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Back in stock - musica Black Metal e Dark estrema
A Mint copy of:
https://www.discogs.com/release/2636702-Death-Angel-Frolic-Through-The-Park
Near Mint copy of this edition:
https://www.discogs.com/release/3505235-Mortal-Sin-Face-Of-Despair
EDGE OF CASE & INSERTS CUT (an unfortunate habit they had back then to mark cds as promos or nice-price in stores)
A DEEP, INNOVATIVE & ECLECTIC CONCOCTION OF NORTHERN MAJESTY, FOR THE SEVENTH STUDIO OPUS IN THE MORK SAGA, AS THE BAND MARKS THE MILESTONE OF TWENTY YEARS OF EXISTENCE.
Following on from mastermind Thomas Eriksen’s self-titled Udåd project debut earlier this year; a dark release which explored the more underground & murkier-sounding waters of primitive black metal from a by-gone era, ‘Syv’ emerges as the new pinnacle of Mork’s and Eriksen’s ever-evolving journey, as well as a creative expansion both sonically & compositionally over all prior works.
third press .................... Jewelcase edition 03/2023
With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient.
The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.
The second black metal album by Wagner Ödegård. Mastered on analog equipment by state of the art analog mastering studio Analog Cut (DE). In order to obtain the loud, detailed & the best quality vinyl sound possible we have used the technique of old school lacquer cut mastering. This is the first time this album has been presented on CD format. All formats are presented with the new audio.
-Jewelcase version limited to 500 copies -8 page booklet with gold pantone print
Katla is an Icelandic band featuring ex-Sólstafir drummer and visual artist Guðmundur Óli Pálmason and singer/multi-instrumentalist Einar Thorberg Guðmundsson (Fortíð, Potentiam). Named in tribute to one of Iceland's greatest active volcanos, Katla creates powerful, panoramic music where shimmering guitars, crushing melodies and atmospheric density meet dark, entrancing power.
Katla's debut album, "Móðurástin", shines a spotlight on the band's hook-heavy, horizon-stretching sound. The lyrics tell tales of living in a country of contrasts; a land where fire and ice co-exist and dark winters are offset by the summer's midnight sun. Iceland: a country where insular existence has spurred a rich and vibrant culture.
"Móðurástin", Icelandic for (a) Mother's Love, might seem like a strange title for a metal album, but Katla dares to be different. What on Earth is stronger than a mother's love? Nothing. Not hate, not lust, not greed.
A5 digipak, now out of print
Black metal dark as space with a touch of depressive...a real juurney through the coldness of vesperian kingdom.
Hell ain’t a bad place to be”, they say. Well, it’s probably because THRONE are not running the place, because if they were, hell would be really… hellish. THRONE are back with their heaviest, strongest and most desperate effort so far and their solid sludge metal morphed into something more sulphureous, more malignant and definitely more feral.
“Ossarium” is a long, painful trip into the territories laden out by EYEHATEGOD, BUZZOVEN and ACID BATH but with an evolved take bordering on black metal sound, as the first single “Aten” clearly demonstrates. In other episodes like “Morrigan”, for which a videoclip will premiere out during the month of January, the band goes back delivering mid-tempo funeral marches for the expected sludge-experience.
Empowered by an astonishing sound quality, perfect for a nightmarish musical experience, “Ossarium” will surely make an impact in early 2025!
