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Vendita vinili - musica Black Metal e Dark estrema
Age of Eternal Night is a dark and immersive concept album that continues the story of the first album:
The nameless pilgrim who descended into the darkness of an ancient tomb in the desert sands of Sumer - thirsting for forbidden knowledge and vampyric ascension. As he ultimately finds what he seeks and by the completion of profane and horrific rituals he finally transforms into an immortal ruler of darkness, blood and death. Breaking out of the forsaken depths of the netherrealm he unleashes unspoken horrors upon mankind - creating the primordial vampyric coven under the light of a blood moon. A
s the Gates of Ganzir open the death bells of Cuutha toll over blood stained sands - ushering in a new era of bloodshed and terror - an age of Vampyric Dominance - an Age of Eternal Night!
The album was once again recorded, mixed, and mastered by Mario Dahmen / Liquid Aether Audio. With the raw intensity and epic structure already present in their previous works, Age of Eternal Night stands out with an even denser atmosphere and a refined sonic balance. The production captures both the ferocious power of their Black Metal roots and the majestic, dark melodic grandeur that defines SUMERIAN TOMBS. Prepare to unlock the seal and embrace the Age of Eternal Night.
ZÉRO ABSOLU is the band formerly known as Glaciation.
Glaciation was a project founded in 2011 by François Duguest (instruments) and Jean Valnoir Simoulin (Vocals, art direction).
The group then expanded to include Hugo Moerman (who became the 3rd permanent member of the group), the two main members of Alcest, and Lychar.
In 2012, they released the album «1994».The lyrics nostalgically and bitterly revisit Valnoir’s experience within the Black Metal scene throughout the 90s.
Valnoir temporarily left the band in 2014 and was replaced by RMS Hreidmarr.
LP with inlay 30x30cm
THE GREAT SEA was founded in 2022 by JR (Long Distance Calling) and SH (Ordeal & Plight) with the ambition to create an atmosphere that can keep up with the majesty of the mountains and the horrible depths of the seas, with a glimpse into the never ending darkness that is behind and before us.
“We always wanted to create a feeling, where you can experience nature and find yourself within it.”, states guitarist SH. “There is a strange and unbelievable beautiful sensation when you combine these tunes, with the reality of natures infinite powers.”
To give the sound what it deserves, they invited Phil Jonas (Crone, ex-Secrets Of The Moon) and Azathoth (Gràb, ex-Dark Fortress) to leave their mark on this record, creating a connection between this world and spheres that can never be spoken of. Both songs are integrated to the rest of the record with maximum black glue, giving the listener the experience of deep current.
Black 12" vinyl (33 rpm) in gatefold sleeve with Pantone bronze and silver print with poster (60cm x 60cm).
First pressing: 450 copies worldwide.
In the frozen depths of Finland's iciest lakes, …AND OCEANS emerged, fusing symphonic black metal with avant-garde twists and splashes of industrial chaos. For decades, they've been the torchbearers of a genre that defies boundaries - constantly reinventing their sound with each new album.
Their latest full-length, ‘The Regeneration Itinerary’, is a transcendent expedition into the duality of light and dark. Recorded in the halls of SoundSpiral Audio and mixed to perfection at Necromorbus Studio, this album weaves a tale as old as time yet refreshingly modern. With tracks like the ethereal, techno-laden "Inertiae" and the haunting "Förnyelse i Tre Akter", Mathias Lillmåns' lyrical prowess unfurls across Timo Kontio's and Antti Simonen's masterful compositions, each note dripping with existential ponderings and razor-sharp riffs. Imagine being embraced by a Siberian storm while contemplating the cosmos- that’s the electrifying impact these songs deliver. A standout, "Prophetical Mercury Implement", offers a fervent glimpse into their musicianship, promising an aural journey that’s as profound as it is raw. From the melodic "I am Coin, I am Two" to the relentless drive of "The Fire in Which We Burn", this itinerary navigates the delicate balance where shadows kiss the dawn
For fans of EMPEROR, DIMMU BORGIR, DARK FUNERAL, DØDHEIMSGARD.
Crystal clear & and gold marbled vinyl. LTD to 200 copies!
In the frozen depths of Finland's iciest lakes, …AND OCEANS emerged, fusing symphonic black metal with avant-garde twists and splashes of industrial chaos. For decades, they've been the torchbearers of a genre that defies boundaries - constantly reinventing their sound with each new album.
Their latest full-length, ‘The Regeneration Itinerary’, is a transcendent expedition into the duality of light and dark. Recorded in the halls of SoundSpiral Audio and mixed to perfection at Necromorbus Studio, this album weaves a tale as old as time yet refreshingly modern. With tracks like the ethereal, techno-laden "Inertiae" and the haunting "Förnyelse i Tre Akter", Mathias Lillmåns' lyrical prowess unfurls across Timo Kontio's and Antti Simonen's masterful compositions, each note dripping with existential ponderings and razor-sharp riffs. Imagine being embraced by a Siberian storm while contemplating the cosmos- that’s the electrifying impact these songs deliver. A standout, "Prophetical Mercury Implement", offers a fervent glimpse into their musicianship, promising an aural journey that’s as profound as it is raw. From the melodic "I am Coin, I am Two" to the relentless drive of "The Fire in Which We Burn", this itinerary navigates the delicate balance where shadows kiss the dawn
For fans of EMPEROR, DIMMU BORGIR, DARK FUNERAL, DØDHEIMSGARD.
Supplying the original DAT tape by Proscriptor himself, this majestic edition of cult, mid–90's mythological occult metal has been newly mastered for LP & CD. Proscriptor quotes in regards to the new master's sound: "Now, the entire album is nothing more than spellbinding and bludgeoning, as our second full–length conquest has never sounded ANY better!” The companion album features an alternate 2012 stereo mix from the original recordings, which presents the album within a broader, dynamic spectrum.
Double LP includes extensive liner notes, artwork and a comprehensive essay regarding Absu's logo evolution. The special Gatefold LP includes two full–color posters.
ONLY ONE RUN OF: 500x heavyweight black 2x12" (180g) in microtenne innerbags, 2 printed innersleeves full-color on 220g carton, 2 posters A2, full-color on 150g art paper, gatefold jacket full-color with silver lamination printed on 350g carton with glossy varnish, all assembled in a plastic overbag.
“Live in Oberhausen” is the second live album by KANONENFIEBER. It was recorded during the band's biggest headlining show to date in Oberhausen. 1,800 fans filled the sold-out Turbinenhalle II and were part of a special evening as part of the tour for “Die Urkatastrophe”.
12” vinyl double LP in a gatefold cover with maxi booklet.
Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.
This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic
deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.
Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.
This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic
deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.