Offerte

Australian black metal band Ill Omen has been releasing some of the more intriguing material out there in recent years, with sprawling instrumentation that takes on a more mysterious and ritualistic feel. These elements have been expanded further than ever before on the newest full length ‘Æ.Thy.Rift’, which feels like it could be a funeral doom effort ran through a black metal filter. Each of the songs builds a thick atmosphere that feels like it’s going to pull you directly into the void, and it’s handled in such a way that uses the longer song lengths to its advantage rather than letting them feel as though they are dragged out.
 

Invisible landscape - the debut album - is a conceptual work, an imaginary soundtrack that traces the story created by 10 pictures by the Portuguese photographer, José Ramos. It's an experimental project that extends itself through innumerous musical styles: from Classical music to Post Rock, going through soundscapes, electronica, etc
 

Ares Kingdom is a project comprised of two-thirds of Order From Chaos: guitar visionary Chuck Keller and flagellator Mike Keller on drums
It’s been five years since their sophomore release Incendiary, two since their covers album Veneration, and since Ares Kingdom perfected their brand of blackened thrash/death metal. In this day and age where every hole of the corpse has been fucked to the point of gaping, it’s not uncommon for a metal band to sound derivative. Such is the strength of Ares Kingdom. No other band sounds like them. No drummer. No guitarist. No vocalist. Unavoidably, there are moments reminiscent of Keller and Miller’s former projects, but still Ares Kingdom very much has its own sound, taking from all extreme genres and forging their own on this, their third album, The Unburiable Dead.
 

Austrian Black Metal. Re-issue of the bands demo on Digipack.
 

Limited to 300 copies, this A5-sized digipack features 8 beautiful art works by Costin Chioreanu on a 7 pages booklet.
With Attila Csihar, David Tibet.

Please pay a minute of attention to the description in the digital release part, as there are strong meanings behind this release.
MORE INFOS HERE


Ascolta su BandCamp

Jewelcase

Saligia are a Norwegian black metal duo who released their debut Sic Transit Gloria Mundi in 2011, followed by the Lvx Aeternae EP in 2013. I enjoyed both of those releases immensely, so I was quite pleased to see that they had released a new full-length and leapt at my first opportunity to give this new one a spin. As soon as the first track started, I was quite perplexed as I wasn’t even sure that this was the same band. It would be a rather significant understatement if I were to say that this album is a departure from the haunting atmosphere that their previous works developed so well.

- 4c/1c digipack
- booklet with lyrics, impressions & information
 

Cryptic Darkened Death Metal from France. Second full length.
 

Black 12" double vinyl, cut in 45 RPM for optimum fidelity, with 16 page 300mmx300mm insert in gatefold.
Second pressing 250 copies worldwide!

TSJUDER deliver Norwegian Black Metal in the classic raw and rattling style, yet without ever giving in to the temptation of wallowing in nostalgia.
On their fifth full-length 'Antiliv' not a single note has to be dyed black, because the roots that are clearly showing are all glistening with the abyssal musical non-colour pioneered by BATHORY, CELTIC FROST, and VENOM as well as those Northern masters MAYHEM, DARKTHRONE, and EMPEROR. The venomous and vicious throat rendering by bassist Nag and guitarist Draugluin entwines with thorny, relentlessly driving riffs and an infernal rhythmical ice storm unleashed by drummer Anti-Christian over majestic melodies.
When the Norwegians returned with 'Legion Helvete' in 2011, it became obvious that they had honed their songwriting to razor sharp perfection since splitting up after the release of the live DVD 'Norwegian Apocalypse' in 2006.
Now TSJUDER stand proud with an impressive demonstration that they are still growing stronger and the hellishly fierce masterpiece 'Antiliv', which the band modestly describes as "raw and uncompromising black metal".
No post, no progressive, no whatever!

"Brutal black metal" is one way to describe the record, as its muscularity is deeply informed by black metal, and its attack can be morbidly exhausting on both the physique and the psyche. Peel away that pithy description and you'll find a bottomless pit of grime and grimness, one where the only reasonable response is to submit to the soul-devouring sonic devastation and drown into oblivion.