Shop

Almost 4 years after their debut album “Drapsdalen” Valdaudr returns with the mighty follow up!
“Du Skal Frykte” brings even more nostalgia and atmosphere from the past to the table. There's a bit more melodic touch to it, but in the right way. Often reminding of the great early Satyricon, Ulver and other scene pillars, this album still brings you back to the early 90's and the whole reason why we started enjoying this epic and majestic genre. Hail Norwegian Black Metal!

Prepare for the unholy union of darkness and destruction with "Draw Blood", the latest offering from Svarttjern!
Let darkness spread, "Draw Blood" will raise the dead.
Ten tracks of terror, with a lyrical fist, each one a torment you won’t want to miss.
Let the darkness unfold, with Draw Blood, a black metal tale so cold.

Prepare for the unholy union of darkness and destruction with "Draw Blood", the latest offering from Svarttjern!
Let darkness spread, "Draw Blood" will raise the dead.
Ten tracks of terror, with a lyrical fist, each one a torment you won’t want to miss.
Let the darkness unfold, with Draw Blood, a black metal tale so cold.

'Graveside' is an indulgence in (and of) the most celebrated and earliest 'naive' works of such luminaries of the early 90's scene as Emperor, Satyricon, Dimmu Borgir, Gehenna and others. As such, 'Graveside' shows OLD FOREST's willingness to regress back to their roots and once more adopt instinctive and spontaneous composition and recording, whilst casting aside such trivial matters as 'innovation' or 'perfection'.

'Graveside' is an indulgence in (and of) the most celebrated and earliest 'naive' works of such luminaries of the early 90's scene as Emperor, Satyricon, Dimmu Borgir, Gehenna and others. As such, 'Graveside' shows OLD FOREST's willingness to regress back to their roots and once more adopt instinctive and spontaneous composition and recording, whilst casting aside such trivial matters as 'innovation' or 'perfection'.

This old and rancid sabbatical articulation was consecrated in morbid malignancy through archaic incunabula vampyric texts and the twisted philosophical structure of vinegar blood, the cadaveric cauldron with which these texts are nourished and bathed and the vibrational current of cryptic music, is embraced under the temple of heresy regarding the visions and the reverse trance anointed in mortal blood on octingenti black candles, unbaptized opus that serve as a funerary reminder towards the pestilent and monumental orchestrations of the "Vampyric Arts of Putrefaction".

The bestiality and ferocity are translated into a fiery and black barbaric cadence that is robustly justified with the putrid gloomy emblem of a distant black church, an unbaptized fortress of agonizing mist and black pylons of catacombs and unclean spirits. Die Schattenfestung serves a single evil purpose which is reflected under octingenti black candles of a rotten and cadaverous sound rehearsal as an album of primordial force towards vampyric raw black metal.

Odes Past & Mysticism From the Southern Lands is a unique work that delves into the inner realms of the mirror dimension and evil iridescence of Black Metal Opus, the exalted composition of this new album is directly related to the old and dark wisdom of Valdivian enclave, the blackened mythology and mysticism behind the eternal sorrow and the siege, the rusty canyons of the past and the old fortresses scattered over the old veins of the Pacific Ocean, each of the tracks throughout this musical piece is composed mainly of the mournful stories inherited with the blood of the ancients, the vestiges of the kingdom and the Valdivian shadows that remains as a solid banner.

Emissaries of the Past (Ancient Ruins 1675) is the orchestration that manages to unify the ancient cryptic emanation and belongs to one of the last visions of the past, which symbolizes a oneiric narrative of the mystical pilgrimage and memories of a solitary traveler who found his refuge and at the same time his tomb in the fortress of San Pedro de Alcántara after entering the gates of oblivion.

Rising from the black flame in which it once came, Vampirska presents the new full length album titled “A Liminal Heart Paints the Deepest Shade of Serenity”

Vampirska, birthed from its melancholic flame in the US returns with it’s third full length overture in this dismal trilogy. As its mind degrades over time, each chapter represents the downward spiral of life.

A work covered in its majesty’s blood… its tears… Seven chapters of dysphoria personified.

“The life it tolls, the breath it suffocates.”

Rising from the black flame in which it once came, Vampirska presents the new full length album titled “A Liminal Heart Paints the Deepest Shade of Serenity”

Vampirska, birthed from its melancholic flame in the US returns with it’s third full length overture in this dismal trilogy. As its mind degrades over time, each chapter represents the downward spiral of life.

A work covered in its majesty’s blood… its tears… Seven chapters of dysphoria personified.

“The life it tolls, the breath it suffocates.”

Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.

Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.