Vinili

FROZEN SHADOWS, formed in 1995 in Quebec, has been a pioneering force in the Canadian black metal scene. Known for their raw intensity and atmospheric depth, the band has carved a distinct path, blending traditional black metal elements with a cold, Canadian edge.

Available in both CD and LP formats, this reissue of "Empires De Glace" delivers an experience of this masterpiece originally released in 1999.
This album combines blistering riffs, haunting melodies and icy soundscapes, now reissued with a special mastering of both formats, preserving its raw and cold essence.

Re-issue, 200x sea blue 12" in a black poly-lined innersleeve, gatefold jacket full-color printed on 350g carton, all assembled in a plastic overbag.

Teitanblood returns to claim underground metal’s most lawless frontier. “From the Visceral Abyss” is an all-engulfing tide of unfettered, raging chaos – where black and death metal collapse into a maelstrom of destruction. Its force is neither random nor aimless but guided by an instinct sharpened over decades.

This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.

As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.

With its tenth full-length album, Svartsyn delivers a work rooted in both its present vision and primordial past. “Vortex of the Destroyer” unfolds in two intertwined chapters: four new compositions alongside six resurrected relics from Chalice, the entity that would become Svartsyn in 1994.

The first half of “Vortex of the Destroyer” embodies a refined yet relentless approach, shaped by instinct and hindsight alike. From the ruin of Atlantis to the flames of Surtr and Fenrir, these songs channel Svartsyn’s pursuit of apocalyptic grandeur – a descent into the abyss.

The latter half harks back to the autumn of 1992, breathing new life into six compositions first forged under the Chalice banner. Conceived at the dawn of the second wave of Black Metal, these tracks honour the band’s origins. Re-recorded with present clarity, their essence remains untouched: wild, sinister, and unmistakably Ornias.

Silver Vinyl

After a couple of silent years, MORAST are back with their third album called “FENTANYL”. Carried by grief, loss and the abyss of emotional pain, they have managed to turn this energy into a celebrating resurrection. Their urge to create a dark and sinister atmosphere is still inherent, but this time their approach seems more aggressive, ecstatic and raw. A six song trip to the bleakest corners of human existence. A monolith of abhorrence and filth.

ESKHATON is CYCLONIC DEATH METAL: absolute chaos and total death - psychotic, bestial, raw blistering ferocity and horror atmosphere - from Melbourne, Australia. ESKHATON means Total Death: the end of all things and time.

Formed by Invokocide (vocals/guitars) in 1999, with the addition of Whirwindead (guitars) in 2002, it was not until November 2008 when Hammerkill joined on drums that the lineup was able to record, with bass work done by Whirlwindead and Invokocide until a bassist could be found. Two albums and an EP were recorded and released between 2011 and 2014, with the EP being unreleased until 2018. The lineup changed in 2015 when Militiarkh was possessed to take hold of the drums, who later also did live shows for HOBBS ANGEL OF DEATH.

The saga of Italy’s DARK QUARTERER is one of the most unique around. The debut album, self-titled Dark Quarterer, would see release in 1987. A mix of DEATH SS, BLACK SABBATH, CANDLEMASS and 70s Metal.
Lots of epicness and drama.

SHADOW KINGDOM RECORDS is elated to reissue the seminal sophomore album of Italy’s BULLDOZER, The Final Separation, on CD, vinyl LP, and cassette tape formats.

Italy's BULLDOZER is a name that commands respect and awe. In the thrash and black metal underground of the 1980s, they were the uncompromising counterparts to legends like Venom and Motorhead. Known for their raw energy and wild performances, BULLDOZER carved their niche with ferocious anthems and a chaotic aesthetic. Their frontman, AC Wild, epitomized the band's untamed spirit. They were the definition of a cult band before the term became a staple in metal lore. Simply put, there was, and is, only one BULLDOZER.

The BULLDOZER saga continued with unrelenting force with the release of their second album, The Final Separation, in 1986. From the first explosive riffs of the title track, The Final Separation cements itself as a powerhouse of relentless thrash and blackened fury. The album is a maelstrom of aggressive riffs, thunderous drumming, and AC Wild's unmistakable snarls. With tracks like "Ride Hard - Die Fast" and "We are...Italian," BULLDOZER showcased their ability to blend high-speed ferocity with anthemic choruses, creating a sound that is both punishing and infectious.

The Final Separation is a testament to BULLDOZER's ability to evolve while retaining their core essence of unfiltered metal mayhem. The production is sharper, the musicianship tighter, but the spirit remains raw and rebellious. This is an album that captures the essence of 80s metal with its unapologetic attitude and unbridled energy.

And so, The Final Separation stands as a landmark in BULLDOZER's discography, a shining example of their indomitable spirit and musical prowess. SHADOW KINGDOM is honored to resurrect this classic, making it available once more in all its unrelenting glory across all formats.

Standard black vinyl.
Insert inside. Originally re-issue of the debut album (1997).

The genesis of “Benediction” can be traced to Hungary. Or more precisely, an encounter with a photography book, weathered by time, depicting rituals of the Christian faith: masses, moments of devotion to the saints, and prayers. These black-and-white photographs – which capture moments of selfless abandonment, ascetic discipline, and obedience – were veritably vibrating with the malefica inherent to Christianity. A markedly sinister presence of old crones, usually considered beacons of benevolence, appeared to make reality crack and reveal the latent image behind Catholic faith and ritual. The album’s title, naturally, should be read ambiguously.