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• One of two simultaneously released new albums by Bay Area surreal blackened technical death metal band
• Each album cover is half of a larger original piece created for the band by Ian Miller (Stormkeep, Bolt Thrower, Games Workshop)
• 2020 album Providence was widely hailed for its unique style of death metal
• For fans of Atrocity, Enslaved, Gorguts, Demilich, Krallice, Voidceremony, Tomb Mold, Suffering Hour

B4 Hot Pink / Black Merge

• One of two simultaneously released new albums by Bay Area surreal blackened technical death metal band
• Each album cover is half of a larger original piece created for the band by Ian Miller (Stormkeep, Bolt Thrower, Games Workshop)
• 2020 album Providence was widely hailed for its unique style of death metal
• For fans of Atrocity, Enslaved, Gorguts, Demilich, Krallice, Voidceremony, Tomb Mold, Suffering Hour

• One of two simultaneously released new albums by Bay Area surreal blackened technical death metal band
• Each album cover is half of a larger original piece created for the band by Ian Miller (Stormkeep, Bolt Thrower, Games Workshop)
• 2020 album Providence was widely hailed for its unique style of death metal
• For fans of Atrocity, Enslaved, Gorguts, Demilich, Krallice, Voidceremony, Tomb Mold, Suffering Hour

Night Attack plays Fast Aggressive Late 80s style Blackened Death Thrash inspired by Vampirism, The Occult and Afterlife. The two track demo was originally recorded in 2020 and originally intended as part of an EP that was never finished due to the pandemic. The band are currently at work on new recordings, to be released on a different label, but when Duplicate were offered to release these blistering thrashers as a limited tape, it was a no-brainer.

Crawling through the gloomy atmospheres of Black, Death and Funeral Doom, Half Visible Presence remains shrouded in a mysticism of its own, adorned by melancholy, morbidity and foul scourge.
 

color vinyl

Crawling through the gloomy atmospheres of Black, Death and Funeral Doom, Half Visible Presence remains shrouded in a mysticism of its own, adorned by melancholy, morbidity and foul scourge.
 

With its inception in New York City in 2018, Morbid Sphere was born an heir to the location's long legacy of dark and oppressive death metal. Among its primary influences, the band perhaps unsurprisingly mentions Incantation, fellow denizens of the same depraved metropolis whose well-established and recognizable body of work is reflected in Morbid Sphere's initial recordings. Said parallel aside, this relatively newfound quartet's sound has been shaped by a variety of influences that give it multiple dimensions and thus distinguish it from what one might be led to expect based simply on its place of origin and assigned subgenre. Similarly to the legendary Disembowelment of a continent far-removed, Morbid Sphere takes advantage of the space between notes and beats just as effectively as it conjures those elements themselves. The band also reaches outside the typical boundaries of death metal in drawing inspiration from the works of Ved Buens Ende and Virus, in particular through its use of progressive and unorthodox melodic ideas.