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Stand-alone vinyl release containing Autopsy’s studio tracks originally recorded for the ‘All Tomorrow’s Funerals’ collection, plus the ‘Horrific Obsession’ 7” tracks.

‘Sign of the Corpse’ contains Autopsy’s original studio tracks recorded for the ‘All Tomorrow’s Funerals’ collection in 2012. Hot on the heels of their triumphant comeback opus ‘Macabre Eternal’, Autopsy continued where they left off with a set of gore-soaked ditties to strangulate the senses with their highly influential brand of death metal. The release also contains a re-recorded version of early Autopsy classic, ‘Mauled to Death’. Also included on ‘Sign of the Corpse’ are the 2 tracks from the ‘Horrific Obsession’ 7” release in 2009 which contained Autopsy’s first studio output in 15 years, originally recorded to celebrate the 20th anniversary of the band’s debut. All tracks were recorded at Fantasy Studio, CA with Adam Munoz. One of the early breed of US death metal acts, Autopsy formed in 1987 in San Francisco, & originally released 4 albums on Peaceville Records - beginning with the classic debut 'Severed Survival' in 1989 - before disbanding in 1995, with members going on to form Abscess.

Norvegian Black Metal

Two Tracks:

1.Among the Dead 18:48
2.Tomhet (Burzum cover) 13:07

Boxed CD with digipack and cards set, plus voyager's map
Limited to 200 copies

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

Vent Fantôme' is a piece consisting of 2 unique songs of Wintery black drone, a la Neige et Noirceur
Its been composed to be played live first (in 2016/2017) but then recorded in their own studio to be released on tape-cassette by Les Fleurs du Mal prod.
'Vent Fantôme' is right now under production process and will be released by Avantgarde Music as numbered extra limited vinyl to keep it a special release as it sounds, and digipack cd.
 

Furious and traditional black metal from Serbia
 

Atmospheric / Post Black Metal from Canada
 

With the new album "They Often See Dreams About the Spring" DRUDKH's traditional black metal sweeps in like a cold wind from the East. Timeless frozen melodies adorn an uncompromising attack, creating yet another epic work from one of the genre's most important bands.
 

This is the morbid sound of the 90's!
Beherit and Carpathian Forest maniacs won't resist this hellish attack of pure black metal the way it was meant to be.

Black Vinyl
 

Suffer the Cold" finally finds justice and will soon breath a new life in the physical forms of a 6 panels digipack

A one man project fronted by Spectral Wound guitarist Mike Kirkenbrannsår under the alias Maikan
 

Digipak CD
First Oranssi Pazuzu album reissued at last.
“During the last few years we have had many people asking from us about the availability of our earlier albums, the vinyl versions of both and also the debut cd being sold out for some time now. We have been promising a repress basically since 2011, when the vinyls first came out, and we are very happy to say this is finally being realized.
To us both Muukalainen puhuu and Kosmonument nowadays sound something like a different band, but they still embody many of our principal musical ideas in songs like Korppi or Kaaos hallitsee
 

OCULUS was spawned from the mind of Nero and then perfected by the minds of both Kozeljnik and Bornyhake. Both esteemed musicians prior have played in The Stone, Borgne, Deathrow, Enoid, and Ophidian Coil. Bornyhake contributed drums, bass, and keyboard samples while Kozeljnik contributed lyrics and vocals. The band was meant to illustrate their idea of what black metal was to them and the darkness within, as well as anti-Christian themes.
 

Reissue of long sold out Barghest demo cassette, "Alsæla Gegnum Endurfæðingu" comes now as single side vinyl with laser etching on side B

The music creates a suffocating atmosphere of black doom, distorted, sometimes ponderous in its pacing, and crafted around bleak melodies. Interestingly, as in the case of Svartidauði, the bass often plays a prominent role in the music, and there’s some interesting black-prog guitar noise to accompany the skittering tremolo melody in the EP’s long second track, which is my favorite. The title track is also quite dynamic, with dramatic changes in pace and intensity and more of that creative guitar dissonance.