Vinili

On WINDIR’s fourth and final full-length ‘Likferd’ (2003), many of the folk elements that characterized the band’s previous records were pushed to the background in favor of a stronger black metal influence.

The last record that Valfar wrote before he passed, ominously translated as ‘funeral’, marked a change to a much darker and brooding atmosphere. While ‘Likferd’ has mostly remained in the shadows of ‘Arntor’ and ‘1184’, it is an album that saw WINDIR mature and for that reason is another important chapter of the band’s legacy.

For fans of VREID, MISTUR, FALKENBACH, COR SCORPII

 White 12" double vinyl (33rpm) in gatefold sleeve with sturdy inner sleeve.
Limited to 200 copies worldwide!

WINDIR’s third record ‘1184’ (2001) marked a stylistic change from its predecessor.
While the album is still very much rooted in black metal and heavily breathes atmosphere, Valfar and co-songwriter Hvall stared experimenting with electronic influences. Because of this, the album provoked mixed reactions upon its release.
Now, 20 years after its original release, ‘1184’ is seen as the album that pushed WINDIR to new creative heights and regarded by many fans as their absolute best.

For fans of VREID, MISTUR, FALKENBACH, COR SCORPII

Transparent red vinyl gatefold, LTD to 200 copies!

t has been seven long years since the world was last blessed with new music from the melodic blackened death metal stalwarts of NIGHTFALL, but now the band is plotting a triumphant return with ‘At Night We Prey’, the darkest and latest chapter of NIGHTFALL’s already storied career.

‘At Night We Prey’ is a very dark and personal effort, tackling the topic of frontma, Efthimis Karadimas’s battle with depression. “A beast I have experienced its teeth deep into my soul, I decided to come out and share that experience with metalheads,” Karadimas laments. “This is the least I can offer now to the big fight against depression. If we don’t stop this, it will eat us all alive. Share your pain, speak openly about it. This is the only way to kill the demons in your mind.”

Drone edition of Olhava's "s/t" debut! 

extra limited edition, one-only press

Gatefold 12" DLP

Limited and hand-numbered red 10"mLP

Comparisons to Conqueror, Revenge, and Black Witchery are inevitable, and indeed, HUMAN AGONY are among the few elite bands deserving of such comparisons. That the band hails from Victoria, B.C.—known for the infamous Ross Bay Cemetery and a longstanding history of Satanic and occult activity—naturally also draws attention to the profound influence of Blasphemy. But HUMAN AGONY offer more than rote regurgitation of the bestial black/death and war metal tropes.

Prodotto nuovo ma con lieve difetto dovuto al trasporto (un angolo della copertina leggermente gibollata: il danno è trascurabile)

Neon magenta w/ black & mustard yellow splatter vinyl version!!! Vancouver’s Auroch return with new music for the first time in nearly four years. The new mini-album Stolen Angelic Tongues draws upon the magical and spiritual traditions of South America and the Caribbean as their histories, past and present, represent a microcosm of the great spiritual rebellion that has been the band’s inspiration throughout its singular discography. An ever-evolving beast of the deep, here Auroch conjure vicious black / death spells of occult necromancy and technical sorcery, making manifest a dark vision of obscure magic. Returning to the fold is original vocalist Culain who here summons demons of the abyssic fire with savage equanimity. Joining with their Covenant Circle brethren in Night Profound and Aos Si, eerie ambient recordings bookend the concept piece to dramatic effect. The CD version of the release, re-titled All The Names Of Night not only includes the Stolen Angelic Tongues mini-album, but compiles three additional tracks from the earlier age of Auroch, including their Seven Veils EP tracks and their contribution to the split with Mitochondrion, representing an evolutionary document of the bands trajectory through it’s first phase.