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CD in classic jewel case with 8-page booklet, and a designed album download card.
Arkhaaik has managed to massively expand their sound and created songs that lend a gripping vibrancy to the archaic world of prehistoric times, with an emphasis on utter brute force that is completely foreign to the comforts of modernity. The band has retained a distinctly primitive edge, which sets them apart from more polished contemporaries, while still sounding utterly colossal. While UIHTIS (the hunt) is a highly atmospheric, almost cinematographic album, it showcases some absolutely scorching riffs and "balls to the wall" grooves that are sure to cause whiplash for any listener.

Formed in 2016, Osi and the Jupiter has been steadily crafting a unique sound that blends Nordic folk traditions with the evocative storytelling of Americana. Rooted in acoustic instrumentation, their music features intricate melodies and soulful vocals that resonate deeply with listeners. The band has toured the US and Europe and contributed music to the Vikings series on Netflix, further cementing their connection to Norse mythology.

Larvatus marks a return to the band’s earlier, more mystical sound, evoking the haunting qualities of albums like Uthuling Hyl and Nordlige Runaskog. This album, which began taking shape during the uncertain years of 2020 and 2021, reflects the emotional turbulence of the pandemic. Despite the chaos surrounding its creation, Larvatus is a demonstration of resilience and its introspective and contemplative nature offering a sense of refuge amid a world in flux.

A few light scratches on disc surface

Numbered, unplayed 

"Death After Life" was the lucky successor of the incredible "Mondo Medicale". The 2005 album was instantly recognized as another fine collection of medically-themed lyrics and brutal sound. Once again, Impaled delivered a relentless assault: crushing guitar riffs, blast beats and guttural vocals. Critics and fans praised the album's groove, memorable hooks, and well-placed melodic guitar lines and harmonies.

With their fourth album "Cosmocrator", KHNVM are entering a downward spiral into the abyss of the human experience. The death metal brainiacs explore the crossroads of psychology, philosophy, and spirituality. The album title "Cosmocrator" carries a dual significance. It symbolises the "Ruler of the World" and, within religious vocabulary, also stands for "Satan". This reflects the album's exploration of common phenomena, expressed through an adrenaline-fueled artistic lens. With the thought-provoking lyrics and harsh yet to the point musicality of "Cosmocrator", KHNVM promise not to just deliver on musical terms but also to captivate those who are drawn to complex narratives and philosophical depth. KHNVM are a death metal band that has walked the line between old school death metal and contemporary influences without stumbling. Fronted by Bangladeshi-born guitarist and vocalist Obliterator, the band was founded and is firmly based in Germany. When KHNVM entered the scene with their debut album "Foretold Monuments of Flesh" on Testimony Records in 2019, they were immediately met with acclaim both from critics and fans alike. In the wake of the second album, "Portals to Oblivion" (2021), KHNVM began to perform live. Meanwhile, KHNVM have toured, entered stages at many festivals, and played headliner and support shows across Europe. With "Cosmocrator", KHNVM offer a dual approach: The easy way is to enjoy the album simply for its outstanding musical merit. Yet there is also the far more winding path to take with its intricate lyrics and rich thoughts to be analysed, explored, and discussed for many years to come - and new meanings to be found as well as discoveries of fresh ideas to be made with each new turn!

The long Canadian winter has many voices, but few speak with the introspective clarity of Finnr’s Cane. Emerging from the icy expanse of Sudbury, Ontario, the duo’s self-titled fourth album is a meditation on transition: the slow dying of autumn, the silence of snowfall, and the liminal space between nature and civilisation.

Though rooted in atmospheric black metal, Finnr’s Cane forgo many of the genre’s conventions. There is no bass guitar; instead, low-end warmth and mournful resonance are carried by cello and keyboard, lending the music an organic, almost spectral quality. Rather than follow rigid structures, their songs unfold through improvisation, guided by mood and instinct.

Comparable in spirit to acts like Wolves in the Throne Room, Agalloch, and Fen, Finnr’s Cane tread a kindred path but speak in a voice entirely their own – one that has resonated since their 2010 debut, “Wanderlust”, and continued through critically acclaimed releases on Prophecy Productions and Frostscald Records. This latest work marks their first collaboration with Nordvis, a natural home for their singular vision.

"The viking metal skald, Burden of Ymir, has returned with a renewed sense of ferocity and a tale of myth, magick, and struggle on the epic sixth full-length album, The Long Winter."