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The band's odd choice of the moniker REVERIE speaks volumes about their singular, idiosyncratic songcraft, and the title Bliss even more so. Far from "tech" death metal and yet also realms removed from "epic metal" cliche, the nine songs across Bliss burst into being and then billow into myriad, mesmerizing shapes.
 

CD with bonus track "The Swansong of My Heart" (demo version) in Digipak with 12-page booklet

Season of Mist is now reissuing FUNERAL’s ‘To Mourn Is a Virtue,’ which was originally released in 2011.
This release is the missing link between the band’s seminal albums, ‘Tragedies’ (1995) and ‘In Fields of Pestilent Grief’ (2002).
This compilation album contains a wealth of unreleased demo-recordings as well as nine rare tracks that had been recorded between 1996 and 2004 and remastered in 2010.

For fans of EVOKEN, AHAB, MOURNING BELOVETH.
Artwork by William-Adophe Bougereau - "Le premier deuil" (1888).

Settimo album per questi veterani del epic power metal!
 

Quarto Album! 

D-Beat Crustpunk aus Schweden!
 

Comdemned to Suffer was recorded in Croydon UK and mixed by London-based Tide Music Studios. This is our 3rd album, the most personal so far, as no guest musicians participated during recording and lyrics are more mature and complex, mostly reflecting different struggles that we’ve overcomed in the past 5 years as a band. In the melodic death metal genre, we like to add black metal elements to the mix as well to make the music sound a bit darker and intense. We’ve been influenced mostly by death metal pioneers from 90’s but there are also modern elements in our music. We were influenced by the bands like The Carcass, At the Gates and Dissection, so our music can be described as ‘similar’ to these bands with a pinch of modern elements on top. We put great emphasis on this album and worked really hard to make it sound profound and we believe this is the most mature album that we’ve released so far.

In the vein of AT THE GATES, DISSECTION & CARCASS

Kommandant took their first steps into the Black Metal playground whilst the western world was retreating  into a deep slumber. We can now either decide to face reality; a call to arms, or remain in such a state of impotence.

Kommandant brings forth the inferno; an enlightenment and awareness that is both clandestine, and apparent simultaneously . Ancient phantograms, echoing both the struggle of the past and the actuality of the present, make their fog of war pervasive to all the stagnant relics that hinder advancement. Audibly , this is by far the most staggering version of the Kommandant weaponry. Blunt force trauma, striking hard and fast, for maximum effect.

The soldiers marching in the fog are obedient vessels, actuated by a primordial magnetic impulse. While listening to “Titan hammer” it can immediately be perceived as an imminent  tragedy , a mere lingering spectre, devouring any remaining glimmer or aspirations. Once fully emerging from this acrid slurry, the  miasma will succeed in trapping the listener within the entrails of atavistic phantoms.

References can be made somehow to nefarious acts like War, Marduk & Zyklon-B. Within  a scene that is severely  overpolluted by  disingenuous bedroom projects , Kommandant takes a step to the front with mature songwriting and a professional studio recording shaped in Belle City Sound Company studio, located in Racine, WI.

The artwork and layout is perfectly emphasized once again with the creative genius of artist Francesco Gemelli ( Abigor, Katatonia. Kvist, Darkspace, Spectral Lore ..)

“Titan Hammer”  will march and progress deeper and deeper into the battlefield of humanity , like a dagger to the heart of the world.