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Black vinyl
• For fans of Disembowelment, Abigor, Thorns of the Carrion, Limbonic Art, Ceremonium, Evoken, Emperor, Obtained Enslavement, Atramentus, Unhol
• For fans of Disembowelment, Abigor, Thorns of the Carrion, Limbonic Art, Ceremonium, Evoken, Emperor, Obtained Enslavement, Atramentus, Unhol
Black Vinyl
When FLAGG burst from the void in June 2020 with their debut album, Nothing But Death, the veil of secrecy had yet to be lifted. Which mattered not, when presented with black metal of such sterling quality: both ancient and ageless, old yet new. Their attack was immediately intense, exhibiting a restlessness that's roiling and raging, always moving but always with a target in sight. Eventually, it was revealed that FLAGG hailed from Finland and was the work of selfsame multi-instrumentalist Flagg, who was a part of reanimated old Finnish cult Annihilatus, and vocalist Tyrant, whose hordes include the esteemed likes of MALUM, Infernarium, and Kalmankantaja.
With that lineup thus set, FLAGG return little more than a year later with their second full-length, Cosmic Chaos Manifest. An immediately harsher spin than its not-inconsiderable predecessor, Cosmic Chaos Manifest duly lives up to its title through a shapeshifting style of ultraviolence that retains a unique gleam, one that's paradoxically grittier for all its seemingly on-the-surface clarity. As ever, FLAGG's songwriting strikes true through a skillful balance between burning fire and nightsky melodicism, here actually sounding more richly 1990s - specifically, the oft-overlooked late '90s - than the comparatively modernist grime of Nothing But Death. But, just like that bolt-from-the-blue debut, FLAGG understand archaic expressions, the Old Language of Black Metal, where medieval atmosphere and ghostly portent informed even the most straightforward forms, rendering an air of aristocracy to that of belligerent bravado; now, they're just rendered in more restless, dizzying form.
Limited to 350 Regular Black Vinyl. 180 grams vinyl. Gatefold sleeve.
Digital Download included.
Making heads turn since 2016 with the cosmic Death Metal exposed in their Demos, Eps and splits with Undeath and Into Coffin, Italy's Devoid Of Thought finally release their 40 minutes debut full length combining influences from bands like Timeghoul, Blood Incantation, Voivod and Incantation in a unique, bizarre and twisted vortex.
For fans of Blood Incantation, Timeghoul, Voivod, Demilich.
Jewel Case CD with 8 pages booklet.
Death Doom explorers ASSUMPTION are finally backwith their most ambitious, punishing and visionaire work.Prepare thee for a psychedelic and obscure journey!
For fans of diSEMBOWELMENT, Disma, Evoken, Oranssi Pazuzu
DigipakCD with 8 pages booklet.
Making heads turn since 2016 with the cosmic Death Metal exposed in their Demos, Eps and splits with Undeath and Into Coffin, Italy's Devoid Of Thought finally release their 40 minutes debut full length combining influences from bands like Timeghoul, Blood Incantation, Voivod and Incantation in a unique, bizarre and twisted vortex.
For fans of Blood Incantation, Timeghoul, Voivod, Demilich.
Black vinyl
With a seemingly endless dungeon full of heavy metal influences channelled through Darkthrone’s dynamic riff-machine, plus increasing inspirations taken from their own back catalogue, Darkthrone has become very much its own beast within the metal world. Though sprinkled with atmospheric touches, such as synthesisers and mellotron, the Darkthrone sound remains stripped to the core, primitive and organic.
Astral Fortress was recorded at Chaka Khan Studios in Oslo, the same location used for the Eternal Hails album, with Ole Øvstedal and Silje Høgevold.
From their formation back in 1986, to becoming one of Norways’s finest musical exports (with a number of highly revered black metal masterpieces released in the early 1990s helping to solidify their legacy), Darkthrone has continued to evolve and challenge in equal measure, throughout their illustrious recording career spanning over three decades. And now, the ever-productive duo of Nocturno and Fenriz continue their own metallic saga with a new selection of fine, vintage sounding headbanging classics in the making.
Jewel Case CD with 8 pages booklet.
US/Georgia Death Metal blasphemers FATHER BEFOULED return with a brand new full length!
9 hymns of pure, relentless and obscure Death Metal destruction with which the band brings its formula of darkness into new threatening territories: more abrasive, more riff driven, more brutal!
For fans of Incantation, Dead Congregation, Cruciamentum, Immolation.
Six panels digipak CD
The quest for a complete Solar Fields reissue collection continues here at Sidereal, and this time we bring back to light the first installments in Magnus Birgersson’s unfinished tracks archive.
Origin #01, originally released in 2010, was the first compilation of Solar Fields finished unfinished pieces. A series of audio stems born in various periods of time, in this case from 2002 to 2008, then completed and refined.
Such a genesis makes the Origin series something different in the Solar Fields catalog, as the usual consistency and unity of Magnus’s studio albums is nowhere to be found here, in favor of a multi-faceted, various and fragmented approach. Every track is completely different from the other, and you never know what’s lying behind the next corner. Every note sounds 101% Solar Fields, but the spectre covered by Origin #01 was an entirely different width compared to what the Swedish producer released until that moment.
"gold & orange" vinyl
The quest for a complete Solar Fields reissue collection continues here at Sidereal, and this time we bring back to light the first installments in Magnus Birgersson’s unfinished tracks archive.
Origin #01, originally released in 2010, was the first compilation of Solar Fields finished unfinished pieces. A series of audio stems born in various periods of time, in this case from 2002 to 2008, then completed and refined.
Such a genesis makes the Origin series something different in the Solar Fields catalog, as the usual consistency and unity of Magnus’s studio albums is nowhere to be found here, in favor of a multi-faceted, various and fragmented approach. Every track is completely different from the other, and you never know what’s lying behind the next corner. Every note sounds 101% Solar Fields, but the spectre covered by Origin #01 was an entirely different width compared to what the Swedish producer released until that moment.
Criminally, SHADOW'S MORTUARY are still one of the best-kept secrets in the always-fertile Finnish black metal scene. The quartet formed in 2013, and patiently released two digital-only EPs - Kylmään Hautaan in 2015, and then Tulen Valtakunta in 2018 - before releasing their debut album, also titled Tulen Valtakunta, in 2018. That album was initially released on cassette through the cult Worship Tapes label, but soon did PURITY THROUGH FIRE step in to release it on a wider scale on CD format. A year later came the band's equally strong second album, Kuoleman Portit, also released by PURITY THROUGH FIRE. Across these recordings but especially the two full-lengths, SHADOW'S MORTUARY displayed righteously traditional and ever-fiery Finnish BLACK METAL - no more, but certainly no less - that possessed all the iron-clad trademarks of that idiom.
While things have been relatively quiet on their front since then, SHADOW'S MORTUARY return with a righteous fervor with Unohdettu Maa. Translated into English as "The Forgotten Land," Unohdettu Maa "stands for a vision of a place where no religions reign," the band explain, "Without its effect on human behavior and thinking. With this album, we attack towards Abrahamic religions with full force, carrying the torch of northern heritage and mysticism." Indeed do they accomplish that in a swift-yet-satisfying 32 minutes here, making their point plain and proud: melancholic melodicism, cold-fire execution, a punkish straightforwardness but never primitively so, and simply strong songs, just like the album's two predecessors. But Unohdettu Maa's true trump card comes in SHADOW'S MORTUARY's increasingly effortless ability to span the epic and the rabble-rousing, bringing forth grandeur in less cliched "epic" ways and, similarly, to sound incensed and headbanging without resorting to "party black metal" corniness.