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 The pale light that shines in a kingdom of darkness could be just another deadly lure...

After a debut album showing the will to re-ignite the flame of a sophisticated and emphatic approach of extreme metal, yet still deeply rooted in the second wave of Scandinavian BM, DEATHCODE SOCIETY are back with “Unlightenment”, a merciless dive into the aphotic zone, as the cover artwork by Kjell Age Melland shows.

Epic and eerie, the seven songs explore the depth of the human mind through a restless and tempestuous music melting together a brutal metal instrumentation with orchestral arrangements, choirs, synths and concrete samples.

With lyrics bathed in dark surrealism – two of them being rendering of poems by Andrew Joron and René Daumal – “Unlightenment” is a musical journey through the Other Side and this gloomy maze where psychosis, murderous urges and mystical obsessions endlessly wander.

THERIOMORPH is the ghost of what once was CORNIGR, a project by many considered as one of Terratur Possessions definitive highlights.

As CORNIGR was laid to rest, P.E. Packain(aka Vainaya) wanted to explore wider musical grounds when the highly recommended ADAESTUO project suddenly arose. A platform for exploring suddenly emerged and much of the originally planned THERIOMORPH material was used. The urge to make something new on his own grew once again and THERIOMORPH is a project largely based off ideas dating back to before CORNIGR's  Funereal Harvest. Diabolical Bloodswords is an absolute accomplishment, an amazing feast from start to finish, an unique Black Metal album which never leaves the roots of the genre.

Endstille‘s Infektion 1813 is an absolute powerhouse of relentless black metal aggression. From the very first note, this album grips you with its unyielding intensity and refuses to let go. The razor-sharp riffs cut through like icy winds, while the thunderous drumming drives each track forward with a merciless precision.

Tracks like “When Kathaaria Falls” and “Endstille (Völkerschlächter)” showcase the band’s signature rawness, blending chaotic energy with cold, calculated atmosphere. The production strikes a perfect balance – gritty enough to maintain the genre’s authenticity yet clear enough to let every blistering guitar line and bone-crushing blast beat shine through.

Vocally, Zingultus delivers a savage performance, his voice a tortured growl that channels pure hatred and despair. Each track feels like a battlefield, evoking the album’s wartime themes with chilling effectiveness. Infektion 1813 stands as a testament to Endstille‘s ability to craft ferocious yet memorable black metal. For fans of extreme music seeking a sonic assault that leaves no survivors, this album is an essential listen.

Prepare to be overwhelmed.

This album is re-released in a Deluxe vinyl edition in two marbled colors: Marbled White/Black and Black/Red vinyl, each edition is limited to 500 copies.

Translucent Gold w/ Swamp Green/Red/White - Splattered Vinyl

Vinyl reissue of INCANTATION’s acclaimed 2000 full-length The Infernal Storm! First released at the turn of the century, the band’s album The Infernal Storm has more than weathered the test of time and still stands as a punishing, top-tier extreme metal release today.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Der Rote Kampfflieger is the oldest and perhaps most curious. Here, MINENWERFER offered the new track “Ace of Aces,” the reworked “Albatros in Flammen,” and two very surprising covers: deep martial industrial artist Striider's “Schüzengraben” and legendary shredder Yngwie J. Malmsteen's early scorcher “I am a Viking.” MINENWERFER for sure have their own identifiable sound, but they're not afraid to push it in strange directions from time to time.

300x gold with black marble effect 12" (180g) in a black poly-lined innerbag, download card, gatefold full color on 350g, all assembled in a PVC overbag.

Vinyl edition of Void of Silence' new album!
Comes in gatefold jacket,Sea-blue double Vinyl

Originally recorded in 2013 during the "Kriegserklärung" sessions and released in 2017 as a split with Kommandant. These tracks convey the aftermath of the Great War in early 1919 by covering the brutal street fighting of factions in the early Weimar Republic. Some of the fastest and most intense songs of the band's early period are here, as well as the first experimentation with neofolk.

200x heavyweight milky clear 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton (coated paper), jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag. Specially remastered for vinyl with a complete new artwork and layout.

Red [Blood] With Metallic Gold, Black And Halloween Orange Splatter

This edition of 'It Beckons Us All' is presented on Nocturno Culto’s own limited grey marble vinyl, with printed inner sleeve containing lyrics. 

With a legacy of audial treasures now spanning more than 35 years & with the fountain of creativity ever flowing, Norway’s Darkthrone return with their latest venture through classic riffs & vintage sounding metal in the shape of the epic new seven track studio opus, ‘It Beckons Us All’. 

Seeing the longstanding duo of Fenriz & Nocturno Culto uniting once more, ‘It Beckons Us All’ follows on the heels of 2022’s revered ‘Astral Fortress’ album, with what could be considered an even more refined, challenging & diverse set of timeless metal anthems from the uncompromising trailblazers; from the melodic, to the sombre & atmospheric, to the blackened dirges emanating from Darkthrone’s highly distinguishable riffing, as well as a nod to influences such as Celtic Frost along the way. 

Recorded once again at Chaka Khan Studios in the band’s native Norway, ‘It Beckons Us All’ was mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak. 

With an expansive catalogue consisting of a multitude of various genre classics, Darkthrone first arrived on the global stage with their atmospheric & technically accomplished death metal debut, ‘Soulside Journey’ back in 1991, followed by the milestone in black metal that is ‘A Blaze In The Northern Sky’ released only the following year, after the intended second album ‘Goatlord’ was essentially scrapped to make way for something more primitive & paving the way for Darkthrone’s close association with the black metal genre over many years. And so, with an endlessly progressing (and even regressing) evolution which has seen the band successfully delving into many sub-genres of metal & punk, ‘It Beckons Us All’ stands as one of the band’s most complete & vast works to date. 

First time ever on vinyl, gatefold cover, limited edition silver vinyl.