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New press - Limited 250  in bone white vinyl

Claustrum is an old school death metal trio born someplace between Trieste and Gorizia, in north-eastern Italy, featuring members from Grime, Affliction Vector, Fierce and Dromme, all brought together by a feral passion for the death metal of old. Drawing their inspiration from sci-fi, horror, authors like Poe and Lovecraft and the misery of human existence, in their debut, self-titled album Claustrum delivers some crypt-reeking, disturbing death metal, heralding the impending Apocalypse.

The Latin word Claustrum stands for a thin sheet of gray matter that connects to cortical and subcortical regions. It is considered the most interconnected structure within the telencephalon, that allows for the integration of multiple cortical stimuli, such as visual, acoustic and tactile. It is commonly considered the area of ​​the human brain where the soul resides.

But Claustrum is also an enclosed space, a fence, a prison. As the band explained: “Claustrum to us also means separation from the rest of the world. The record was born during a period of confinement due to the pandemic and for this reason it is above all an outlet, something authentic and spontaneous with which to release negative energies that have been compressed for too long. That's why during this separation for us it was paramount to rely on certainties. And those certainties are liturgies written by Autopsy, Asphyx, Death and Incantation”. 

With their anticipated debut full length Seraphic Punishment in 2022, Fargo’s Maul dropped one of the most memorable death metal earworms of the year. Coupled with the band’s relentless drive for bringing their music to the people live throughout the country, Maul’s reputation rapidly grew and a pact with 20 Buck Spin was scrawled in blood. The initial fruit of that union was delivered late in 2023 with the Desecration And Enchantment promo tape. And now all roads have led to Maul’s second album, In The Jaws Of Bereavement.

While the rotten death metal heart at the core of the band is without question, the band have no shame in their game when it comes to embracing a penchant for the heavier side of hardcore with mosh-ready riffs and crowd-killing breaks. In The Jaws Of Bereavement manages to so skillfully fuse the eerie apparitions and melodic lead work of death metal’s greats with the punishing rhythms of hardcore’s violent power it feels completely organic. It’s all tied together by the unhinged vocal prowess of the human wrecking ball Garrett Alvarado.

At its putrescent core Maul is a live band, and the songs on In The Jaws Of Bereavement are adeptly tailored to the environs of a dank club sweltering from the energy created through this music and a crowd living for nothing but the moment and the swell of bodies on bodies. The production here is clear and in one’s face, and allows the band to expand their unique blend of old and new to become Midwest death incarnate.

Lord of Plague’s debut demo, Passage to None, features three tracks of blistering Death Metal madness in the vein of Cenotaph, Monstrosity, and Morbid Angel! Passage to None was self-recorded by the band, with Mixing and mastering handled by Andrew Oswald (Mortiferum, Triumvir Foul). Original cover artwork by Joshua Porter and additional inner artwork by Rohhalusmu

Black Vinyl (180g) in gatefold sleeve, limited to 150 copies.

“Kamienie” (translates to Stones from Polish) is second full-length  from Polish post-black metal/sludge/post rock  band Gorycz.
Recorded by Tomasz Stołowski from Nebula studio, mixed and mastered by Maciej Karbowski also at Nebula studio in Warsaw.
The artwork for the album was done by Przemysław Grabowski ( Guitarist).

Six years following the release of their acclaimed self-titled EP via Osmose, the Polish black-death band Untervoid are back with their long-awaited debut album "Parasite".

“Parasite” is a concept album that explores the multifaceted role of humanity as a parasitic force on both society and the planet. From the suffocating pressures of social constructs to the looming threat of ecological collapse, “Parasite” delves into the anxieties of our time. Rooted in the shadows of the Cold War, the album confronts the spectre of inevitable destruction, painting a bleak yet compelling portrait of a world on the brink, echoing Nevil Shute's “On the Beach”.

Formed in 2015 by Destroyer (Redemptor, ex-Hate, ex-Kriegsmaschine) and Adam Sierżęga (Armagedon, Azarath (live)), the band appeared, with a full concert line-up, at the prestigious, completely sold-out Merry Christless concert series following the release of their debut EP. Untervoid have steadily built a reputation for their intense and uncompromising sound, finally crafting a sonic behemoth - “Parasite”. In 2024 Haldor Grunberg (Thaw, Mentor) joined the band as a third member.

Six years following the release of their acclaimed self-titled EP via Osmose, the Polish black-death band Untervoid are back with their long-awaited debut album "Parasite".

“Parasite” is a concept album that explores the multifaceted role of humanity as a parasitic force on both society and the planet. From the suffocating pressures of social constructs to the looming threat of ecological collapse, “Parasite” delves into the anxieties of our time. Rooted in the shadows of the Cold War, the album confronts the spectre of inevitable destruction, painting a bleak yet compelling portrait of a world on the brink, echoing Nevil Shute's “On the Beach”.

Formed in 2015 by Destroyer (Redemptor, ex-Hate, ex-Kriegsmaschine) and Adam Sierżęga (Armagedon, Azarath (live)), the band appeared, with a full concert line-up, at the prestigious, completely sold-out Merry Christless concert series following the release of their debut EP. Untervoid have steadily built a reputation for their intense and uncompromising sound, finally crafting a sonic behemoth - “Parasite”. In 2024 Haldor Grunberg (Thaw, Mentor) joined the band as a third member.

Digisleeve CD, limited to 500 copies

Forming in the dark days of 1991, Black Crucifixion have long been a revered name in the Finnish black metal scene. From their beginnings through today, the band’s work has been a pillar of challenging magnificence: always with an immediately identifiable sound, but always evolving and surprising, taking the true heart of black metal - boundless freedom, unfettered unorthodoxy - and casting dazzling new shapes with it whilst honoring its original essence. And amidst an already sterling, supremely cult catalog do Black Crucifixion reach its apotheosis with 'Lightless Violent Chaos'. Ever aptly titled, Black Crucifixion's fourth album creates a sonic and lyrical journey that should be experienced by the most adherent supporters of cult black metal as well as fans of progressive rock and dark ambient atmospheres. Indeed, such is the most endearing aspect of this long-cult band: the skillful balance of tradition and transcendence, purity and progressiveness, darkness and its underside.

Lp 7" red vinyl

The soundtrack of the movie was conceived by Fulci together with TV-CRIMES and it's released on vinyl inspired by the Italian "45 giri" of the seventies. The layout and the graphic project was developed by the graphic design studio ascionemagro.

"Purification Through Sacrifice" is a title that reflects the intent of the band to evolve musically, the themes range, as in the previous chapter, from films to crime news stories through visionary and bloody episodes. This time the sound is further enriched with technique and violence while remaining faithful to old school death metal.

For fans of Bolt Thrower, Asphyx, Morbid Angel, Unleashed, Benediction.

"Purification Through Sacrifice" is a title that reflects the intent of the band to evolve musically, the themes range, as in the previous chapter, from films to crime news stories through visionary and bloody episodes. This time the sound is further enriched with technique and violence while remaining faithful to old school death metal.

For fans of Bolt Thrower, Asphyx, Morbid Angel, Unleashed, Benediction.

With their anticipated debut full length Seraphic Punishment in 2022, Fargo’s Maul dropped one of the most memorable death metal earworms of the year. Coupled with the band’s relentless drive for bringing their music to the people live throughout the country, Maul’s reputation rapidly grew and a pact with 20 Buck Spin was scrawled in blood. The initial fruit of that union was delivered late in 2023 with the Desecration And Enchantment promo tape. And now all roads have led to Maul’s second album, In The Jaws Of Bereavement.

While the rotten death metal heart at the core of the band is without question, the band have no shame in their game when it comes to embracing a penchant for the heavier side of hardcore with mosh-ready riffs and crowd-killing breaks. In The Jaws Of Bereavement manages to so skillfully fuse the eerie apparitions and melodic lead work of death metal’s greats with the punishing rhythms of hardcore’s violent power it feels completely organic. It’s all tied together by the unhinged vocal prowess of the human wrecking ball Garrett Alvarado.

At its putrescent core Maul is a live band, and the songs on In The Jaws Of Bereavement are adeptly tailored to the environs of a dank club sweltering from the energy created through this music and a crowd living for nothing but the moment and the swell of bodies on bodies. The production here is clear and in one’s face, and allows the band to expand their unique blend of old and new to become Midwest death incarnate.