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Back in stock - musica Black Metal e Dark estrema
Released in January 2013 as a 7", this split ep is now being reissued ten years later as a 10" with some changes on the MonumentuM side:
PJ Harvey's classic "The River" is here featured in a different version from the one on the original ep, plus, to bless the two bands sodality, we are adding the song "In Misery Front Row", which originally appeared in 1998 as an instrumental track called "The Colour Of Compassion" on Misanthopy Records label's compilation Presumed Guilty, but hereby featuring Shining's mastermind Niklas Kvarforth on vocals.
Released in January 2013 as a 7", this split ep is now being reissued ten years later as a 10" with some changes on the MonumentuM side:
PJ Harvey's classic "The River" is here featured in a different version from the one on the original ep, plus, to bless the two bands sodality, we are adding the song "In Misery Front Row", which originally appeared in 1998 as an instrumental track called "The Colour Of Compassion" on Misanthopy Records label's compilation Presumed Guilty, but hereby featuring Shining's mastermind Niklas Kvarforth on vocals.
Limited to one-press only, 300 copies
Info: se sei un sottoscrittore del "Circle of Wax" di Avantgarde Music, questo album sarà incluso nel bundle #3 (Febbraio)
After two decades devoted to the dark arts within obscure black metal, Wraith (Vanquished) and Luzifaust (Kaifrun, Hostium) present a new chapter, going by the name of Vastatum.
An ancient parallelled entity born into modern existence. Rich with atmospheric maturity and an emphasis on existential impermanence, Vastatum have executed the sonic experience of passing beyond life into death’s immeasurable grasp. Thus melding the elusive soundscapes of disembodiment with the haunting distinctions of absolution. Poetic, and potent, melodic and malevolent.
Vastatum is driven by the dark innate will of creativity and the seductive allure of the occult, and Mercurial States Of Revelation is the first chapter in the band's history. A chapter written in black metal and contemplations upon human existence.
Mercurial States Of Revelation reflects upon the conceptual philosophy that since time immemorial the earth, world and existence (as we comprehend it) have been in a constant state of flux and continual transformation. Thus compelling all planetary inhabitants toward perpetual states of adaptation within a world that is rapidly evolving and transcending beyond the depths of the human species.
Through mighty riffs deeply rooted in both the classic sounds of Norway in the early ‘90s and the Cascadian tradition of the ‘00s, Vastatum find a perfect balance between the old, the contemporary and the esoteric, picturing visions of growing shadows and perishing bodies.
LP in galaxy effect, oxblood with green. Printed innersleeve
Info: se sei un sottoscrittore del "Circle of Wax" di Avantgarde Music, questo album sarà incluso nel bundle #3 (Febbraio)
Five long years after their fascinating debut, Milan-based duo A Pale December deliver their sophomore album, Death Panacea. Compared to The Shrine Of Primal Fire, Death Panacea steers towards more aggressive, warring sounds. The “atmospheric black metal” label which so aptly described their debut album, is now just one of the many, partial definitions which could be used to define the band’s music.
When asked about their new opus, multi-instrumentalists Riccardo Di Bella and Ernesto Ciotola provided the following, strong statement: “While many metal albums seem to appeal to a feeling of fierceness, a call to war, an urge to fight something, we wanted to express the opposite. Death Panacea is an album about defeat and hopelessness, about the inherent futility of human strife and all our laughable attempts at masking this unescapable nature.
We wanted to praise failing and giving up, as opposed to perseverance, pride and the grinding mentality. We wanted to praise the rejects above the leaders, who naively think they can escape this race towards oblivion, and the coward above the fighting man, whose only fault was believing in the frail concept of nation and a false sense of belonging.
While distancing ourselves from these delusional sentiments, we also didn't want to fall into optimistic nihilism; the idea that the awareness of an impending void can grant any peace is simply preposterous.
Ultimately, this is the meaning that lies behind the title of the album: death is what keeps us in check and yet is the one and only panacea to all our anguishes. In all this, one could almost find a cold comfort, knowing that the top step of the podium is eventually just a springboard to the abyss”.
Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death. Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.

ISON new album! Gatefold sleeve, double LP in "color in color with splatters" vinyl effect!
Digipak CD with 12 pages booklet
Ysyry Mollvün is a conceptual project created by Zupai Ulen in 2012. In November 2015, Antonio Sanna (Downfall Of Nur) met Zupai and offered to be the producer. As time passed by, Sanna got involved in the crating of this project, composing arrangements for acoustic guitars and native instruments such as the charango, sikus, flutes and percussions. The band’s name comes from the words “river” in the Guaraní language, indigenous people from South America (Ysyry) and “blood” in the language of Selk'nam people, the indigenous tribe from southern Argentina (Mollvün).
Ysyry Mollvün tells the story of K'aux, a being that was once a human who was educated by the Selk’nam gods to teach the tribe what was necessary to outlive in the harsh conditions of the extreme south of the world. K'aux betrayed his oath and did not pass on what he learned, and for this reason he was condemned to lie forever, neither dead nor alive, in the center of the earth.
A thousand years later Espíritu del Monte, the god who punished K'aux couldn't understand what happened to the other deities since, except for the god of death (San la Muerte), they were no longer on this earth. All had changed, the people who lived on this earth were more, the flora and fauna that had inhabited no longer existed and everything that was for thousands of years was longer as it had been. Because of this, el Espíritu del Monte decides to wake up K'aux so that he can see with his human's eyes what happened and what must be done so that everything goes back to what once was.

ISON new album! Gatefold sleeve, double LP in Black vinyl
Based out of the frigid capital of the colonial state known as Canada, Dismal Aura surfaced with their self-released debut, Praeagia Tristia in 2021. The trio blend second-wave black metal with crust punk and grind elements, an offering as bleak and chilling as it is melodic and impassioned.
Composed of members with diverse cultural backgrounds and lived experiences, Dismal Aura explores socio-political topics such as colonialism, state-terror, and environmental destruction.
Produced by Topon Das (Fuck the Facts, Gorguts) and Mike Bond (Crusades, Loviatar), the band’s sophomore album was recorded in deep winter forest of Wolf Lake Studios.
Inspired by the essay Necropolitics by Achille Mbembe, Imperium Mortalia spans eight compositions that reckon with the grim relationship between the individual and the state, the exploitative nature of power, and the reduction of human life to commodity.
Based out of the frigid capital of the colonial state known as Canada, Dismal Aura surfaced with their self-released debut, Praeagia Tristia in 2021. The trio blend second-wave black metal with crust punk and grind elements, an offering as bleak and chilling as it is melodic and impassioned.
Composed of members with diverse cultural backgrounds and lived experiences, Dismal Aura explores socio-political topics such as colonialism, state-terror, and environmental destruction.
Produced by Topon Das (Fuck the Facts, Gorguts) and Mike Bond (Crusades, Loviatar), the band’s sophomore album was recorded in deep winter forest of Wolf Lake Studios.
Inspired by the essay Necropolitics by Achille Mbembe, Imperium Mortalia spans eight compositions that reckon with the grim relationship between the individual and the state, the exploitative nature of power, and the reduction of human life to commodity.
BANDCAMP DOWNLOAD CODE INCLUDED
Australian experimental metal band Bolt Gun return with their 3rd full length album The Tower. Since their first release in 2014, Bolt Gun have continued to push the boundaries of heavy music, adopting a semi-improvised style that combines elements of black metal, post-metal, noise and dark ambient.
The Tower is inspired by the literary works of Brian Evenson, Franz Kafka and Shirley Jackson and explores themes of isolation, extinction, absurdity and nihilism. Written throughout 2020 to 2022, the album expands on Bolt Gun’s interest in the dynamic possibilities of using ambient music within extreme metal.
The expansive tracks pull listeners into tornadoes of drone, noise and saxophone which then explode into more post-metal/black metal sounds. The music on The Tower is heavily influenced by 2nd wave black metal, experimental heavy bands such as Locrian and Swans in addition to the work of Colin Stetson and Bohren & der Club of Gore.
Artwork by Tomasz Winiarski.
