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Simply titled but by no means simple in construction nor execution, Djinn builds upon the increasingly ambitious songwriting of its no-less-considerable predecessor, but pushes their dazzling artistry into nearly Technicolor landscapes of the Beyond. Upon the first opening notes, this boundless artistry is felt: big, rolling rhythms reminiscent of post-punk, tantalizingly setting the stage for the splendorous expanses to follow. There's a certain magick at play here, no doubt bolstered by the band's rhythm section of Josiah Babcock (who puts in his final performance here) and new bassist Nate Verschoor, erstwhile mainman of Veiled; this throttling-yet-deft foundation both leads and plays acute counterpoint to the spiraling, windswept riffing of founders Jake Superchi (also vocals) and James Sloan, their guitar work transcending the poignancy of prior works. And indeed, Djinn's generous six-song/hour-long runtime no doubt allows the listener the ultimate freedom to roam within Uada's ever-unique world, spanning both smothering speed and deliriously dream-like states, Very Metal urgency and textural exploration alike - put simply, the band at the height of their creative powers. Djiin is truly its own realm of experience.

"Djinn, first inhabitors of this world, the smokeless fire and those we call upon our enemies, has gifted us a 60-minute descent into the modern-day possessions of our existence and demise," state the band, "A duality that can only be known as our third wish."

Old Star displays a mastery of the art of the riff, with its 6 epic tracks taking in the best of the old school of Heavy and Extreme Metal combined with a large dose of Doom channelled through the grime of the underground. 

No rest for one of Britain’s most melancholic exports: Just half a year after MY DYING BRIDE returned from their break with their haunting and successful masterpiece »The Ghost Of Orion«, the sons of Halifax raise the curtains to the »Macabre Cabaret«.

The new EP of the band offers three new songs – dark luscious Death Doom ear candies that will dive their victim into a sensual world of darkness and temptation and conceal the borders between sweet pain and destructive illusion.

1. Vilseledda Barnasjälars Hemvist 06:39
2. Plågoande O'Helga Plågoande 06:49
3. Krossade Drömmar Och Brutna Löften 08:02
4. Fullständigt Jävla Död Inuti 07:10
5. Ohm - Skoj Att Leva 05:06
6. Total Utfrysning 16:46

After their last year debut 'Crepitation Of Phlegethon', Occulsed are back compiling a new slab featuring both their demos remastered and a brand new song!
Ruthless savagery and a dreadful, catacombal feeling!

Occulsed, the latest spawn from Justin (Father Befouled, Encoffination) and Jared (Gastric Phantasm), was formed in Atlanta/Georgia in 2017 to spew filthy, wretched, and disgusting Death Metal. Taking cues from the stalwart Tampa scene as well as the early underground Scandinavian death metal gods, Occulsed employs chaotic riffing, eerie melody, and inhuman vocals to craft haunting and bone-crushing death metal.
With a pedigree of members spanning numerous bands, the three members of Occulsed have a 20+ year history of death and black metal under their belts. The culmination of songwriting results in a harrowing listening experience.
Debuting in 2021 with 'Crepitation Of Phlegethon' but with the demos 'Cenotaph to Putridity' and 'Ceremonial Lifelessness' garnering rave reviews they have cemented themselves as a death metal force not to missed. It's time to revisit where they started from!

01. Kohta Ei Naura Enaa Jeesuskaan
02. Armageddon Death Squad
03. The Endless War
04. The Maggot Crusher
05. Curse Of The Dead Medusa
06. Suffer In Silence
07. Halo Of Flies
08. Recreate Thru Hate
09. Goat Seeds Of Doom
10. Even More Pain
11. Tribulation Hell
12. Urgent Need To Kill
13. All That You Fear

• For fans of Disembowlment, Immolation, Gojira, Morbid Angel, Voidceremony, Tomb Mold, Edge Of Sanity, Morbus Chro

After two records out in 2021 and 2022, SadoMaster of Morcolac is back with a vengeance with the new maxi-EP (30 minutes of music) “Drawbridge To Citadel Of No More Dawn”, prelude to a forth-coming and bombastic third new record.

Morcolac draws inspiration from the late 90’s Nordic black metal, in particular from the symphonic side and - geographically - the finnish scene, a tradition continuing today with names such a Satanic Warmaster, Vargrav, Warmoon Lord. Listeners can feel a balance in Morcolac music: on one side the gloom of symphonic black metal while on the other the aggression and the malignancy of old-school black metal.

If you are into black metal and you want to experience dark forests, evil creatures and the grim side of fantasy worlds through their lyrics, Morcolac is for you!