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 Where Marduk fired the arrow and hit the bullseye in terms of war-themed releases was this little 3 track release called Iron Dawn. In three tracks, Marduk sets its sights on sonically delivering the chaotic brutality of war, and executes to such a degree of perfection that you can't help but listen to the EP on repeat. It is amazing as much as it is haunting.

Reprint, 500x ice clear black 12" (140g) - SIDE B come with a black silkscreen print, in a microtene innersleeve, printed innersleeve full-color on 220g, jacket full-color printed on 350g, all assembled in a plastic overbag.

Reprint, 300x white with black galaxy effect 12" (140g) in a printed innersleve, 4 pages booklet vinyl size on 220g offset paper, jacket on 350g, all assembly in a PVC overbag.

For their new album, bassist/vocalist Dylan Desmond and drummer/vocalist Jesse Shreibman exploded Bell Witch's bounds. Like 2017's lauded “Mirror Reaper”, “The Clandestine Gate” is a single 83-minute track -- a composition that pulses and breathes on a filmic timeframe. It constitutes the first chapter in a planned triptych of longform albums, collectively called “Future's Shadow.”

While traces of organ and synthesizer hovered over “Mirror Reaper” and Bell Witch's 2020 collaboration with Aerial Ruin, “Stygian Bough Volume 1”, “The Clandestine Gate” drew those instruments closer to the center of its compositions. The band reunited with their longtime producer Billy Anderson as they began negotiating these new compositional weights. On “The Clandestine Gate”, Bell Witch's twinned voices build off of the chantlike textures of previous records while steering toward more developed melodic lines, structured harmonies, and rhythmic death metal growls.

The immense gravity of a work like “The Clandestine Gate”, which features exclusive stunning cover art by Jordi Diaz Alama, allows ideas to simmer in a way that feels profoundly and somatically intuitive -- not just a philosophical exercise, but an embodied truth. By slowing down both their creative process and the tempo of the music itself, Bell Witch digs even deeper into their long-standing focus: the way life spills on inside its minuscule container, both eternal and fleeting, a chord that echoes without resolution.

Founded in 1984, Heir Apparent issued a pair of ground-breaking albums between 1986 and 1989. Prior to the formation of Heir Apparent band was called Nemesis for a year. When vocalist Corey Rivers left the band in early 1984, the three remaining members recruited singer Paul Davidson, and the band's name was changed to Heir Apparent. The music of this Seattle-based band spans a range from progressive speed metal to acoustic-driven power ballads, fused with melodic and intelligent lyrical themes, and respected for their intense and emotive live performances. Since 2000, Terry Gorle has reformed Heir Apparent for several festival concerts in Europe, and numerous local shows around the Seattle area. In 2015, a line-up was solidified for additional European festivals, and a third studio album release in 2018. This album, ‘Foundations II’ contains the cult demo ‘Triad’ from 1988 (13 tracks) and Demo 2003 (3 tracks). https://www.facebook.com/HeirApparentOfficial

In the mist-shrouded realm of black metal, GRAVENOIRE emerges as a phantasm, a spectral echo of the genre's most unyielding and arcane iterations. Combining the talents of present and past members of Anorexia Nervosa, Seth, BÂ’A and Diablation, this harbinger of the aether marries the raw, unfiltered essence of 90s black metal with the enigmatic lore of its ancestral land - France.

‘Devant la porte des étoiles’ is a portal, cast from the ancient stones of primordial rites and cosmic despair. This GRAVENOIRE debut, forged in the live crucible of rehearsal chambers untainted by modernity's corroding touch, channels the unsanctioned, unbridled energies of realms both spectral and telluric. From the inaugural summoning rites of the instrumental “Pavens” to the devotional desolation of “Granit”, each track serves as a tome, inscribed with the ink of rebellion, mysticism, and the unquenchable thirst for transcendence. GRAVENOIRE invites the listener to tread the forgotten paths beneath the starlit dome, to reunite with the ancient forces that pulse in the earth's hidden veins.

For fans of GORGOROTH, ARCKANUM, DARKTHRONE, EMPEROR.

SEAR BLISS’ ‘Grand Destiny’ is one of their most ‘obscure’ releases. Now finally re-released on Cd. ‘Grand Destiny’ is their 3rd album from 2001. Cover art work by Kris Verwimp (Absu, Marduk). Remastered and complete new booklet design. Hungarian black metal at its best!

DIGIPACK

1. So Nail The Hearts 13:15
2. Eucharistick Funereal 10:05
3. Reckoning 07:01
4. Emeralde Graves 05:00
5. Sinn Koronation 10:37

Tracks : 1. Intro
2. The call of the wintermoon
3. Unholy forces of evil
4. Cryptic winterstorms
5. Cold winds of funeral dust
6. Blacker than darkness
7. A perfect vision of the rising northland