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From their first two demos in 2018 and then their breakout self-titled debut album the following year, NACHTIG have stormed the gates of sadness with some of the most soul-penetrating black metal melancholy of recent times. Mainman V. V. is no stranger to the scene, of course, numbering as he does labelmates VALOSTA VARJOON and COSMIC BURIAL, but NACHTIG is arguably his most personal project, on myriad levels. The successive Der stille Wald full-length in 2021 proved this with a passion and poignancy that was spellbinding - and spellbindingly SAD - to behold.
That album maintained a monolithic aspect at a towering 55 minutes, and thus does NACHTIG return with a comparatively more compact record in Eisig' Romantik. It's still epic, to be sure - four songs in 45 minutes, each one hovering around the 11-minute mark - but it's the sensations within that truly render the album an EPIC of breathtaking, daresay-beautiful sadness. Its predecessor spiritually nodded to early '90s doom-death, with the Spartan piano of yore largely replaced by a haunting fog of synths; Eisig' Romantik maintains a purer black metal core, but the synths hover ever more dramatically here, often directing the crescendo of emotion to cathartic heights - or, rather, depths. But it's V. V.'s characteristically heartaching riffing that really pushes the record into the halls of greatness, as layers of majestically melancholic riff seamlessly twine into said synths and utterly damning catharsis continues as each minute builds and blends and builds some more, all without dipping down the tempo. There's actual energy to this sadness, and it MOVES.
From their first two demos in 2018 and then their breakout self-titled debut album the following year, NACHTIG have stormed the gates of sadness with some of the most soul-penetrating black metal melancholy of recent times. Mainman V. V. is no stranger to the scene, of course, numbering as he does labelmates VALOSTA VARJOON and COSMIC BURIAL, but NACHTIG is arguably his most personal project, on myriad levels. The successive Der stille Wald full-length in 2021 proved this with a passion and poignancy that was spellbinding - and spellbindingly SAD - to behold.
That album maintained a monolithic aspect at a towering 55 minutes, and thus does NACHTIG return with a comparatively more compact record in Eisig' Romantik. It's still epic, to be sure - four songs in 45 minutes, each one hovering around the 11-minute mark - but it's the sensations within that truly render the album an EPIC of breathtaking, daresay-beautiful sadness. Its predecessor spiritually nodded to early '90s doom-death, with the Spartan piano of yore largely replaced by a haunting fog of synths; Eisig' Romantik maintains a purer black metal core, but the synths hover ever more dramatically here, often directing the crescendo of emotion to cathartic heights - or, rather, depths. But it's V. V.'s characteristically heartaching riffing that really pushes the record into the halls of greatness, as layers of majestically melancholic riff seamlessly twine into said synths and utterly damning catharsis continues as each minute builds and blends and builds some more, all without dipping down the tempo. There's actual energy to this sadness, and it MOVES.
Back in 2021, B.Kråbøl (MISOTHEIST) wrote, performed and recorded a lengthy EP on his own in one weekend. The result? Simply fantastic. More downthrodden and dark, minimalistic and ugly than the debut album, yet still ENEVELDE through and through. With vocals to die for, Kråbøl yet again proves his talents, not only as a vocalist, but as a multi-instrumentalist and composer.
Entitled Gravgang (Catacomb), this is definitively not a jolly ride, quite the contrary.
March into darkness to the hypnotic hymns of Enevelde...
Back in 2021, B.Kråbøl (MISOTHEIST) wrote, performed and recorded a lengthy EP on his own in one weekend. The result? Simply fantastic. More downthrodden and dark, minimalistic and ugly than the debut album, yet still ENEVELDE through and through. With vocals to die for, Kråbøl yet again proves his talents, not only as a vocalist, but as a multi-instrumentalist and composer.
Entitled Gravgang (Catacomb), this is definitively not a jolly ride, quite the contrary.
March into darkness to the hypnotic hymns of Enevelde...
What better timing to release the second fullenght of ENEVELDE, aptly entitled En Gildere Død (A Grandiose Death)!
As humankind drowns in death in all it's shapes and sizes, we can all relate in unison to the current state of the world today. Will we survive another night, and who will live to tell!?
By now a household name here at Terratur Possessions, ENEVELDE continues to deliver cleverly arranged Black Metal, ranging from mid-tempo blackness and raging aggression, to epic madness and beauty.
Written, recorded and performed by B.Kråbøl (MISOTHEIST), featuring M.Hellem on bass and several other guest appearances
What better timing to release the second fullenght of ENEVELDE, aptly entitled En Gildere Død (A Grandiose Death)!
As humankind drowns in death in all it's shapes and sizes, we can all relate in unison to the current state of the world today. Will we survive another night, and who will live to tell!?
By now a household name here at Terratur Possessions, ENEVELDE continues to deliver cleverly arranged Black Metal, ranging from mid-tempo blackness and raging aggression, to epic madness and beauty.
Written, recorded and performed by B.Kråbøl (MISOTHEIST), featuring M.Hellem on bass and several other guest appearances
Collector's Edition in 8-panel digipack, limited to 1000 copies.
"20 Jahre", or simply "XX", as it is also called, is a special release with selected songs from the very early days of Horn that were completely redone and re-recorded in the current Horn style, making this sound almost like a brand new album. It is a co-release between Horn and Northern Silence Productions.
Snorlax was born in unexpected circumstances during an experimental recording session in mid-2017 at Black Blood Audio in Brisbane, Australia. Recording engineer Brendan Auld stumbled upon the sound and found the voice of Snorlax while trialing new recording techniques. Following the stream of ideas and sounds that ensued, the result was what later became the unmastered release of The Splintering Demo. Having only played drums for a few short years at that point, Brendan's expectations were low, yet the release grabbed the attention of many black metal enthusiasts including Caligari Records, Jef Whitehead of Leviathan and even made #2 on a 2017 Decibel Magazine list of "Must Listen Underground Demos" compiled by the late Trevor Strnard of The Black Dahlia Murder.
Honing in on the Snorlax sound even further in 2020 with the release of II via Brilliant Emperor Records, more death metal-inspired elements began creeping into the foreground and soon the label "blackened death" was attached to project.
Jumping forward to 2023, Snorlax is set to release its third composition, mysteriously titled The Necrotrophic Abyss. Much like II, this full-length release clocks in at just under 30 minutes, delivering a concise, ruthless display of sonic violence and despair. This album is presented as a concept, with an overarching story that flows throughout, each song a chapter depicting a world so vile its own death is forced by the hands of nature. In the second half of the record Brendan introduces some new voices and layers of collaboration as the planet is laid to waste for eons resulting in a desolate baron abyss only creatures of the undead have a chance of surviving. The album closes with a slight glimpse of hope as the story eludes to an unlikely rebirth of evolution and a potentially inhabitable future after all.
This dark narrative is painted only by the lyrics, the music never loosening its grip, staying trve to the perpetual paralysis proclaimed on track 1 of the Snorlax first release.
Snorlax was born in unexpected circumstances during an experimental recording session in mid-2017 at Black Blood Audio in Brisbane, Australia. Recording engineer Brendan Auld stumbled upon the sound and found the voice of Snorlax while trialing new recording techniques. Following the stream of ideas and sounds that ensued, the result was what later became the unmastered release of The Splintering Demo. Having only played drums for a few short years at that point, Brendan's expectations were low, yet the release grabbed the attention of many black metal enthusiasts including Caligari Records, Jef Whitehead of Leviathan and even made #2 on a 2017 Decibel Magazine list of "Must Listen Underground Demos" compiled by the late Trevor Strnard of The Black Dahlia Murder.
Honing in on the Snorlax sound even further in 2020 with the release of II via Brilliant Emperor Records, more death metal-inspired elements began creeping into the foreground and soon the label "blackened death" was attached to project.
Jumping forward to 2023, Snorlax is set to release its third composition, mysteriously titled The Necrotrophic Abyss. Much like II, this full-length release clocks in at just under 30 minutes, delivering a concise, ruthless display of sonic violence and despair. This album is presented as a concept, with an overarching story that flows throughout, each song a chapter depicting a world so vile its own death is forced by the hands of nature. In the second half of the record Brendan introduces some new voices and layers of collaboration as the planet is laid to waste for eons resulting in a desolate baron abyss only creatures of the undead have a chance of surviving. The album closes with a slight glimpse of hope as the story eludes to an unlikely rebirth of evolution and a potentially inhabitable future after all.
This dark narrative is painted only by the lyrics, the music never loosening its grip, staying trve to the perpetual paralysis proclaimed on track 1 of the Snorlax first release.
Claustrum is an old school death metal trio born someplace between Trieste and Gorizia, in north-eastern Italy, featuring members from Grime, Affliction Vector, Fierce and Dromme, all brought together by a feral passion for the death metal of old. Drawing their inspiration from sci-fi, horror, authors like Poe and Lovecraft and the misery of human existence, in their debut, self-titled album Claustrum delivers some crypt-reeking, disturbing death metal, heralding the impending Apocalypse.
The Latin word Claustrum stands for a thin sheet of gray matter that connects to cortical and subcortical regions. It is considered the most interconnected structure within the telencephalon, that allows for the integration of multiple cortical stimuli, such as visual, acoustic and tactile. It is commonly considered the area of the human brain where the soul resides.
But Claustrum is also an enclosed space, a fence, a prison. As the band explained: “Claustrum to us also means separation from the rest of the world. The record was born during a period of confinement due to the pandemic and for this reason it is above all an outlet, something authentic and spontaneous with which to release negative energies that have been compressed for too long. That's why during this separation for us it was paramount to rely on certainties. And those certainties are liturgies written by Autopsy, Asphyx, Death and Incantation”.
Four panels digipack Limited to 200 copies
Includes unlimited streaming of Salt via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
