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Back in stock - musica Black Metal e Dark estrema
This Gatefold LP comes with an A2 poster and a 20 page booklet
Gatefold DLP including a A4 12 pages booklet.
The inimitable Funeral Mist – one of the most iconic bands on the NoEvDia roster – has delivered unto us “Deiform”. Seven musical pieces contemplating the nature of divinity and mortal existence through the fiery lens of black metal.
Limited to 175 copies.
Second press in milkly clear vinyl.
'Masks of the Magi' Trilogy, opus II
THE OUTSIDER
The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…
Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.
The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.
B's legacy and the most extreme swansong of 2011
Lifelover's fourth and last album "Sjukdom" (English: disease) is a dark and challenging record. Following their critical acclaim-afforded and cathartic "Konkurs" in 2008, these elusive and mysterious misanthropes venture down an even more daring path with "Sjukdom" where the extremes of the characteristically idiosyncratic Lifelover sound are pushed to their utmost limit: the bittersweet melodies become more beautiful whilst the pulsing, coal-black heaviness becomes uglier. After the tragic death of B in September 2011, this is Lifelover's final studio album.
Gatefold LP (silver/black marble vinyl) in polylined inner sleeve and protection sleeve (500 copies)
2-CD hardcover book (18 x 18cm, 36 pages) + excl. bonus CD with 4 bonus songs and additional artwork
With their seventh studio album "Otra", Norwegian avant-garde metal stalwards IN THE WOODS... might surprise their listeners – and particularly those, who have not followed the remarkable evolution that the band from the southern Norwegian city of Kristiansand has undergone since the early nineties. The tracks of "Otra" are surprisingly captivating with melodic tunes dominating the present sound of IN THE WOODS... – although progressive elements and the occasional rough reminder of the Norwegians' harsh past are also regularly shimmering through the fabric of these songs. What sets "Otra" apart from the average heavy work of music is the excellence of composition that shows expert level experience and comes with a seeming ease that makes the achievement even greater. Lyrically, "Otra" revolves around stories connected to the eponymous river that winds for 245 kilometres through the South of Norway and spills into the Skagerrak, the strait that separates the country from Denmark and Sweden, at the band's home in Kristiansand. There is hardly a need to introduce the name IN THE WOODS... to any adherent of avant-garde and black metal. Their coordinates within the scene are also well known: The Norwegians were among the bands that have participated in the burgeoning evolution of black metal in the early nineties and have had a large part in the shaping of the sound of a strong subgenre. Their first full-length "Heart of the Ages" (1995) has a lasting impact on black metal and is rightfully regarded as one of the genre's early classics. Refusing to rest on their laurels, IN THE WOODS... progressed further into different musical dimensions with "Omnio" (1997) and "Strange in Stereo" (1999). Following a long hiatus between the years 2000 to 2014, the Norwegians returned with vocalist James Fogarty, who continued to front the band until December 2021. With a new line-up and singer Bernt Fjellestad completing IN THE WOODS... a fresh direction was taken with the album "Diversum" (2021). With "Otra", IN THE WOODS... demonstrate the full strength and artistic maturity of the Norwegians' third incarnation. Enticing and highly pleasurable to listen to, this exciting record is nonetheless crammed with glorious details and surprising twists that reveal themselves only after many spins.