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OG art, w/poster and printed inner sleeve

Endstille‘s Infektion 1813 is an absolute powerhouse of relentless black metal aggression. From the very first note, this album grips you with its unyielding intensity and refuses to let go. The razor-sharp riffs cut through like icy winds, while the thunderous drumming drives each track forward with a merciless precision.

Tracks like “When Kathaaria Falls” and “Endstille (Völkerschlächter)” showcase the band’s signature rawness, blending chaotic energy with cold, calculated atmosphere. The production strikes a perfect balance – gritty enough to maintain the genre’s authenticity yet clear enough to let every blistering guitar line and bone-crushing blast beat shine through.

Vocally, Zingultus delivers a savage performance, his voice a tortured growl that channels pure hatred and despair. Each track feels like a battlefield, evoking the album’s wartime themes with chilling effectiveness. Infektion 1813 stands as a testament to Endstille‘s ability to craft ferocious yet memorable black metal. For fans of extreme music seeking a sonic assault that leaves no survivors, this album is an essential listen.

Prepare to be overwhelmed.

This album is re-released in a Deluxe vinyl edition in two marbled colors: Marbled White/Black and Black/Red vinyl, each edition is limited to 500 copies.

Endstille’s Kapitulation 2013 is a blistering statement of defiance, delivering a ferocious blend of relentless riffs, pounding drums, and sheer sonic violence. From start to finish, the album radiates unrelenting aggression, staying true to the band’s raw and uncompromising black metal roots.

Tracks like “Aborted” and “The Refined Nation” hit with devastating force, combining furious tremolo-picking guitars and relentless blast beats that feel like an unstoppable war machine marching forward. The production is sharp yet retains just the right amount of rawness, giving the music an authentic and hostile edge.

Vocalist Zingultus commands the soundscape with a venomous intensity, spitting each lyric with wrathful precision. The album’s bleak atmosphere is palpable, immersing the listener in a sonic assault that feels both chaotic and meticulously controlled. Kapitulation 2013 isn’t just an album – it’s a battlefield, a relentless barrage that refuses to compromise. For die-hard black metal fans, this record stands as a bold and powerful testament to Endstille’s unwavering dedication to the genre.

Prepare for total sonic annihilation.

This album is re-released in a Deluxe vinyl edition in two marbled colors: Marbled White/Black and Black/Red vinyl, each edition is limited to 500 copies.

"Sorcier Des Glaces' second offering to the mortal world was recorded just two years after the very first album, in August 1999. Nevertheless, the maturity of their sound and composition is perceptible. It's no longer a one-man band this time, involving Luc more extensively, who this time records all the drum parts and also participates in the elaboration of several keyboard parts. The infernal duo is officially up and running.

With its icy atmosphere and dark yet melodic compositions reflecting the northern forests of Quebec, "Moonrise in Total Darkness" defines a young band still in exploration mode. Certainly more raw in its aestheticism than the band's more recent material, but with an authenticity that has forged their identity over the years".

Re-issue, 300x heavyweight marble (white/black) ) 12" (180g) in a microtene innerbag, innersleeve printed, black & white on 220g carton (coated paper), jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

"Monuments Anciens" is a collection of exclusive tracks along with instrumental demo recordings from Sorcier Des Glaces. Some of them were recorded back in 2001 on an old tape-recorder, which later versions of these songs ended-up on the third Sorcier Des Glaces album "The Puressence of Primitive Forests".
It also features exclusive tracks that were intentionally recorded with raw production in 2010/2011.

"Monuments Anciens" offers some of the rawest and very primitive Sorcier Des Glaces material, always picturing the black, cold & evil world SDG is known for".

Re-amping, & remastered at WSL studio by Patrick Guiraud.
New artwork by David Thierrée, and complete new layout.

200x heavyweight white with black marble effect 12" (180g) in a microtene innerbag, innersleeve full-color printed on 220g, download card, jacket full-color printed on 350g, all assembled in a plastic overbag.

"Reuniting together on one supreme release, the exclusive songs that originally appeared on the 2012 split album with Monarque, and the four epic tracks that graced the 2016 split release with French black metallers ENDE, originally know as "Le Puits Des Morts". The dark hymn "Le Puits Des Morts" is featuring important figures of the Métal Noir Québécois scene as guest vocalists, including Athros (Forteresse), Blanc Feu (Cantique Lépreux / Chasse-Gallerie), Monarque (Monarque / Sanctuaire), Nordet (Brume d'Automne). It also features I. Luciferia from ENDE with guest backing vocals.
"Sous La Lune Noire" present some of their darkest and evil material, but also have epic and highly atmospheric moments."

200x heavyweight marble (white/black) 12" (180g) in a microtene innerbag; printed innersleeve full-color printed on 220g; download card; jacket, full-color printed on 350g carton, all assembled in a plastic overbag.

Darkthrone's legendary 1989 demo, including additional tracks from Bootleg TV (1989) and rare rehearsal tracks from 1990.

Darkthrone started in 1986 under the name of Black Death. Although becoming known the world over as a black metal band crucial to the lasting legacy of the genre, Darkthrone began more as an extreme metal band utilising elements of thrash, death and doom metal into their early compositions.

Cromlech was Darkthrone’s final demo release, before a deal was inked with Peaceville Records. The demo was recorded in 1989 with the line-up of Gylve Nagell (Drums), Ted Skjellum (Guitars/vocals), Ivar Enger (Guitars) and Dag Nilsen (Bass); a line-up which would remain in place for the revered Soulside Journey and A Blaze in the Northern Sky albums. 

As well as the iconic demo itself – containing tracks which would go on to form part of the Soulside Journey debut - this release also contains additional tracks from the Bootleg TV Oslo recordings in 1989, including a cover of Celtic Frost’s Visual Aggression. Also includes a trio of instrumental tracks from a rehearsal tape originally made for Peaceville founder Paul “Hammy” Halmshaw in 1990.

Vinyl with printed inner sleeve. Featuring the original Cromlech art/logo.

Red [Blood] With Metallic Gold, Black And Halloween Orange Splatter

Ferum is a death doom metal band originated in Italy, but now scattered
over two countries. Asunder / Erode, the band’s debut album, is an
obsessive and monolithic record. Slow, funereal riffs are tied to faster,
sharper parts, while harmonized melodies and solos paint a cavernous
atmosphere. The drums wisely marches, moving from the background into
the spotlight, always followed by the bass guitar.
Asunder / Erode was recorded and mixed at Walter Productions in Tallinn,
Estonia by producer and sound engineer Are Kangus. The studio is located
inside the historic Tallinna Linnahall, a behemoth built during the Soviet
occupation. Today it is an urban wreck kept alive by few commercial
activities which are based on the inside: it is in fact closed to the public,
with the exception of some parts. Its interior is a maze of stillbirth potential,
and inspired one of the album's pieces.
The record was mixed completely in analogue to give the songs a deeper,
more archaic, real thickness. The master by Dan Swanö added the final
touches, making the album consistent, organic and even heavier.
Conceptually, Asunder / Erode is a journey that explores the idea of
separation and its dichotomy, up to erosion and collapse. This is
represented in a morbid and extreme way by the cover by Maestro Paolo
Girardi. The choice of oil on canvas follows the same logic of the analogue
mix: to make the whole as natural, as real as possible, and to pay homage
to the influences that inspired Ferum, by reinterpreting them