Shop

Limited to 150 copies. Black vinyl with printed jacket and 18x24 poster

Clear with pink and blue splatter (lim.300)

Gatefold black vinyl

Remastered compilation of wampyric lo-fi dungeon demos created by Myst and Celestial Sword. Includes "The Moonlit Branches of Powder" (June 2020) and "The Night's Sorrow" (September 2021).

Synth and Vocals: Nocturnal Effigy (Myst)
Guitars: Celestial Sword
This collection was remastered by Dan Randall at Mammoth Sound Mastering.

New 2023 pressing with full color inside jacket printing on half bone / half salmon roe (300) 

Originally released in 1993.
Remastered from the original master tapes by Josh Bonati.

Originally released in 1992.
Remastered from the master tapes by Josh Bonati.

Originally released in 1992.
Remastered from the original master tapes by Josh Bonati

Dark dreamy dungeon moods with a heavy wistful analogue sound

Jewel case CD limited to 300

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993, and with each subsequent release, Sigh grew to become one of the country’s greatest and most revered metal exports. With a journey through the strange and the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh remaking their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw the World’s End: Hangman’s Hymn MMXXV’.

With the ongoing early line-up of Mirai Kawashima, Shinichi Ishikawa, and Satoshi Fujinami, ‘Scenario IV: Dread Dreams’ was the band’s fourth studio album, originally surfacing in 1999. This was also notably the final title in partnership with Sigh’s then-label, Cacophonous Records. Delving evermore into the experimental side of music to conjure an interlinked gallery of twisted soundscapes; ‘Dread Dreams’ became more of a journey into the realm of psychedelia and rock over black metal, with this Zappa-inspired odyssey acting as somewhat of a direct pre-cursor to what was to follow with the celebrated ‘Imaginary Sonicscape’ opus.

‘Dread Dreams’ was once more recorded at Shinjuku On Air Studio with J. Yamada, with a selection of guests including Damian Montgomery of Ritual Carnage lending lyrics plus guest vocals, along with King Fowley (Deceased), and Killjoy (Necrophagia) supplying additional song lyrics. Cover art came courtesy of renowned artist Joe Petagno (Motörhead, Autopsy).

Continuing with Peaceville’s re-issues of Sigh’s classic works, this edition of ‘Dread Dreams’ contains a new master created by Patrick Engel at Temple of Disharmony.

The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, with his thoughts, influences and reflections on the album and its challenges.

This edition of ‘Dread Dreams’ is presented on limited marble vinyl.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993, and with each subsequent release, Sigh grew to become one of the country’s greatest and most revered metal exports. With a journey through the strange and the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh remaking their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw the World’s End: Hangman’s Hymn MMXXV’.

With the ongoing early line-up of Mirai Kawashima, Shinichi Ishikawa, and Satoshi Fujinami, ‘Scenario IV: Dread Dreams’ was the band’s fourth studio album, originally surfacing in 1999. This was also notably the final title in partnership with Sigh’s then-label, Cacophonous Records. Delving evermore into the experimental side of music to conjure an interlinked gallery of twisted soundscapes; ‘Dread Dreams’ became more of a journey into the realm of psychedelia and rock over black metal, with this Zappa-inspired odyssey acting as somewhat of a direct pre-cursor to what was to follow with the celebrated ‘Imaginary Sonicscape’ opus.

‘Dread Dreams’ was once more recorded at Shinjuku On Air Studio with J. Yamada, with a selection of guests including Damian Montgomery of Ritual Carnage lending lyrics plus guest vocals, along with King Fowley (Deceased), and Killjoy (Necrophagia) supplying additional song lyrics. Cover art came courtesy of renowned artist Joe Petagno (Motörhead, Autopsy).

Continuing with Peaceville’s re-issues of Sigh’s classic works, this edition of ‘Dread Dreams’ contains a new master created by Patrick Engel at Temple of Disharmony.

The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, with his thoughts, influences and reflections on the album and its challenges.

This special double-disc edition of ‘Scenario IV: Dread Dreams’ includes an extra disc containing the album but with newly arranged parts and freshly recorded instrumentation, made by Mirai Kawashima in 2025.

Fejd was formed in 2001 through a unique fusion of the folk duo Rimmerfors and members of the metal bands Pathos and Nostradameus. Rooted in medieval-tinged folk traditions performed with old acoustic instruments, Rimmerfors joined forces with their childhood friends to create a sound that bridges two worlds - blending the power of heavy metal with the rich melodies and melancholic spirit of Nordic folk music.
After years of anticipation, Fejd now returns with their fifth full-length album, Nifelheim. From the very first note, listeners are drawn into a world of ancient legends, carried by powerful arrangements and the evocative language of Nordic melancholy. With their signature use of traditional folk instruments, Fejd once again affirms their place as one of the leading names in folk metal.