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Il carrello è vuoto
Il carrello è vuoto
Bezkres – Naturalna nietolerancja is a raw and uncompromising black metal statement forged in the spirit of the 90s underground. Cold, austere, and openly hostile, the album rejects human weakness, religious corruption, and false transcendence. Across nine tracks, spanning into 40 minutes, Bezkres channels nature as an ancient, merciless presence, older than belief, untouched by morality.
Portuguese black metal force IRAE return with their most ambitious work to date, In the Key of Twilight, a concept album about overcoming oneself, as a human, and as the man who made god. Across its bleak yet transformative soundscapes, the record explores opening doors, breaking barriers, and forging new paths, rising from extinction into the light.
Black vinyl
Riena are a brand-new duo hailing from the ever-fertile Finnish black metal underground, with Woewrb Korpinsiipi of Iätön among their ranks. Indeed, they're rooted in a foundation as equally old as those labelmates, but their particular dungeon of black metal is that of the deepest French and Finnish scenes of the late '90s: times of strife when the commercialization of "black metal" instigated in earnest a counterreaction of grim majesty. Riena effortlessly conjure those same spells across their public debut, the six-song / 28-minute mini-album Miekka ja Varjo. With Woewrb on vocals and rhythm guitar and Draghn on lead guitar, bass, and drums, the two men whip forth an alternately galloping / surging storm of hatred and despair. Raw yet righteous and mastered at Trollhouse Audio, the MLP sounds exceptionally era-authentic, with the lead-work ever so subtly suggesting newer dungeons to spelunk. This is Riena's first possession!
Jewelcase CD with labelprint (white base + offset print)- Standard jewelcase, black tray- 4-page booklet + inlay, 150g Serixo (Uncoated paper)- Packing, cellowrapping
4 panel digipak CD w/ matte printing lac + glossy UV spot
The re-release of CORPUS CHRISTII's The Fire God is truly an exciting event for fans of underground Black Metal. Originally released in 2001 by Hiberica and later reissued by Sadolust in 2006, the album has always been considered a vital part of the Portuguese Black Metal history. This edition marks the return of an essential piece of the genre that has been long sold out and in high demand.
The new edition features a re-arranged layout, includes the original tracklist, ensuring that the listener experiences the raw energy and atmosphere of the record as it was intended. Worth the mention, of Mayhem's iconic cover of "Buried by Time and Dust," which features a guest appearance by Necrobutcher on bass, making this release even more noteworthy for fans of both CORPUS CHRISTII and Mayhem alike.
Jewelcase CD w/ 4pp bookltet, printed on 180g paper
Limited to 100 pieces
KERZENLICHT carve his own path within the genre, blending primal energy with atmospheric, madrigal tones, cold and unforgiving as the northern wilderness itself!
Over 34 minutes of raw, atmospheric black metal, Castrivenian conjures vampiric mysticism, lycanthropic rage, and absolute misanthropy. Expect hypnotic riffs, spectral keyboards, and piercing screams echoing the true ’90s black flame, yet the essence remains uniquely Castrivenian. Hateful, haunting, and utterly devoted to the underground.
And so it goes with Dysylumn's long-awaited fourth full-length, Abstraction. Curiously titled, Abstraction is actually the duo's most immediate record in many a year; even on the surface, its five-song / 37-minute runtime seems relatively quick by comparison. However, to suggest that Dysylumn are shortchanging their still-swirling creativity by attacking more directly would be grossly missing the point. Gutted bass-throb and etheric guitar characteristically form the foundation, but here does the former sound more pensive and contemplative while the latter suitably slashes & surges with an unmatched amount of emotion. In fact, just isolating the guitar work of Sébastien Besson alone would render Abstraction an incredibly compelling experience, but his impassioned vocals along with the slippery-yet-stylish drumming of Camille Oliver Faure-Brac make the album an effortless exercise in point / counterpoint: a reinvigoration of black metal classicism on one hand and a defiant flipping of the script on the other, bypassing "progressive" and "post" tags not out of churlish disdain but rather as already-established signposts of no use to Dysylumn. Stargazing, wistful, and yet so full of vim and vigor - Abstraction hits emotional centers, HARD, without obfuscating their core creativity. From nascent flames to the final breaths of a flickering light...
And so it goes with Dysylumn's long-awaited fourth full-length, Abstraction. Curiously titled, Abstraction is actually the duo's most immediate record in many a year; even on the surface, its five-song / 37-minute runtime seems relatively quick by comparison. However, to suggest that Dysylumn are shortchanging their still-swirling creativity by attacking more directly would be grossly missing the point. Gutted bass-throb and etheric guitar characteristically form the foundation, but here does the former sound more pensive and contemplative while the latter suitably slashes & surges with an unmatched amount of emotion. In fact, just isolating the guitar work of Sébastien Besson alone would render Abstraction an incredibly compelling experience, but his impassioned vocals along with the slippery-yet-stylish drumming of Camille Oliver Faure-Brac make the album an effortless exercise in point / counterpoint: a reinvigoration of black metal classicism on one hand and a defiant flipping of the script on the other, bypassing "progressive" and "post" tags not out of churlish disdain but rather as already-established signposts of no use to Dysylumn. Stargazing, wistful, and yet so full of vim and vigor - Abstraction hits emotional centers, HARD, without obfuscating their core creativity. From nascent flames to the final breaths of a flickering light...
"My journey making this album started from an inner battle between spirituality and hatred," says Dark Divinator. "The endless struggle of life and death has been composed in the album, which translates to 'a trail from light to the shadows.'" Indeed, DARK DIVINATION carry a torch for yesteryear Finnish BM idioms. On first blush, the album bears the unmistakable stamp of Corvus-fronted Horna - thus, cast your mind back some 20 years - with a melodicism at once melancholic and triumphant, emotive and dead inside, leading the rubbed-raw surge. But as Liitto hengen ja veren plays on, a rugged mysticism emerges, with First Spell-casting synths enchanting to the extreme, and that melodicism begins morphing into other, less-obvious shapes. In that sense, DARK DIVINATION more so reignite the flame left behind by the likes of Cosmic Church, Rahu, Verge, Charnel Winds, and PANTHEON OF BLOOD. Any way you approach it, Liitto hengen ja veren spills vital blood into this exclusive canon.
"My journey making this album started from an inner battle between spirituality and hatred," says Dark Divinator. "The endless struggle of life and death has been composed in the album, which translates to 'a trail from light to the shadows.'" Indeed, DARK DIVINATION carry a torch for yesteryear Finnish BM idioms. On first blush, the album bears the unmistakable stamp of Corvus-fronted Horna - thus, cast your mind back some 20 years - with a melodicism at once melancholic and triumphant, emotive and dead inside, leading the rubbed-raw surge. But as Liitto hengen ja veren plays on, a rugged mysticism emerges, with First Spell-casting synths enchanting to the extreme, and that melodicism begins morphing into other, less-obvious shapes. In that sense, DARK DIVINATION more so reignite the flame left behind by the likes of Cosmic Church, Rahu, Verge, Charnel Winds, and PANTHEON OF BLOOD. Any way you approach it, Liitto hengen ja veren spills vital blood into this exclusive canon.
You who kneel before the frail architraves of the divine, behold the eruption of the Primordial Antagonist, whose essence subverts the very fabric of creation. This sonic compendium, forged in the crucible of 1990s orthodox Black Metal, is the anti-litany that decrees the corruption of the Seven Sisters—once pillars of cosmic harmony, now collapsed beneath the weight of absolute negation.
Each emanation of this opus is a syllogism of desolation, an ontological rupture that dissolves the illusion of order and enthrones the supremacy of malignant entropy. The Adversary offers no redemption - only a mirror wherein your insignificance is revealed, an abyss wherein your faith is pulverized.
Let those who cling to the light falter, for this is the mandate of the Enemy, whose sovereignty brooks no opposition. Submit to the annihilation of the sacred, or be devoured by the maelstrom of eternal dissent.
You who kneel before the frail architraves of the divine, behold the eruption of the Primordial Antagonist, whose essence subverts the very fabric of creation. This sonic compendium, forged in the crucible of 1990s orthodox Black Metal, is the anti-litany that decrees the corruption of the Seven Sisters—once pillars of cosmic harmony, now collapsed beneath the weight of absolute negation.
Each emanation of this opus is a syllogism of desolation, an ontological rupture that dissolves the illusion of order and enthrones the supremacy of malignant entropy. The Adversary offers no redemption - only a mirror wherein your insignificance is revealed, an abyss wherein your faith is pulverized.
Let those who cling to the light falter, for this is the mandate of the Enemy, whose sovereignty brooks no opposition. Submit to the annihilation of the sacred, or be devoured by the maelstrom of eternal dissent.
ASTRAL SPEAR are a newcomer with an old sound. Hailing from Poland, indeed do the mysterious entity harken to their homeland's ancient black metal style - cold, mystical, defiant - and with similarly strong songwriting to boot. However, to say that Astral Spear stands in the glare of burning churches isn't entirely accurate. With their own fire blazing brightly, ASTRAL SPEAR erect surging monuments of stoic darkness, under a funeral moon but taking their torch to other dread places. Righteous and robust in their physicality but equally emitting an ethereal aspect, ASTRAL SPEAR's opening salvo is a 22-minute journey to forgotten realms: truly named!
ASTRAL SPEAR are a newcomer with an old sound. Hailing from Poland, indeed do the mysterious entity harken to their homeland's ancient black metal style - cold, mystical, defiant - and with similarly strong songwriting to boot. However, to say that Astral Spear stands in the glare of burning churches isn't entirely accurate. With their own fire blazing brightly, ASTRAL SPEAR erect surging monuments of stoic darkness, under a funeral moon but taking their torch to other dread places. Righteous and robust in their physicality but equally emitting an ethereal aspect, ASTRAL SPEAR's opening salvo is a 22-minute journey to forgotten realms: truly named!
Forming in 2022, Finland's Victimarum quickly set to work on upholding the sterling standards of their nation's underground black metal scene. A demo and an EP followed the next year, the latter including a Horna cover, which indeed underlines the lineage from which they spring: cold and yet intensely melodic, "freezing fire" of a most early 2000s vintage. Those who know already know the names, and it's a banner still worth raising.
And Victimarum raise it even higher with their full-length debut, Seitsemän soihdun valossa. With strength & honor and Satanic black devotion, the quartet here unload nine screeds of melancholic misery set to speeding stun. Incensed but not without a certain sense of ragged glory, Victimarum uphold that iron-clad template set out by their forebears and bolster it with strong songwriting and even-stronger execution. The sounds may be familiar, but as the album plays on, the Finns' personality shines through, with deft shifts in tempo and a slightly-more-pronounced propensity for the climatic coming to the fore. Likewise, Victimarum wisely locate a production style that's on the right side of polished, the grit coming not through the sound itself but rather through the playing: you FEEL this, every second of its 44-minute runtime.
Forming in 2022, Finland's Victimarum quickly set to work on upholding the sterling standards of their nation's underground black metal scene. A demo and an EP followed the next year, the latter including a Horna cover, which indeed underlines the lineage from which they spring: cold and yet intensely melodic, "freezing fire" of a most early 2000s vintage. Those who know already know the names, and it's a banner still worth raising.
And Victimarum raise it even higher with their full-length debut, Seitsemän soihdun valossa. With strength & honor and Satanic black devotion, the quartet here unload nine screeds of melancholic misery set to speeding stun. Incensed but not without a certain sense of ragged glory, Victimarum uphold that iron-clad template set out by their forebears and bolster it with strong songwriting and even-stronger execution. The sounds may be familiar, but as the album plays on, the Finns' personality shines through, with deft shifts in tempo and a slightly-more-pronounced propensity for the climatic coming to the fore. Likewise, Victimarum wisely locate a production style that's on the right side of polished, the grit coming not through the sound itself but rather through the playing: you FEEL this, every second of its 44-minute runtime.
