Osmose

"Reuniting together on one supreme release, the exclusive songs that originally appeared on the 2012 split album with Monarque, and the four epic tracks that graced the 2016 split release with French black metallers ENDE, originally know as "Le Puits Des Morts". The dark hymn "Le Puits Des Morts" is featuring important figures of the Métal Noir Québécois scene as guest vocalists, including Athros (Forteresse), Blanc Feu (Cantique Lépreux / Chasse-Gallerie), Monarque (Monarque / Sanctuaire), Nordet (Brume d'Automne). It also features I. Luciferia from ENDE with guest backing vocals.
"Sous La Lune Noire" present some of their darkest and evil material, but also have epic and highly atmospheric moments."

200x heavyweight marble (white/black) 12" (180g) in a microtene innerbag; printed innersleeve full-color printed on 220g; download card; jacket, full-color printed on 350g carton, all assembled in a plastic overbag.

"Monuments Anciens" is a collection of exclusive tracks along with instrumental demo recordings from Sorcier Des Glaces. Some of them were recorded back in 2001 on an old tape-recorder, which later versions of these songs ended-up on the third Sorcier Des Glaces album "The Puressence of Primitive Forests".
It also features exclusive tracks that were intentionally recorded with raw production in 2010/2011.

"Monuments Anciens" offers some of the rawest and very primitive Sorcier Des Glaces material, always picturing the black, cold & evil world SDG is known for".

Re-amping, & remastered at WSL studio by Patrick Guiraud.
New artwork by David Thierrée, and complete new layout.

200x heavyweight white with black marble effect 12" (180g) in a microtene innerbag, innersleeve full-color printed on 220g, download card, jacket full-color printed on 350g, all assembled in a plastic overbag.

"Sorcier Des Glaces' second offering to the mortal world was recorded just two years after the very first album, in August 1999. Nevertheless, the maturity of their sound and composition is perceptible. It's no longer a one-man band this time, involving Luc more extensively, who this time records all the drum parts and also participates in the elaboration of several keyboard parts. The infernal duo is officially up and running.

With its icy atmosphere and dark yet melodic compositions reflecting the northern forests of Quebec, "Moonrise in Total Darkness" defines a young band still in exploration mode. Certainly more raw in its aestheticism than the band's more recent material, but with an authenticity that has forged their identity over the years".

Re-issue, 300x heavyweight marble (white/black) ) 12" (180g) in a microtene innerbag, innersleeve printed, black & white on 220g carton (coated paper), jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

"The Puressence of Primitive Forests" is the third chapter of the Sorcier Des Glaces story, and was originally released in 2011. Recorded no less than 11 years after the previous album, the band's sound took a more old school and darker turn, a little less atmopheric while still being characterized by an extreme coldness, like an icy Nordic wind blowing.

This is the first album where the band says goodbye to keyboards, replacing them with a wall of lead guitars instead. Sorcier Des Glaces also pays tribute to the Hungarian band "Tormentor", with the cover of "Tormentor I".

200x heavyweight marble (white/black) ) 12" (180g), in a microtene innerbag, printed innersleeve, full-color on 220g carton, download card, jacket full-color printed on 350g carton, all assembled in a plastic overbag.

Snowland" is the very first chapter of Sorcier Des Glaces, the spark that made the original flame grow. This first draft was certainly very raw, tinged with innocence and spontaneity.
A blizzard had just broken out, in the eternal winter that had just set in.

Snowland is cold, really cold, pure, lo-fi in the extreme, achieving the very first goal of what Sorcier Des Glaces wanted to evoke in the eyes of the world. Expressing disgust with the human race by exiling himself to its own snowland, the melodies evoke a certain romanticism of the great Nordic forests. He is then alone to begin his reign on his night's throne.

Re-amping, & remastered at WSL studio by Patrick Guiraud.
New artwork by David Thierrée, and complete new layout.

300x heavyweight marble white/black 12" (180g) in a microthene innerbag, printed innersleeve, black & white on 220g carton, download card, jacket, black & white printed on 350g carton, all assembled in a plastic overbag.

"Ritual of the End" is the fifth conjuring from Sorcier Des Glaces. It represents the annihilation of the human race, through seven blackened incantations.
The sound of SDG evolved a lot on that album, getting heavier, faster and darker, but always retaining a strong melodic core.
Sorcier Des Glaces delivers again their Cold Primitive Metal sound straight from the northern forests of Québec. Feel the darkness that penetrates you...

200x heavyweight marble (white/black) ) 12" (180g) in a microtene innerbag, pinted innersleeve full-color on 220g; download card; jacket full-color printed on 350g, all assembled in a plastic overbag.

North" is a special chapter for Sorcier Des Glaces. Having been composed and partially recorded at the same time as "Snowland MMXII" and "Ritual of the End", this chapter was experimented with a much more powerful and cleaner production.

Some moments of very fast blast beats, others calmer and more atmospheric, North is like a journey beyond the black glaciers, on a northern restless sea filled with human souls that have been banished from this world long ago.

The song "North" was written in 1995, and was originally intended for the former band Moonlyght, of which both members of Sorcier Des Glaces were members.

200x heavyweight marble (white/black) 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g, download card, jacket, full-color printed on 350g, all assembled in a plastic overbag.

Sargeist returns with an all-new entry into the black metal genre.
They take their sound and refine it into an unrelenting machine of darkness.
They keep all of their bass-lines that they're known for and amplify them into some of the best hearing in a long time. The guitar riffs are second to none. You seriously get the idea that Shatraug, Hoath Torog and Horns spent a lot of time sifting through different sounds and styles to try and find the best possible sound for this release. The drums, although sometimes a little too repetitive, sound top notch most of the time.
The band blends all these together to make some of the most melodic, dark and cold parts, to the most raw, brutal and intense parts.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

Re-issue, 500x marble milky clear/black 12" (140g) in a black poly-lined innersleeve, poster A2 black & white printed on 150g art-paper, gatefold cover black & white, printed on 350g carton, all assembled in a plastic overbag.

"To Lunar Poetry" is a full-length album that contains the new versions of timeless classics from the "Lunar Poetry" demo that were written by the band (thus leaving in 1996 the material from other authors that was present of the demo). Beyond this, new album brings forth the renewed Return of the Vampire Lord epic initially released in 1997 on the EP of the same name and new full-force intro composition.

600x heavyweight black 180g 12"LP in a white paper sleeve, gatefold cover, full colors printed on 350g carton, 36 page LP size booklet 160g art paper full colors, all assembled in a PVC overbag.

With “For Those Who Stay”, the cursed phalanx is back with its wildest work to date!
11 new uncompromising titles to continue the trilogy, started on Osmose Productions, with “The Veil Of Darkness” (2019) and “Traditio Satanae” (2021). Sharp guitars, thumping drums, sense of melody, Gorgon continues to impose its vision of Black Metal which started in 1991.
The Scriptures talk about the 7 deadly sins, the 7-headed beast of the Apocalypse, they will soon talk about the band's 7th album.

300x heavyweight aqua blue 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, download card, jacket, full-color printed on 350g carton, all assembled in a plastic overbag.

Open the mouth of Hell: Filii Nigrantium Infernalium, classical portuguese maniac Black Metal pioneers, deliver their 4th album for Osmose Productions.
Crushing, demented production and compositions. Blasphemous disconcerting artwork by cult artist Paolo Girardi. Forged out from the pandemic, this masterpiece is raw, baroque and complexly straight to the point, an unpredictable, insane labyrinth of sound and words.
Sacrilegious and offensive speedthrashblackmetal, grotesque sinister gloom, venomous sarcasm ranging from old school heavy metal to dark sharpened doom and relentlessly wild blasting beats' devastation.

200x oxblood 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, download card, jacket full-color printed on 350g carton, all assembled in a plastic overbag.

"Monuments Anciens" is a collection of exclusive tracks along with instrumental demo recordings from Sorcier Des Glaces. Some of them were recorded back in 2001 on an old tape-recorder, which later versions of these songs ended-up on the third Sorcier Des Glaces album "The Puressence of Primitive Forests".
It also features exclusive tracks that were intentionally recorded with raw production in 2010/2011.

"Monuments Anciens" offers some of the rawest and very primitive Sorcier Des Glaces material, always picturing the black, cold & evil world SDG is known for".

"The Puressence of Primitive Forests" is the third chapter of the Sorcier Des Glaces story, and was originally released in 2011. Recorded no less than 11 years after the previous album, the band's sound took a more old school and darker turn, a little less atmopheric while still being characterized by an extreme coldness, like an icy Nordic wind blowing.

This is the first album where the band says goodbye to keyboards, replacing them with a wall of lead guitars instead. Sorcier Des Glaces also pays tribute to the Hungarian band "Tormentor", with the cover of "Tormentor I".
 

Ritual of the End" is the fifth conjuring from Sorcier Des Glaces. It represents the annihilation of the human race, through seven blackened incantations.
The sound of SDG evolved a lot on that album, getting heavier, faster and darker, but always retaining a strong melodic core.
Sorcier Des Glaces delivers again their Cold Primitive Metal sound straight from the northern forests of Québec. Feel the darkness that penetrates you.

With “For Those Who Stay”, the cursed phalanx is back with its wildest work to date!
11 new uncompromising titles to continue the trilogy, started on Osmose Productions, with “The Veil Of Darkness” (2019) and “Traditio Satanae” (2021). Sharp guitars, thumping drums, sense of melody, Gorgon continues to impose its vision of Black Metal which started in 1991.
The Scriptures talk about the 7 deadly sins, the 7-headed beast of the Apocalypse, they will soon talk about the band's 7th album.

CD jewelcase with 8 page booklet 145g art paper, sealed.

Open the mouth of Hell: Filii Nigrantium Infernalium, classical portuguese maniac Black Metal pioneers, deliver their 4th album for Osmose Productions.
Crushing, demented production and compositions. Blasphemous disconcerting artwork by cult artist Paolo Girardi. Forged out from the pandemic, this masterpiece is raw, baroque and complexly straight to the point, an unpredictable, insane labyrinth of sound and words.
Sacrilegious and offensive speedthrashblackmetal, grotesque sinister gloom, venomous sarcasm ranging from old school heavy metal to dark sharpened doom and relentlessly wild blasting beats' devastation.

CD jewel case with 8 page booklet 145g art paper, sealed.

Belgian speed metallers Bütcher have exploded onto the scene and have been making a name for themselves internationally. Their music caters to the blackened souls who love old school speed, thrash, heavy and black metal. Cuts such as Iron Bitch, 45 RPM Metal and 666 Goats Carry My Chariot are now part of the canon of the old school metal community.

After an avalanche of successful shows and festivals throughout Europe they are proud to present their 3th LP “ON FOWL OF TYRANT WING”. After the rabid debut “BESTIAL FÜKKIN' WARMACHINE” (Babylon Doom Cult Records, 2017) and the heralded sophomore album “666 GOATS CARRY MY CHARIOT” (Osmose Productions, 2020), they delve deep into their specific mixture of the golden 80's and extreme 90's.

BÜTCHER have always mixed ancient speed and thrash metal with NWOBHM, classic hard rock and black metal. On side A of the new album, they continue their very own legacy. On side B they double down on that premise. It's a concept side with an overarching unique story (written by R Hellshrieker) and a fully composed tour de force (by KK Ripper) where tempo changes, interwoven melodies, sitars, organs and various percussion instruments create an unexpected musical journey.

Heavy, death and black metal counter the speed metal and nobody will see it coming. Both progressive and very traditional, this album is sure to opiate fans and critics alike.

400x heavyweight orange crush 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g, download card, gatefold jacket, full-color printed on 350g carton, all assembled in a plastic overbag.

"Snowland" is the very first chapter of Sorcier Des Glaces, the spark that made the original flame grow. This first draft was certainly very raw, tinged with innocence and spontaneity.
A blizzard had just broken out, in the eternal winter that had just set in.

Snowland is cold, really cold, pure, lo-fi in the extreme, achieving the very first goal of what Sorcier Des Glaces wanted to evoke in the eyes of the world. Expressing disgust with the human race by exiling himself to its own snowland, the melodies evoke a certain romanticism of the great Nordic forests. He is then alone to begin his reign on his night's throne.

Re-amping, & remastered at WSL studio by Patrick Guiraud.
New artwork by David Thierrée, and complete new layout.

Re-issue, 4 page booklet 145g in a jewel case, sealed.

"Sorcier Des Glaces' second offering to the mortal world was recorded just two years after the very first album, in August 1999. Nevertheless, the maturity of their sound and composition is perceptible. It's no longer a one-man band this time, involving Luc more extensively, who this time records all the drum parts and also participates in the elaboration of several keyboard parts. The infernal duo is officially up and running.

With its icy atmosphere and dark yet melodic compositions reflecting the northern forests of Quebec, "Moonrise in Total Darkness" defines a young band still in exploration mode. Certainly more raw in its aestheticism than the band's more recent material, but with an authenticity that has forged their identity over the years".

Re-issue, 4 page booklet 145g in a jewel case, sealed.

Sargeist has always had an interesting atmosphere, and it's rather hard to describe. Imagine if Mütiilation's predilections for drugs, suicide, and Satan were celebrated instead of mourned and you have a good idea.
Sargeist's music is always vaguely disgusting and filthy yet resolutely proud of its own decay-hedonistic and excessive, like Caligula-era Rome. Well, if you want filth-caked black metal, it's hard to find a better example in the Sargeist catalog than this demo. Sargeist has never sounded so sleazy as on tracks like 'Anti-Human Black Metal Wrath', where the strains of 'Deathcrush'-era Mayhem come home to roost in a short, violently rhythmic track. The production only aids the oily, viscous feeling of these songs, with the murky guitars and drums moving like a sea of raw sewage under the perpetually hissing and howling vocals. It's definitely a good example of rawness used to aid music rather than detract from it.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight marble (transparent bloodred/black) 12" (180g) in a microtenne innerbag, innersleeve printed, black & white on 220g carton (coated paper); poster black & white, 280x430mm on 150g art-paper, simple jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Grim Nihlistic Black Metal. This is a cold as death, Black Metal masterpiece!! Featuring members of HORNA & BEHEXEN, this is the Finnish BM supergroup! Perhaps the coldest release since DARKTHRONE's "Under A Funeral Moon"!

The riffing is fast, melodic, and in pure Finnish/Norwegian black metal roots heritage.

The band's melodic quality shines best in the track ‘Sargeist' on this album. It's absolutely heart wrenching. Dripping with anger and emotion. Regret, sorrow, hatred, ready to end it all. No Funeral. This is the real fucking deal.

Sargeist does a brilliant job breaking from blast-beats into a head banging steady rhythm that keeps me tapping my boot through the song at different rhythmically timed formations. It's in many ways traditional shit, done better than most groups out there.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight bloodred with black marble 12" (180g) in a microtene innerbag, printed innersleeve, black & white on 220g carton, poster 2pp, black & white, 280x430mm, 150g art-paper, jacket, black & white printed on 350g carton, all assembled in a plastic overbag.

Those Who Reign Below is the 8th studio album in the purest tradition of old school death metal, a work of musical impiety, a death metal as hateful as much as aggressive, switching imposing mid-tempos and demonic accelerations, sulphureous melodies and vocals straight from the devil's forge. An aura of evil surrounds each track, in a veritable debauchery of hate that gives the impression of having witnessed the manifestation of the devil.

This album represents the extreme and uncompromising side of MERCYLESS, which has grown steadily over the years, in a blasphemous symphony inherited from the 90s Death Metal.
The cover was designed by Mexican artist Nestor Avalos, whose talent represents all the darkness emanating from this album. The production was entrusted to Raph Henry of HELDSCALLA studio, who sculpted a sound highly representative of the violence and anger of this extreme and irreligious music.

It's a tribute to the underground, to the man who blends in with the crowd and takes on a presence so frightening that he's so clearly recognizable... the Devil... on his throne, majestic and merciless!"

300x heavyweight bloodred 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, download card, gatefold jacket, full-color pinted on 350g carton, all assembled in a plastic overbag.

Those Who Reign Below is the 8th studio album in the purest tradition of old school death metal, a work of musical impiety, a death metal as hateful as much as aggressive, switching imposing mid-tempos and demonic accelerations, sulphureous melodies and vocals straight from the devil's forge. An aura of evil surrounds each track, in a veritable debauchery of hate that gives the impression of having witnessed the manifestation of the devil.

This album represents the extreme and uncompromising side of MERCYLESS, which has grown steadily over the years, in a blasphemous symphony inherited from the 90s Death Metal.
The cover was designed by Mexican artist Nestor Avalos, whose talent represents all the darkness emanating from this album. The production was entrusted to Raph Henry of HELDSCALLA studio, who sculpted a sound highly representative of the violence and anger of this extreme and irreligious music.

It's a tribute to the underground, to the man who blends in with the crowd and takes on a presence so frightening that he's so clearly recognizable... the Devil... on his throne, majestic and merciless!"