Back in stock

Reprint, 500 x white with black galaxy effect 12" (140g) in a poly-lined innerbag, 4 pages booklet vinyl size on 220g offset paper, jacket on 350g, all assembly in a PVC overbag.

2024... More than 30 years after its infamous creation, the black heart of Mutiilation is still pumping its poison. Risen from the ashes, unexpected for decades. Meyhnach, in his unpredictable wisdom, resurrected the legend and brought back Mutiilation to the earthly plane to deliver its 7th spawn. A dark masterpiece of black metal that surpasses the hopes of the mortals. Black Metal Cult is certainly the culmination that punctuates Mutiilation's career.
The myth is alive, the Devil's among you.

Reprint, heavyweight white with black marble 12" (180g) in a microtene innerbag, printed innersleeve, 1/0 K on 220g carton (uncoated paper) download card, jacket, 1/1 K/K - black flood inside, printed on 350g carton, uncoated (matt) paper with UV spot lacquer, all assembled in a plastic overbag.

Rerelease of SIJJIN´s 2019 Demo material on 12" vinyl record and compact Disc. Including a killer bonus track from the same recording session. Evil crushing Death Metal in the vein of old Morbid Angel, Possessed, Necrovore, Incubus, Death . . . DIE !!!

Released in 1992, "Abject offerings" represents today an incredible masterpiece of esoteric, mystical and blasphemous death metal. It has been a classic for more than 30 years and will forever be part of history.

A quality production that has stood the test of time, complex melodies, dark and memorable, powerful riffs, make this album an ode to violence, hatred and everything that hides in the depths of darkness.
UNHOLY DEATH METAL SHALL NO LONGER WAIT!

Reprint, 300x heavyweight orange crush with black marble 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g; download card; gatefold, full-color printed on 350g, all assembled in a plastic overbag.

Sepulchral Voice, jewelcase / 12-page booklet, A 45 minutes long lesson in abyssal furiousness and ripping intensity straight out of the caverns of hell. Untamable, pitch-black and archaic Death Thrash Metal, rising from the shadows to embrace the victim with sheer brutality. (Featuring Mors Dalos Ra and Iván Hernández of NECROS CHRISTOS)

Sepulchral Voice, 12“ LP, black 140g / printed insert, 'Procul His' is a relentless cataract of meandering riffs, expanding and improving on every aspect of previous releases. Unrivalled, hauntingly mysterious, shaping another deviance of black in Drowned´s corpus of penumbral aural hallucinations. Drowned have produced an album that oscillates between scorching death-thrash, punishing tremolo notes, doom-laden dirges and transcends time : rooted in the past yet gazing forward.

The debut album from Belial on Austria's Lethal Records is, without question, one of the heaviest Black/Death Metal albums I have ever heard. It starts off with a creepy little intro, then smashes into a re-recorded version of, in my opinion, Belial's signature track, "The Invocation." This version is much heavier and darker then the one that appeared on their "Gods of the Pit" demo, as Belial added more spoken word interludes and hoarse whispering to the mix. After this, Belial rips through 20 minutes of some of the most intense music in the history of the underground scene. This album just rages along at a breakneck pace, and doesn't let up fast enough for you to catch your breath. My only small complaint is the length of this album, but that is minor in comparison to what Belial does with the little time they have here.
On a side note, this release featured 2 different covers for some reason. The original (which I have, and which is the rarer of the 2) was a rather cheap looking, almost xerox'ed scene of a mountain landscape in the woods, with a black moon hovering in the sky, in black and white, with some blue here and there, and the band's logo in blue in the upper left hand corner, and the album title in the lower right hand corner. The second cover was the hand holding whatever that is in the photo, with the album title in white in the upper right hand corner, and the band logo in red in the lower right hand corner. I have no idea why this was done, other then perhaps only a limited number of copies had the original artwork.
This album has been long out of print, thanks to the thieving bastards that ran Lethal Records. However, I have seen 1 or 2 distros still carrying it (with the second cover artwork), and I'm sure there are a few traders out there with it as well. In any case, pick this up at all costs if you can.
 

Sepulchral Voice, 2 panel digipack, poster booklet

‘Burning in Celestial Poison‘ is not only a statement and lesson in audio-violence, it is a 44 minutes long manifest of radical DEATH Metal causing mental lacerations and chaos! A record supposed to shock, because of its ecstatic ruthlessness and massive fanatical malevolence, hovering deep below the compositions. It opens the doors to a world that is so unbelievable vast, that you risk to lose yourself in it, its depths defy exegesis. 4 curses are woven into 4 hymns of utter death-magic, which will lead you into the black abyss of the grand divine. The album was again produced by master Arthur Rizk, who cuts through all expectations with extraordinarily dense and destructive fidelity and production. ‘Burning in Celestial Poison’ sounds like created with the magick, formulas, codes and keys of a world beyond.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Der Rote Kampfflieger is the oldest and perhaps most curious. Here, MINENWERFER offered the new track “Ace of Aces,” the reworked “Albatros in Flammen,” and two very surprising covers: deep martial industrial artist Striider's “Schüzengraben” and legendary shredder Yngwie J. Malmsteen's early scorcher “I am a Viking.” MINENWERFER for sure have their own identifiable sound, but they're not afraid to push it in strange directions from time to time.

300x gold with black marble effect 12" (180g) in a black poly-lined innerbag, download card, gatefold full color on 350g, all assembled in a PVC overbag.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse. Which is all to say that MINENWERFER have been mining songwriting gold for many years now!

OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.

Re-issue, 400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.