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Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

ABIGOR’s 1994 full length debut captured the sudden discharge of the scene´s massive energy, which had built up in the early ’90s. As a result, Verwüstung turned out a bold, forceful but also deeply emotional album, created by adolescents who already had a sharp and individual idea how Black Metal should sound like. Although Verwüstung has in retrospect sometimes been overshadowed by the impact of Nachthymnen (From The Twilight Kingdom), its songwriting easily matches the 1995 classic and shows even more variety. No other ABIGOR album displays such a mix of demonic furore (“Kingdom Of Darkness”), complexity (“Universe Of Black Divine”) and atmosphere (“Midwintertears”), in addition Silenius delivered a vigorous peak performance and never sounded more powerful before or after.

For the first time, DSR presents a vinyl edition with the original 1994 cover collage. Verwüstung comes in a gatefold sleeve with an extensive 40 page booklet, including a comprehensive collection of photos and artefacts from that year, an A4 sticker sheet with the two blasphemous slogan-flyers made in early 1994, as well as liner notes and two detailed interviews:
one with Bruder Cle, talking about the tape-trading scene which shaped the emergence of Black Metal as well as this very album, and one with Georg Hrauda (Hörnix Studio), who recorded all the classic ABIGOR albums in the ’90s.

The vinyl sound – also for the first time – has been cut true to the original Hörnix master, while the download code leads to a new master, especially created for today´s mobile digital devices.

ABIGOR’s 1994 full length debut captured the sudden discharge of the scene´s massive energy, which had built up in the early ’90s. As a result, Verwüstung turned out a bold, forceful but also deeply emotional album, created by adolescents who already had a sharp and individual idea how Black Metal should sound like. Although Verwüstung has in retrospect sometimes been overshadowed by the impact of Nachthymnen (From The Twilight Kingdom), its songwriting easily matches the 1995 classic and shows even more variety. No other ABIGOR album displays such a mix of demonic furore (“Kingdom Of Darkness”), complexity (“Universe Of Black Divine”) and atmosphere (“Midwintertears”), in addition Silenius delivered a vigorous peak performance and never sounded more powerful before or after.

For the first time, DSR presents a vinyl edition with the original 1994 cover collage. Verwüstung comes in a gatefold sleeve with an extensive 40 page booklet, including a comprehensive collection of photos and artefacts from that year, an A4 sticker sheet with the two blasphemous slogan-flyers made in early 1994, as well as liner notes and two detailed interviews:
one with Bruder Cle, talking about the tape-trading scene which shaped the emergence of Black Metal as well as this very album, and one with Georg Hrauda (Hörnix Studio), who recorded all the classic ABIGOR albums in the ’90s.

The vinyl sound – also for the first time – has been cut true to the original Hörnix master, while the download code leads to a new master, especially created for today´s mobile digital devices.

Here is presented for the first time a proper repress of Östenbräun, a real masterpiece from 1989.
Les Joyaux De La Princesse (English: “The Jewels of the Princess”) is a French one-man industrial/ambient/neo-classical project active since 1986. The music on his releases varies from heavy industrial noise to melancholic music for organ and piano mixed with historical French speeches. Each record is a sort of small audio document focusing on a single historical event, cultural moment or important personage, usually from France in the 1930s and 1940s.

The release has been totally remastered for LP/CD for the best listening experience with a fully restored layout.

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with special GOLD FLOOD, GOLD PANTONE and UV SPOT.
Includes a professionally printed thick INSERT with GOLD PANTONE and UV SPOT.

Here is presented for the first time a proper repress of Östenbräun, a real masterpiece from 1989.
Les Joyaux De La Princesse (English: “The Jewels of the Princess”) is a French one-man industrial/ambient/neo-classical project active since 1986. The music on his releases varies from heavy industrial noise to melancholic music for organ and piano mixed with historical French speeches. Each record is a sort of small audio document focusing on a single historical event, cultural moment or important personage, usually from France in the 1930s and 1940s.

The release has been totally remastered for LP/CD for the best listening experience with a fully restored layout.

6 panel digipak CD, thick INSIDE OUT cardboard, BLACK FLOOD and GOLD PANTONE.

Here is presented for the first time a proper repress of Die Weiße Rose, a real masterpiece from 1995.
Les Joyaux De La Princesse (English: “The Jewels of the Princess”) is a French one-man industrial/ambient/neo-classical project active since 1986.  The music on his releases varies from heavy industrial noise to melancholic music for organ and piano mixed with historical French speeches.  Each record is a sort of small audio document focusing on a single historical event, cultural moment or important personage, usually from France in the 1930s and 1940s.

The release has been totally remastered for LP/CD for the best listening experience with a fully restored layout.

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with special GOLD FLOOD, GOLD PANTONE and UV SPOT.
Includes a professionally printed thick INSERT with GOLD PANTONE and UV SPOT.

Here is presented for the first time a proper repress of Aux Petits Enfants De France, a real masterpiece from 1989.
Les Joyaux De La Princesse (English: “The Jewels of the Princess”) is a French one-man industrial/ambient/neo-classical project active since 1986. The music on his releases varies from heavy industrial noise to melancholic music for organ and piano mixed with historical French speeches. Each record is a sort of small audio document focusing on a single historical event, cultural moment or important personage, usually from France in the 1930s and 1940s.

The release has been totally remastered for LP/CD for the best listening experience with a fully restored layout.

180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and a professionally printed thick INSERT.

A truly mind bending mindfuck of a psychedelic journey, Italy's Harmful ropes you right into a 3 song epic that takes you deep into realms of sorrow, joy, love, and despair, with each track a journey in it's own rite. In the band's own words: this album Is climax of the Ars Manifestia artistic Path, and it certainly sounds as a conclusion in its glorious and majestic sound. Available only on Malevolent Sound in CD and digital format, get a copy of this rare masterpiece while you can.

Including 12-page 10″ booklet and double-sided A2 poster.

The LPs are limited to 666 copies in total.

The following LP versions are available:
333 x classic black vinyl
333 x white vinyl

Warning!
If you discovered IMMORTAL after 1995, this record might not be for you.
These recordings capture the band during the 1993 Fuck Christ Tour and the 1995 Battle Of The Ages Tour — raw fan-recordings, unpolished, and unapologetically real. No sterile soundboard perfection. No studio correction. Just the unfiltered force of a band in its purest form.
These recordings breathe the spirit of a time when Black Metal was still young, dangerous, and defiantly outside the mainstream. A time before trends, before marketing, before compromise. When the scene was built on tape trading, dedication, and cold conviction.
This is a document of an era that will never return — a glimpse into the formative years of a band that reshaped Black Metal from the shadows.