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L’ etichetta francese OSMOSE ristampa due dei
sui primi successi. I Necromantia sono una delle
prime band della scena BLACK METAL greca,
fondati nel 1989. Il primo album “Crossing The
Fiery Path” è stato pubblicato nel 1993, mentre il
secondo “Scarlet Evil Witching Black” seguì nel
1995, con un BLACK METAL suonato con
basso ad 8 corde ed uno stile veramente
originale ! Con art-work rinnovato !
 

Tracks : 1. Intro
2. Blizzard beasts
3. Nebular ravens winter
4. Suns that sank below
5. Battlefields
6. Mountains of might
7. Noctambulant
8. Winter of the ages
9. Frostdemonstorm

DIGIPACK

Limited to 3000 copies. CD comes with a sticker.

1. Genesis Of Loss 01:17
2. M33 Constellation 05:47
3. Abortion Of The Kathavatthu 05:15
4. Six Seals Salvation 05:51
5. Saturn Motion Theology 05:15
6. Oratio Descendere 05:06
7. Profanis Codex LXVI 05:00
8. Whirlwind Journey 05:42
9. Absurd Omega Revelation 02:19

Jewel case CD, 12 pages booklet

imperishable cuts the fat and goes straight for the throat! Melodic Swedish Death Metal with aggressive hooks!

REISSUE ON THEIR NEW LABEL OSMOSE

1. Eden Belovv. 08:11
2. Kross Fyre [...] 06:04
3. VVytchdance. 11:09
4. Ascent From Ghoulgotha. 08:39
5. Kosmik Sacrifice. 01:46
6. VVorldVVithoutEnd. 16:23

Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.

Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).

Luxurious hardcover digibook-CD with 24-page booklet.
New liner-notes by Olivier ‘Zoltar’ Badin.

The long Canadian winter has many voices, but few speak with the introspective clarity of Finnr’s Cane. Emerging from the icy expanse of Sudbury, Ontario, the duo’s self-titled fourth album is a meditation on transition: the slow dying of autumn, the silence of snowfall, and the liminal space between nature and civilisation.

Though rooted in atmospheric black metal, Finnr’s Cane forgo many of the genre’s conventions. There is no bass guitar; instead, low-end warmth and mournful resonance are carried by cello and keyboard, lending the music an organic, almost spectral quality. Rather than follow rigid structures, their songs unfold through improvisation, guided by mood and instinct.

Comparable in spirit to acts like Wolves in the Throne Room, Agalloch, and Fen, Finnr’s Cane tread a kindred path but speak in a voice entirely their own – one that has resonated since their 2010 debut, “Wanderlust”, and continued through critically acclaimed releases on Prophecy Productions and Frostscald Records. This latest work marks their first collaboration with Nordvis, a natural home for their singular vision.

Fellwarden was a concept forged by The Watcher (Fen, De Arma) back in 2014 to give voice to an epic, exultant form of black metal that nonetheless carries with it echoes of deep lamentation and remembrance. The Watcher’s goal was simple – to tell tales of sacrifice, of long-forgotten heroism and the rearing timelessness of the storm-forged landscape against a backdrop of windswept extreme metal. Fellwarden’s sound is steeped passionate vocals, subtle waves of keyboards, acoustic guitars, booming choirs and powerful riffs, underpinned by a cavernous percussive battery courtesy of Havenless (also of Fen).

Comes in a 6 panel digipak with matt varnish and metallic prints, with artwork from Adam Allain (Fen) and layout by IK (House of Inkantation).