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This old and rancid sabbatical articulation was consecrated in morbid malignancy through archaic incunabula vampyric texts and the twisted philosophical structure of vinegar blood, the cadaveric cauldron with which these texts are nourished and bathed and the vibrational current of cryptic music, is embraced under the temple of heresy regarding the visions and the reverse trance anointed in mortal blood on octingenti black candles, unbaptized opus that serve as a funerary reminder towards the pestilent and monumental orchestrations of the "Vampyric Arts of Putrefaction".

The bestiality and ferocity are translated into a fiery and black barbaric cadence that is robustly justified with the putrid gloomy emblem of a distant black church, an unbaptized fortress of agonizing mist and black pylons of catacombs and unclean spirits. Die Schattenfestung serves a single evil purpose which is reflected under octingenti black candles of a rotten and cadaverous sound rehearsal as an album of primordial force towards vampyric raw black metal.

Odes Past & Mysticism From the Southern Lands is a unique work that delves into the inner realms of the mirror dimension and evil iridescence of Black Metal Opus, the exalted composition of this new album is directly related to the old and dark wisdom of Valdivian enclave, the blackened mythology and mysticism behind the eternal sorrow and the siege, the rusty canyons of the past and the old fortresses scattered over the old veins of the Pacific Ocean, each of the tracks throughout this musical piece is composed mainly of the mournful stories inherited with the blood of the ancients, the vestiges of the kingdom and the Valdivian shadows that remains as a solid banner.

Emissaries of the Past (Ancient Ruins 1675) is the orchestration that manages to unify the ancient cryptic emanation and belongs to one of the last visions of the past, which symbolizes a oneiric narrative of the mystical pilgrimage and memories of a solitary traveler who found his refuge and at the same time his tomb in the fortress of San Pedro de Alcántara after entering the gates of oblivion.

Rising from the black flame in which it once came, Vampirska presents the new full length album titled “A Liminal Heart Paints the Deepest Shade of Serenity”

Vampirska, birthed from its melancholic flame in the US returns with it’s third full length overture in this dismal trilogy. As its mind degrades over time, each chapter represents the downward spiral of life.

A work covered in its majesty’s blood… its tears… Seven chapters of dysphoria personified.

“The life it tolls, the breath it suffocates.”

Rising from the black flame in which it once came, Vampirska presents the new full length album titled “A Liminal Heart Paints the Deepest Shade of Serenity”

Vampirska, birthed from its melancholic flame in the US returns with it’s third full length overture in this dismal trilogy. As its mind degrades over time, each chapter represents the downward spiral of life.

A work covered in its majesty’s blood… its tears… Seven chapters of dysphoria personified.

“The life it tolls, the breath it suffocates.”

Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.

Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.

In 2007, on the shores of Sardinia, Italy, Lord Goblin (vocals) and Antares (bass guitar) teamed up, bonding over their mutual love for classic Heavy Metal and the darker vibes of old school Black Metal and Epic Metal. Inspired by acts like Primordial, Doomsword, Immortal and Darkthrone, they set out to forge their own sound, weathering line-up changes and a lack of live gigs with unwavering determination. Upon moving to the UK in 2014, they found stability with guitarist Mornar and drummer Athanor F.D.H. In 2016, they recorded "Path of Glory," a digital single showcasing their unique perspective, featuring their original track and a rearranged version of Iron Maiden's "Quest for Fire." In 2021, they triumphed over obstacles with the release of "The Ordeal", an EP encapsulating their journey. Notably, three of the four song lyrics were penned by Jason Ray Forbus. March 2024 marked a significant milestone with the digital release of "Lord Goblin," the band's debut full-length album, that now is released on physical formats by No Remorse Records.

"Something wicked this way comes..." Los Angeles, USA, based Diamonds Hadder, fronted by singer and creator John Evermore, has signed a deal with No Remorse Records for the physical release of their debut record called "Beyond the Breakers" (you can listen to it on all the standard digital platforms including Spotify and Apple Music). The record was recorded in an old abandoned paint factory on the east side of LA. Created in the aftermath of a wildfire and a premonition, "Beyond the Breakers" has a classic heavy metal sound reminiscent of early bands like Rainbow, Dio, Savatage and Queensrÿche. It started as a dream of a man named Mr. Evermore and documents the trials and tribulations of a life lost, followed by grief, hope and the ultimate survival of the human spirit as well as a possession of sorts and the arrival of a man named Johnathan Hadder. It’s a classic metal tale of how tragic events may bring redemption and salvation through music and how a premonition became reality and a dream prophetic.

Either intentionally or unwittingly this is a band experimenting with extremes. Formed in 1985 when Thatcherism swooped over England and scalped the North East, Hellbastard admit to being ‘’too metal for punk, too punk for metal’’, instead coining the term ‘’crust’’ as a way to feel at peace within themselves whilst simultaneously starting a sonic war that shocked the nerves into spools of frayed tape. With Malcolm ‘’Scruff’’ Lewty on guitar and vocals, Ian ‘’Scotty’’ Scott on bass and vocals and Phil Laidlow on drums, it was all captured with their classic Ripper Crust Demo debut release in 86’. But really, it's all encapsulated right here with this reissue also containing the follow-up demo-lition from ‘87 - Hate Militia.   Both are perfect ways to establish the nightmarish worlds, of death camps and dark sides, that wildly writhe within his group’s menacing worldview.

Belgian speed metallers Bütcher have exploded onto the scene and have been making a name for themselves internationally. Their music caters to the blackened souls who love old school speed, thrash, heavy and black metal. Cuts such as Iron Bitch, 45 RPM Metal and 666 Goats Carry My Chariot are now part of the canon of the old school metal community.

After an avalanche of successful shows and festivals throughout Europe they are proud to present their 3th LP “ON FOWL OF TYRANT WING”. After the rabid debut “BESTIAL FÜKKIN' WARMACHINE” (Babylon Doom Cult Records, 2017) and the heralded sophomore album “666 GOATS CARRY MY CHARIOT” (Osmose Productions, 2020), they delve deep into their specific mixture of the golden 80's and extreme 90's.

BÜTCHER have always mixed ancient speed and thrash metal with NWOBHM, classic hard rock and black metal. On side A of the new album, they continue their very own legacy. On side B they double down on that premise. It's a concept side with an overarching unique story (written by R Hellshrieker) and a fully composed tour de force (by KK Ripper) where tempo changes, interwoven melodies, sitars, organs and various percussion instruments create an unexpected musical journey.

Heavy, death and black metal counter the speed metal and nobody will see it coming. Both progressive and very traditional, this album is sure to opiate fans and critics alike.

400x heavyweight orange crush 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g, download card, gatefold jacket, full-color printed on 350g carton, all assembled in a plastic overbag.

Belgian speed metallers Bütcher have exploded onto the scene and have been making a name for themselves internationally. Their music caters to the blackened souls who love old school speed, thrash, heavy and black metal. Cuts such as Iron Bitch, 45 RPM Metal and 666 Goats Carry My Chariot are now part of the canon of the old school metal community.

After an avalanche of successful shows and festivals throughout Europe they are proud to present their 3th LP “ON FOWL OF TYRANT WING”. After the rabid debut “BESTIAL FÜKKIN' WARMACHINE” (Babylon Doom Cult Records, 2017) and the heralded sophomore album “666 GOATS CARRY MY CHARIOT” (Osmose Productions, 2020), they delve deep into their specific mixture of the golden 80's and extreme 90's.

BÜTCHER have always mixed ancient speed and thrash metal with NWOBHM, classic hard rock and black metal. On side A of the new album, they continue their very own legacy. On side B they double down on that premise. It's a concept side with an overarching unique story (written by R Hellshrieker) and a fully composed tour de force (by KK Ripper) where tempo changes, interwoven melodies, sitars, organs and various percussion instruments create an unexpected musical journey.

Heavy, death and black metal counter the speed metal and nobody will see it coming. Both progressive and very traditional, this album is sure to opiate fans and critics alike