Vinili

Black Vinyl in normal sleeve + Insert &  A2 Poster LTD to 150 copies worldwide

Gurthang is back and ready to unleash their 8th studio album entitled: “Martyrium”. Like the 2 previous albums “Hearts of the Hollow and Ascension”, they keep moving forth in the same direction where they mix Black Metal with Doom Metal and a lot of ambient background effects making their sound original and outstanding from any other band.

Martyrium however, gives more depth on the guitar parts and delivers some excellent leads that have strong chords, melodies and even a couple of solos. The rhythm guitar brings the same filthy vile sound like we’re used to, where the bass is once again very powerful, harsh, yet, even got a few moments to shine on its own on this record. The drums are well-executed and elevate each song to a higher level by its ferocious diversity it lays down throughout the record and the vocals deliver the same haunted screams which kind of marks the sound of the band.

With their 8th album, Gurthang shows us that they’re far from done and still have a lot of cards up their sleeve. A solid album for those who love a good portion of Black / Doom Metal. 

Recommended if you like: Behemoth, Hate, Azarath, Blaze Of Perdition, Ascension, Vader, Infernal War, etc..
 

Opaque Mustard / Black Swirl Vinyl with Insert & A2 Poster  ltd 150
Gurthang is back and ready to unleash their 8th studio album entitled: “Martyrium”. Like the 2 previous albums “Hearts of the Hollow and Ascension”, they keep moving forth in the same direction where they mix Black Metal with Doom Metal and a lot of ambient background effects making their sound original and outstanding from any other band.

Martyrium however, gives more depth on the guitar parts and delivers some excellent leads that have strong chords, melodies and even a couple of solos. The rhythm guitar brings the same filthy vile sound like we’re used to, where the bass is once again very powerful, harsh, yet, even got a few moments to shine on its own on this record. The drums are well-executed and elevate each song to a higher level by its ferocious diversity it lays down throughout the record and the vocals deliver the same haunted screams which kind of marks the sound of the band.

With their 8th album, Gurthang shows us that they’re far from done and still have a lot of cards up their sleeve. A solid album for those who love a good portion of Black / Doom Metal. 

Recommended if you like: Behemoth, Hate, Azarath, Blaze Of Perdition, Ascension, Vader, Infernal War, etc..
 

un classico death metal del 1992 ristampato!!

Along with Feretrum's From Far Beyond and Necrophiliac's Chaopula: Citadel Of Mirrors, Nest of Affliction is one of the very first death metal albums to come out of Spain.
 

Re-issue with original cover art of the 1st album from '92 by this swedish Death Metal band in the vein of SORCERY, NECROPHOBIC, DISMEMBER, MORPHEUS...

***GBH's debut album is the near perfect example of what happened after the promise of 1977 punk and post-punk petered out: faster, fuzzier tempos that incorporated lightning-fast guitar licks and a greater volume to put the point across. The mingling of Marshall stacks and "screw you" attitudes lead to the creation of one the best UK Punk/Hardcore albums of all times. The PNV version features deluxe loaded packaging: Newly redesigned heavy gatefold sleeves, liner notes, extensive period photos and poster.

Death metal, atmospheric dissonance, tech brutality and much more from Vancouver band

Follow up to the successful full length debut Apexapien from 2021

For fans of Ulcerate, Suffocation, Gorguts, Afterbirth, Dying Fetus, Decapitated

Uncompromising black/death metal from Copenhagen

The follow-up to 2022’s breakout debut A Mother’s Curse

Features a guest appearance by Michael Poulsen (Volbeat, Dominus)

Marble vinyl

After the success of Antichrist Rise To Power original release in 2019 on Nuclear War Now! Productions with over ten subsequent pressings the band felt there should be a official French version with complete text translation and expanded layout on the most cult label from France - Osmose Production

Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor. 

Departure Chandelier’s music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects.

The debut album from Belial on Austria's Lethal Records is, without question, one of the heaviest Black/Death Metal albums I have ever heard. It starts off with a creepy little intro, then smashes into a re-recorded version of, in my opinion, Belial's signature track, "The Invocation." This version is much heavier and darker then the one that appeared on their "Gods of the Pit" demo, as Belial added more spoken word interludes and hoarse whispering to the mix. After this, Belial rips through 20 minutes of some of the most intense music in the history of the underground scene. This album just rages along at a breakneck pace, and doesn't let up fast enough for you to catch your breath. My only small complaint is the length of this album, but that is minor in comparison to what Belial does with the little time they have here.
On a side note, this release featured 2 different covers for some reason. The original (which I have, and which is the rarer of the 2) was a rather cheap looking, almost xerox'ed scene of a mountain landscape in the woods, with a black moon hovering in the sky, in black and white, with some blue here and there, and the band's logo in blue in the upper left hand corner, and the album title in the lower right hand corner. The second cover was the hand holding whatever that is in the photo, with the album title in white in the upper right hand corner, and the band logo in red in the lower right hand corner. I have no idea why this was done, other then perhaps only a limited number of copies had the original artwork.
This album has been long out of print, thanks to the thieving bastards that ran Lethal Records. However, I have seen 1 or 2 distros still carrying it (with the second cover artwork), and I'm sure there are a few traders out there with it as well. In any case, pick this up at all costs if you can.