Vinili

Pressed on pink vinyl. Released by Lonely Demon Records. Colors on final record may vary to a degree from the mockup.

The music is slow, introspective and dreamy, the opposite of leisure music. The tracks mix stripped-down electronics, crepuscular evocations and quasi-mystical atmospheres, accompanied occasionally by lyrics that are rather disparaging of life in general and the human race in particular.

For fans of Darkwave, lo-fi synth pop, dark ambient, early Industrial, weird post-punk, skewed electronica, suicide music.

Please note: New copy but comes with a very small corner ding

Debut album, Finnish Black Metal

Witness their Ascent Into Draconian Abyss, which was teasingly released in an extremely limited tape version for those who had the good fortune of attending the most recent Signal Rex-curated Invicta Requiem Mass festival and witnessing their crimes in the flesh. As the duo forecasted with the recent maxi-single Excesses of Perpetual Gloom, their muse only becomes thirstier and more miserable. Mons Veneris are always surprising, yet always uncompromising and always themselves, as testified by Ascent Into Draconian Abyss: the opening 20-minute title track is a harrowing descent into lunacy, and the ghoulishness only intensifies on the album's successive three tracks. More monkish vokills come forth, haunting like nothing else as their buzzing belligerence winds through craggy corridors of mondo-primitivism, all before the hall-of-mirrors madness of closer "Chant to the Unknown." Mons Veneris will fuck you on your Ascent Into Draconian Abyss! 

Dive into the sonic abyss with Borgne’s new album. Between chaos and hypnotic melodies, the Swiss band redefines the boundaries of industrial black metal. An immersive, cold, and suffocating masterpiece where hammering rhythms and synthetic layers merge into a nihilistic whirlwind. For those who crave raw intensity and mesmerizing soundscapes. Much more than a simple album, it's a manifesto, a reincarnation, a cry emanating from nothingness. This new opus marks an essential quest: to reappropriate a dissolved identity, to draw on the darkness to be reborn in a strange, infinite world devoid of hope. Each track is a catharsis, a journey between destruction and reconstruction, where darkness becomes a creative force.

White Vinyl

One-man Black Metal Band from United States (Los Angeles, California).

A rider, burdened by a past which grows like a tumor inside of him, struggles against himself and loses - he chooses the rope. During what would be his last breath, he is instead given a second chance by forces beyond his comprehension, under the condition that he carries out a quest he thinks impossible. The rider flees, frightened of his own potential for greatness or for failure - but no matter how far he rides, destiny is not so easily dissuaded...

For better or worse, whether he wishes it or not, no man on this earth rides alone. We are all of us bound together, heart to heart and soul to soul -- all of us bit players in stories bigger than we know - stories we have no hand in writing. This is one of those stories - a story of friendship, love and war.

Highly anticipated second album of Amsterdam based project with members of Dödsrit & Faceless Entity. Affection & Vengenace stands as a thorough experience into the nadirs of the mind, body and soul, a sorrowful, a pleasurable and certainly an unforgettable voyage over and beyond ethereal planes of ecstasy. Mixed, Produced & Mastered by Pieter Kloos (The Devils Blood).

New EP from the mysterious USBM entity named Uthullun. Crossing through "The Barbed Thread of Madness", the listener is taken through the anguished and solivagant embodiment of dissonance and a psychoactive cathartic journey beyond gehennah and oblivion.

FROZEN SHADOWS, formed in 1995 in Quebec, has been a pioneering force in the Canadian black metal scene. Known for their raw intensity and atmospheric depth, the band has carved a distinct path, blending traditional black metal elements with a cold, Canadian edge.

Available in both CD and LP formats, this reissue of "Empires De Glace" delivers an experience of this masterpiece originally released in 1999.
This album combines blistering riffs, haunting melodies and icy soundscapes, now reissued with a special mastering of both formats, preserving its raw and cold essence.

Re-issue, 200x sea blue 12" in a black poly-lined innersleeve, gatefold jacket full-color printed on 350g carton, all assembled in a plastic overbag.

Teitanblood returns to claim underground metal’s most lawless frontier. “From the Visceral Abyss” is an all-engulfing tide of unfettered, raging chaos – where black and death metal collapse into a maelstrom of destruction. Its force is neither random nor aimless but guided by an instinct sharpened over decades.

This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.

As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.

With its tenth full-length album, Svartsyn delivers a work rooted in both its present vision and primordial past. “Vortex of the Destroyer” unfolds in two intertwined chapters: four new compositions alongside six resurrected relics from Chalice, the entity that would become Svartsyn in 1994.

The first half of “Vortex of the Destroyer” embodies a refined yet relentless approach, shaped by instinct and hindsight alike. From the ruin of Atlantis to the flames of Surtr and Fenrir, these songs channel Svartsyn’s pursuit of apocalyptic grandeur – a descent into the abyss.

The latter half harks back to the autumn of 1992, breathing new life into six compositions first forged under the Chalice banner. Conceived at the dawn of the second wave of Black Metal, these tracks honour the band’s origins. Re-recorded with present clarity, their essence remains untouched: wild, sinister, and unmistakably Ornias.