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Following the incredible success of the debut, the second full length, entitled ”Militant, Penitent, Triumphant”, builds on this rock solid foundation. It showcases the unique sound and song structures that so many people appreciated about “Six Voices Inside”, thus making it instantly recognizable as none other than Faidra. To keep that typical sound and atmosphere was indeed a very conscious decision. The familiar structures, ambient synth sounds and slow tempos from the first album are present and continue that tradition, while also including occasional new elements and influences.

The work on this new album started almost immediately after the release of the debut album, knowing that it would take a long time to complete because of rather limited free time. The project was worked on from time to time during almost three years without a consistent work flow, where sometimes months passed by without a single note recorded.

Where the debut tackled a lot of different subjects, the new album has a very specific theme running through almost every track. The larger concept handles the themes of sin, penitence and redemption; also mirroring the title of the album, which are the three states of the Catholic church.

While work continues towards materializing Aethyrick's fifth full-length album, the two-headed serpent strikes from the womb of spring with a new EP entitled Kolme veljestä. As the name of the EP already suggests, on this special release the band pays homage to their Finnish roots with lyrics entirely in their native language (physical releases come with English translations). Released on April 9th, the Day of the Finnish Language, Kolme veljestä EP contains three monoliths of atmospheric black metal witchcraft with a total playing time of 27 minutes

Twelve years after its original release, Nordvis proudly presents this remastered version of Waldgeflüster’s “Femundsmarka – Eine Reise in drei Kapiteln”. The album chronicles a trek undertaken by the band’s mastermind, Winterherz, and his brother, P, through the Femundsmarka National Park in Norway.

Building on a foundation of atmospheric black metal, Winterherz uses various samples of wilderness and sea to weave a sonic tapestry that blends seamlessly with meticulously crafted acoustic melodies. Instrumental interludes play a pivotal role, serving as introductions, transitions, and a grand finale – all enhancing the conceptual nature of the album. The vocal performances of both brothers intertwine harmoniously, complementing each other's strengths. Their diverse range, from powerful growls to ethereal chants, adds depth and intensity to the music, creating a captivating blend.

Prepare yourself for an unforgettable musical odyssey; let Waldgeflüster transport you to untamed realms, where the beauty of nature meets the raw power of black metal. Open your heart, close your eyes, and embark on an extraordinary escapade.

Tracklist:

Forndom was born as a reflection of bygone days – of the forests and open landscapes of central Sweden, as well as its historical heritage. Similarly, coinciding with the project’s nine-year anniversary, Ludvig Swärd muses over his own musical past.

Following the enthusiastic reception of “Och med vinden ack de gunga” – Ludvig’s re-envisioning of his droning masterpiece “Jag vet ett tempel stå" - comes “Alster”, a piano work of contemporary classical with a distinct Scandinavian atmosphere. Six Forndom compositions in brand new interpretations alongside "Aska", a fresh take on an old unreleased song.

In the remote forests of north-eastern Finland, a primal force has been unleashed. Noitila, translated roughly as ‘Witches’ Bay’, resonates with the ancient echoes of a sacred land where worlds and energies intersect.

Conceived and recorded in a family cabin, employing minimalist equipment and instruments, “Langennut” captures an authenticity that is as powerful as it is pure. The band used an old leather chair as a bass drum, recorded acoustic guitars in the open forest, and wrote lyrics through psychography. No metronome, three microphones, and a passion for the ancient sounds of Ildjarn, Ulver, Isengard, Bathory, Satyricon, Tulus, and Beherit – this is black metal distilled to its essence. Primitive, soulful, and unfiltered.

Special promo price to launch new album, due out May 2025!!

Four panels digipak with booklet

The long work is coming to an end: Italian/Polish black metal band Amalekim, with a new line-up, is ready to reveal their latest work, Avodah Zarah. 

Once again, the ultimate aim is to question all that is sacred and all that is profane in this age of ours. Avodah Zarah contains many influences and many different experiences, both on a musical and a personal level, seeking to present itself as something new in the purest tradition of the genre. With this work, Amalekim decisively turn over a new leaf compared to their previous work, HVHI, with conceptual and musical maturity, seeking to maintain the melodic aspects that distinguish them, implemented by dissonances and greater compositional complexity.

Avodah Zarah revolves around the concept of the inversion of values, taking much from the Old Testament tradition, occultism and alchemy, always in an attempt to bring to the ears and eyes (starting from the cover) of the listeners an ever-present revolt, but without the obviousness and generality that too often mark today's world.

Fourth studio album of DEN SAAKALDTE.

DEN SAAKALDTE is the brainchild of guitarist Sykelig, established back in 2006, after Sykelig relocated from Hellas to Norway. The band started as a one man project but soon included in its ranks members such as Kvarforth (Shining), S. Winter (ex-Gehenna), Seidemann (1349) and Øyvind Hægeland to name a few. 

Through its years of existence, DEN SAAKALDTE released "Øl, Mørke og Depresjon" (2008), "All Hail Pessimism" (2009) and "Kapittel II: Faen i Helvete" (2014), along with a number of split EPs with notable bands such as Shining, Horna, Varathron and Principality of Hell. 

The band's current line up consists of guitarists Sykelig and Fineidet, bassist Skoll (Arcturus, Ved Buens Ende), drummer Tybalt (ex-Pantheon I) and vocalist Svik.

digipak CD
HIEMS is a one-man, avant-garde black metal band launched in 1996 by Italian songwriter & multi-instrumentalist Alessandro "Algol" Comerio. "Stranger in a Wasteland" marks his third outing and is the sound of an artist confident in his craft. Recorded during lock-down, the music captures the dismal feelings of alienation and detachment, and translates them into malevolent, minimalistic and non-canonical  black metal, infused with dark hard rock and ominous grooves. In comparison with "Worship or Die" - the second and last installment from 2009 - "Stranger in a Wasteland" boasts a much clearer and refined production, which added a commanding character to the vocals, exposed the weight of the guitars, and sharpened the overall listening experience. The topic of death - closely followed by a sense of not belonging - is equally present in the musical and lyrical layer of the album.

WEREWOLF RECORDS is proud to present the surprise second album of Finland's GRIEVE, Wolves of the Northern Moon

It was but 2020 when GRIEVE emerged from the darkness with their self-titled debut EP. Although otherwise meant to exist strictly in that darkness, it was soon discerned that the band included veritable Finnish black metal royalty within its ranks. Nevertheless, the swiftly uncompromising nature of Grieve was felt: Northern Black Metal Exclusively From the 1990s. No more, no less, no progression, no fun.

And then, at the dawn of 2020 came GRIEVE's first - and, at the time, final - album. Aptly titled Funeral, the record was a fiercely focused one, solely featuring funereal marches by V-Khaoz and last rites by Werwolf. Beyond cold, utterly grim, violent and restrained simultaneously, Funeral was a record out of time, one where the last couple decades of "black metal" never existed. And then GRIEVE ceased to exist.

But, obeying only nature and will, GRIEVE have arisen from their own self-imposed grave with the second full-length Wolves of the Northern Moon. "We said we’d end the project for good, but we lied," state the band about that grave. "We exhumed it." Indeed, the exhumation also includes a nastiness last found on such Nordic classics as Kronet til konge, Pentagram, Til evighet..., or even Black Thrash Attack. Essentially, then, GRIEVE's ethics have not changed (nor should they have to), but one can nonetheless find here a pronounced asskicking sensibility that adds further antagonization to trendy ears as well as a noble march to mystical victories. "Eternal Winter, Eternal War": These Wolves of the Northern Moon are on the hunt - and you're next!

https://www.discogs.com/release/7876472-Dark-Sanctuary-Exaudi-Vocem-Meam-Part-1

This compilation includes the only self-titled demo of the band from ’91 when they still played dark death metal, the infamous self titled EP from ’91 and 2 rehearsal-songs from ’92.
All carefully remastered for this DSR reissue by Patrick W. Engel at Temple of Disharmony..

Officially licensed from Immortal.

Jewel-case CD, 16-page booklet.