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Comes in a 4-panel digipack. Released by Lonely Demon Records.

The music is slow, introspective and dreamy, the opposite of leisure music. The tracks mix stripped-down electronics, crepuscular evocations and quasi-mystical atmospheres, accompanied occasionally by lyrics that are rather disparaging of life in general and the human race in particular.

For fans of Darkwave, lo-fi synth pop, dark ambient, early Industrial, weird post-punk, skewed electronica, suicide music.

Trollzorn re-edition in digipak with 5 bonus tracks

Comes in red vinyl with etched side B and includes large poster

Following an international cassette release, BAT MAGIC‘s Feast of Blood is finally slated to be released on vinyl by American label and merch dealer Labyrinth Tower.

Following an antihero into the grips of vampirism and dark magicks, BAT MAGIC‘s 2021 debut took the latter half of black metal’s tag and concentrated heavily on the genre’s metallic roots. A riff-heavy affair with nods to the greats and lesser known artists alike, Feast of Blood‘s bloodthirsty attack is an overwhelming affair of black metal, heavy metal, and many other styles thrown into a ferocious meat grinder, garnering praise from Stereogum, Decibel Magazine, No Clean Singing, and many other forward-thinking metal publications.

Re-issue, 300 copies in beer vinyl 12'LP 180g. Gatefold cover, 350g with gloss lamination, all assembled in a PVC overbag.

Sargeist has always had an interesting atmosphere, and it's rather hard to describe. Imagine if Mütiilation's predilections for drugs, suicide, and Satan were celebrated instead of mourned and you have a good idea.
Sargeist's music is always vaguely disgusting and filthy yet resolutely proud of its own decay-hedonistic and excessive, like Caligula-era Rome. Well, if you want filth-caked black metal, it's hard to find a better example in the Sargeist catalog than this demo. Sargeist has never sounded so sleazy as on tracks like 'Anti-Human Black Metal Wrath', where the strains of 'Deathcrush'-era Mayhem come home to roost in a short, violently rhythmic track. The production only aids the oily, viscous feeling of these songs, with the murky guitars and drums moving like a sea of raw sewage under the perpetually hissing and howling vocals. It's definitely a good example of rawness used to aid music rather than detract from it.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight marble (milky clear/black) 12" (180g) in a microtenne innerbag, innersleeve printed, black & white on 220g carton (coated paper); poster black & white, 280x430mm on 150g art-paper, simple jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Finnish black metal is an acquired taste. It's chaotic, noisy and pure evil.

This is a more mature release musically. The song structures have come a long way since Satanic Black Devotion, but still maintain everything this band is known for. There is definitely more of the signature intertwining guitar work, that weaves in and out amongst the chaos of the drums and ghastly vocals. It's that guitar work that takes the listener for an emotional roller coaster, especially on songs like "Burning Voice of Adoration", which has the ability to stir up absolute sadness and sorrow.

As for production, the formula is still the same. Turn everything up beyond reason and comprehension, almost to a breaking point. Seriously, prolonged exposure to this will probably make your houseplants wilt and die.

Re-issue, 500x heavyweight marble milky clear with black 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, poster A2 full-color printed on 150g art-paper, jacket full-color printed on 350g carton, all assembled in a plastic overbag.