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Printed on Gildan softstyle ring spun

SIZE XL

Atmospheric / Folk Black Metal from Canada

Six panels digipack.
 

Digipack sei pannelli + booklet!

grandissimo album per gli americani Windfaerer

Dwarrowdelf is back with their new full length album, Of Dying Lights, delving deeper into the lore of Tolkien. This album contains seven tracks of epic metal, one being a cover of both Sojourner and Summoning melded together into an incredible journey of a song. Moving more into his own style with each offering, this is an incredible album. 

Tom O'Dell - All instruments, vocals 

Jack Reynolds - Harsh Vocals (Track 7) 
Chloe Bray - Additional Vocals (Track 3) 
Music and lyrics by Tom O'Dell (Tracks 1 to 6) 
Track 7 covers "Homeward" by Sojourner (written by Mike Lamb and Chloe Bray) and "Land of the Dead" by Summoning (written by Silenius and Protector) 
Recorded by Tom O'Dell at Hair Force House Studios, UK 
Mixed and Mastered by Mike Lamb at Onieros Studios, UK 
 

Teitanblood returns to claim underground metal’s most lawless frontier. “From the Visceral Abyss” is an all-engulfing tide of unfettered, raging chaos – where black and death metal collapse into a maelstrom of destruction. Its force is neither random nor aimless but guided by an instinct sharpened over decades.

This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.

As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.

By their hammer let none be saved – Misþyrming return to lay down the law. Með hamri is the sound of the iron heel of Black Metal trampling the face of musical modernity.

Með hamri is deeply saturated with the vibrantly alive energy that Misþyrming capture so effectively on stage. The drums sound organic and powerful, the guitar distortion has a vicious bite, and D.G.’s vocals are as brutal and evocative as ever. The underlying spirit is one of action. There is melancholy, bitterness, and filth, but one of the album’s foremost characteristics is its relentless surge of determination. Never before have Misþyrming sounded livelier and more confrontational.
 

Ambientscapes mixed with black metal Hell from the mastermind behind the exemplary Nightbringer and Bestia Arcana.
 

Averaging an album per year since their 2018 formation, this latest expression from the rightly-revered Swiss Atmospheric Black Metal band AARA shows no drop in quality, nor let-up in their perpetually questing sense of purpose.

In follow up to 2023's "Triade III: Nyx" - the climatic installment of the 'Melmoth' trilogy based on Charles Robert Maturin's classic Gothic novel - the band now break away from the literary and apply their stunning musicality to real-world events.

"Eiger" is conceptually focused on the 3967 meters mountain of the same name in the Bernese Alps. Since 1935, at least 64 climbers have died attempting to conquer the Eiger’s sheer, ice-covered north face which has earned it the nickname of 'Mordwand' ('murder wall'). The album specifically examines an attempt to climb the Mordwand in July 1936 which ended in tragedy, as four young mountaineers succumbed to treacherous conditions and disappeared, presumed caught in an avalanche.

AARA's music has evolved dynamically in tandem with the subject matter, becoming more visceral, tangible and hauntingly powerful. An organic and spacious production allows the trademark elegiac, spirited leads and reverberant acoustic guitars of main-composer Berg to give increased emotional weight to a performance of on-the-edge savagery from vocalist/lyricist Fluss. The icy melodies, pensive moods, vibrant plummets and shifts/drifts contrast the wonderment of the natural world with a heightened sense of existential malaise and ultimately horror.