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The Crestfallen was Anathema's debut release for Peaceville and contained re-worked tracks from the legendary All Faith Is Lost demo in addition to new material.
Although sounding very different from what Anathema became, The Crestfallen clearly shows a band with an exceptional grasp of melody and atmosphere.
The brooding doom-heavy compositions and poetic landscapes effortlessly fluctuate between brutality (accentuated by the 'growled' vocals of then singer Darren White) and beauty on tracks such as The Sweet Suffering and the now classic They Die.
The Crestfallen set the stage for Anathema's debut full-length LP Serenades, which further expanded upon the band's singular approach and displayed a body of influences that stretched well beyond the confines of Metal.
The Crestfallen was recorded at Academy Studios (Paradise Lost, My Dying Bride, etc) in 1992, and was produced by Keith Appleton.
This edition is presented on 180g heavyweight black vinyl.
The gore legends release a new mini-album marking 30 years of aural sickness.
Digipack cd
The gore legends release a new mini-album marking 30 years of aural sickness.
Featuring guest appearances from Dimmu Borgir’s Silenoz and 1349’s Seidemann.
Primarily inspired by the works of Darkthrone & Burzum, Mork’s third album Eremittens Dal stands as a tribute to the spirit of old-school Norwegian Black Metal. Raw production and ice-cold riffs combine with the band's dynamic and atmospheric twists and the album effortlessly alternates between the ferocious and the melancholy. Covering themes of hate, death, seclusion and misanthropy, both lyrically and in the way that a one-man-band makes music in solitude, the music is perfectly fitting of the title (translated as Valley Of The Hermit).
The suitably grim pencil cover art comes courtesy of Jannicke Wiese-Hansen, who famously made artwork for early Burzum and Satyricon releases. Having featured guest vocals from Darkthrone’s Nocturno Culto on its previous album, Eremittens Dal includes special guest appearances from Dimmu Borgir's Silenoz who contributes vocals on two tracks, plus additional bass parts from 1349's Seidemann.
Double vinyl edition of Ophthalamia’s dark masterpiece from 1995, Via Dolorosa.
Sweden’s Ophthalamia was formed in 1989 by IT (known for his work in Abruptum). Ophthalamia was a fantasy-world created by IT and the songs were connected to stories based around this fantasy-world. Though the band could be classified as Black Metal, there is much more to Ophthalamia, with diverse Metal influences and Progressive passages, along with some strong atmospherics.
Via Dolorosa also includes a cover of the Mayhem classic, Deathcrush and the line-up featured IT (Tony Särkkä) with Legion (ex-Marduk), on vocals. Also appearing on the album was Emil ‘Nightmare Industries’ Nodtveidt and Winter (drummer for Swedish Death Metallers Edge of Sanity).
This vinyl edition of Via Dolorosa contains new liner notes from producer Dan Swano and Slayer Magazine’s Metalion, including their memories of Tony “IT” Särkkä, who died in February 2017.
Peaceville,180gm gatefold double black vinyl edition
Peaceville, double 180g black vinyl, gatefold cover, Unholy's classic debut album of mesmerizing Doom Metal, presented on vinyl for the first time. From the Shadows - released in 1993 - is known for possessing a dark textured Death/Doom Metal style mixed with unusual, often avant-garde, arrangements. Unholy?s willingness to experiment with sounds and moods helped create a strong and uniquely twisted atmosphere as slow pounding Doom Metal epics are aided by the presence of creeping synths
Peaceville, double 180g black vinyl, gatefold cover, Unholy, from Finland, formed in 1988 & were among the first doom metal bands from the country. Unholy's 1994 sophomore release presented on vinyl for the first time. The Second Ring of Power - originally released in 1994 - continued the boundary-breaking approach to experimental Doom Metal which the band had established with From the Shadows; mixing Metal with strong atmospherics and unusual structures
Double 180g black vinyl, gatefold cover, The acclaimed masters of British Extreme Metal make a triumphant return with their 2017 studio album, Renaissance In Extremis.
The third studio album of dark and disturbing experimentalism from the Norwegian Avant-Metal legends Fleurety.
Formed in 1991 and known for its boundary breaking approach to Metal, The White Death is Fleurety’s third full-length studio release and comes almost two decades after 2000’s Department of Apocalyptic Affairs.
Returning to the style of the legendary debut Min Tid Skal Komme (1995) - in a more experimental, sarcastic and concise way - The White Death captures a darker and more disturbing version of Fleurety than ever before: Embracing the strange and the abstract to create a wholly unconventional yet often poignant opus, both deep and raw in its expression.
The third studio album from US Death Metal masters Morta Skuld.
Originally released in 1995, For All Eternity exhibited a refreshing blend of heavy and brutal Death and Doom along with more atmospheric and, at times, melodic elements. Forging a different path from the straight forward high-octane Death Metal releases prevalent in the US scene at the time, this melody sensibility helped distinguish Morta Skuld from many of its peers.
The album notably features the song Germ Farm, originally by cult Death Metal act, Dr, Shrinker.
This edition of For All Eternity is presented with the original sleeve artwork, made by SV Bell (Rotting Christ).
The third studio album of dark and disturbing experimentalism from the Norwegian Avant-Metal legends Fleurety.
Formed in 1991 and known for its boundary breaking approach to Metal, The White Death is Fleurety’s third full-length studio release and comes almost two decades after 2000’s Department of Apocalyptic Affairs.
Returning to the style of the legendary debut Min Tid Skal Komme (1995) - in a more experimental, sarcastic and concise way - The White Death captures a darker and more disturbing version of Fleurety than ever before: Embracing the strange and the abstract to create a wholly unconventional yet often poignant opus, both deep and raw in its expression.
Pressed on 180g black vinyl, this is the first official release of recordings of the classic Mayhem line-up performing in Jessheim, Norway in 1990.
Live in Jessheim concludes Peaceville’s series of the legendary band's four recorded shows. Featuring the line-up of Euronymous, Dead, Hellhammer and Necrobutcher, this is one of only a handful of recordings featuring the Norwegian Black Metal quartet during arguably their most influential period, as they forged a truly unique sound (prior to going on to almost single-handedly inspire a whole scene).
This green vinyl edition of Live in Jessheim features audio taken from a new source. The release includes an 8 page booklet containing rare photos, extensive interviews with figures such as Snorre Ruch (Thorns, ex-Mayhem) and Maniac (ex-Mayhem), plus information on the events surrounding the show (which took place on 03/02/1990 and featured timeless Mayhem tracks, including Deathcrush, Funeral Fog and Freezing Moon).
Pre-album recordings from 1991 and 1992, created during Darkthrone's highly regarded transitional period as the band marched towards Black Metal infamy.
The Wind Of 666 Black Hearts contains tracks which would go on to feature on the classic A Blaze in the Northern Sky and Under a Funeral Moon albums. The A Blaze... rehearsal tracks feature the line-up of Nocturno Culto, Fenriz, Zephyrous and Dag Nilsen, while the Under a Funeral Moon rehearsal tracks saw Darkthrone narrowed to a 3-piece act, with Nocturno moving to bass and Zephyrous handling all guitars.
The recordings are taken from the band's rehearsal venue in Vinterbro.
CD edition including rare photos, lyrics, and liner notes from Fenriz.
Live 1990 with classic line-up:
Dead Euronymous Necrobutcher Hellhammer
with insert - Clear vinyl
Side A
1. Deathcrush
2. Necrolust
3. Funeral Fog
4. Freezing Moon
Side B
5. Carnage
6. Buried by Time and Dust
7. Chainsaw Gutsfuck
8. Pure Fucking Armageddon
