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LONG-awaited debut album of Greece's DISHARMONY, Goddamn the Sun. DISHARMONY are an often-overlooked entry in the history of Greek black metal. Formed in 1991 but broken up by '95, the band would record three demos and a cult EP on the legendary Molon Lave label. Although DISHARMONY's sound early on slotted well into the classic Hellenic BM paradigm - militant pulse, mystical atmosphere, deep roots in traditional metal - they largely took a more unorthodox approach, touching upon Beheritian weirdness and ritualistic soundscaping, but always with a thoroughly occult aura. Longtime fans of the band, IRON BONEHEAD collected DISHARMONY's old discography together under the title Vade Retro Satana and released it on CD and double-LP formats in 2016, reintroducing the band to old fans as well as younger generations.

Gatefold LP
 

Harsh riffing guitars combined with intense atmosphere, blasting drums and maniacal possessed vocals.
This album is a great homage to the demon of all oceans, the lord of the eternal abyss - the mighty Leviathan!
 

Recorded in 2009/10 and featuring Emaceator on guitar and Exciter on drums this is the sound of an unenviable future, narrated by a voice drenched in echo of a dreadful past. Shelved until now, it can be contained no longer.

Ascolta su BandCamp

Although "new" in name, HAXXAN features underground legend Killjoy DeSade (Necrophagia, The Ravenous, Wurdulak, et. al.) on vocals and synth. Formed in 2011 by Killjoy and guitarist Shawn Slusarek, the duo decided to write material that had an old-school black metal vibe, citing such influences as Beherit, Archgoat, and Blasphemy with hints of Candlemass and Mercyful Fate. The duo then added bassist Jake Arnette and drummer Serge Streltsov, and soon recorded their debut album, Loch Ness Rising.


 

Before the full-length hits the stores, there will be an EP release as well. AdraMelekTaus EP contains one album track and two exclusive bonus tracks which will not be released anywhere else. This CD EP is limited to 500 copies.
 

Across 18 tracks in a swift 'n' salacious 37 minutes, GOATBLOOD explode forth with a pulsing, pestilent savagery from which there is no reprieve. It's dank and disgusting, dungeon-toned and treacherous, whipping the listener into a hellish, hallucinogenic trance. And yet, for however unrelenting all these songs are, “Veneration of Armageddon” retains a rare, ever-elusive catchiness, GOATBLOOD here nodding as much to nascent grindcore like early BLOOD, EXTREME NOISE TERROR, and DOOM as they do BLASPHEMY, BEHERIT, and ARCHGOAT.