désert (Lifestream). Together, they finalized this first opus "No Safe Place", ready to hit you without restraint!
OPPRESSIONs lyrics are mostly about religion and a little bit about constatation on the society evolution. Only the last song is different, dealing with sex, drugs, and rock ‘n’ roll (so as not to lose sight of the important things).
Whether it's the music or the lyrics, OPPRESSION didn't try to make something pompous or bombastic, just something frank, direct, and effective. – Hail the Oppression!

Atypical Finnish Black Metal with old school metal tendencies.

A compilation featuring the EP Moon Calls to Wander the Winter's Majesty and the demo As Nightwind Embraced and the Shadows Caressed.

"Taetra Philosophia" is the NEW studio album by Abysmal Grief after a few side-releases (live albums and a compilation of rarities and oddities).

second press in dark red / black marble

Six panels digipak, Very well made fan-club edition, great mastering and nice cardboard.

One of the most underrated pearls from the Swiss underground scene, Sadness. Formed in 1989 and released two demos and three full lengths from 1991 to 1998. Inspired by the occult Hellhammer and early Celtic Frost and other first waves black metal bands. On the other hand heavily rooted in doom / death metal, and later on heavily influenced by gothic metal. Debut album Ames de Marbre is the perfect blend of doom, death, black and gothic metal. This re-issue has a total new designed artwork and insert and demo Oedipus (1992) as bonus.

Always treading further towards the abyss, SANCTVS returns with 6 hymns of devotion and transformation.
Staring at the face of Death, “De l'Abîme au Plérôme” is an elegy to our own mortality, a dirge to the passing of time and the changes it inevitably brings.
Vanity of vanities, all is vanity…

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.