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Tara, as a dual-album set. Originally released in late May of 2001, it has been a highly celebrated recording and a loyal favorite amongst Absu's followers. Unlike the band's previous two releases, Tara is a concept album that principally deals with the harmony of strife, immortality, puissance and tyranny. It was immediately conceived after their 1998 release of In The Eyes Of Ioldánach when drummer/vocalist Proscriptor's frustration grew with the sinking intelligence in the extreme metal world – it was his calling to fully educate his audience. Therefore, the album features a lexicon (glossary) insert of pensive occult systems and mythological notations – to assist the listener with an enlightened, more comprehensive understanding. As always, Kris Verwimp infuses the gatefold with three sensational illustrations. (Full-color poster included).

Reprint, 500x clear black ice vinyl 2x12" (180g) in black poly-lined innerbags, printed insert on 220g, poster A2, full-color on 150g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.

gatefold jacket, inside colored

black poly-innersleeves

dinA2 poster

plastic protection sleeve

large booklet wth lyrics, impressions and info

Gold Vinyl

„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.

On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".

Issued in a jewel case with a transparent tray. Comes with a fold-out 6-page booklet.

Track 1-12 is a hidden bonus track (not mentioned on the back cover or in the booklet).
Tracks 2-1 to 2-8 recorded in Le Zenith Hall, Paris, March 23-23, 2009.

Digipak with 20-page booklet

t has been seven long years since the world was last blessed with new music from the melodic blackened death metal stalwarts of NIGHTFALL, but now the band is plotting a triumphant return with ‘At Night We Prey’, the darkest and latest chapter of NIGHTFALL’s already storied career.

‘At Night We Prey’ is a very dark and personal effort, tackling the topic of frontma, Efthimis Karadimas’s battle with depression. “A beast I have experienced its teeth deep into my soul, I decided to come out and share that experience with metalheads,” Karadimas laments. “This is the least I can offer now to the big fight against depression. If we don’t stop this, it will eat us all alive. Share your pain, speak openly about it. This is the only way to kill the demons in your mind.”

rogressing from last year's “The Capsule”, “Overland” presents itself as a different observation, more dynamic and layered than its predecessor.

Formed in London 2007 by Matthew Rozeik and AJ Cookson, the duo that comprise NECRO DEATHMORT create a intriguing and alluring blend of electronic-based music seamlessly intertwining dark ambience, noise, synth-driven beats, cinematic soundscapes, and heavy drones. “Overland” expands their sonic palette introducing further acoustic instrumentation and exploring new territory. The duo have amassed and already impressive and prolific catalogue to date of which “Overland” appears as full-length number eight.

Slipcase Gatefold 12" LP

Pressed on grey marble heavy vinyl. Comes with an 8-page booklet and a download card.

DMP present a special 2025 vinyl reissue of BLUT AUS NORD's seminal 2003 avant-Black Metal masterpiece "The Work Which Transforms God", complete with restored original artwork, a new Rob Borbás illustration, artist testimonials, and an extended interview with Vindsval.

This trailblazing and indispensable classic finds BLUT AUS NORD expanding the possibilities of Black Metal: preserving the essence and feeling but urbanising the form, in a menacingly enigmatic and coldly inimitable statement of intent.

Comes with a 2-page 12"x12" insert, an A2 poster and a download card. Pressed on ultra clear with black smoke vinyl. Colors on final record may vary to a degree from the mockup.

2017's "Deus Salutis Meæ" ("God of my Salvation") is a truly mesmeric emission from BLUT AUS NORD, the great Black Metal innovator renowned for disdain toward convention and a murderous relationship with boundaries.

Using frightening alchemy and predatory cruelty, BAN here fuses each distinct era of its 23-year existence with powerful readings of cavernous, arcane Death Metal, the occult excesses of outsider Industrial and the abject hauntings of psychotropic Doom. A work of singular class from an artist who continues to remain vital.

Comes in a 4-panel digipack w/ a 20-page booklet. First batch comes in black polycarbonate CD.

SÜHNOPFER, hailing from France, return with their most fully realised release to-date of blasting, emotive, edge-of-seat Baroque Black Metal.

"Nous sommes d'Hier", the band's 4th full length since formation in 2001, finds sole member and multi-instrumentalist Ardraos continuing to explore a medieval universe in his quest to restore the tarnished glory of the Bourbons - marching between the Middle Ages and the modern era to weave compulsive tales of dark times, remembered legends and places that resonate with the death of an age.

The legendary "Memoria Vetusta I - Fathers Of The Icy Age" captures BLUT AUS NORD in the remarkable embryonic phase of an evolutionary process that would culminate in one of Black Metal's great enigmas.

Finally available again on CD with its original front cover, "Memoria Vetusta I - Fathers Of The Icy Age" is canonical primeval Black Metal from another age. Essential.

Comes in a 4-panel digipack.