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Obscure and fast. These two words basically describe INSORCIST's debut. Released by both, Apocalyptic Records and Blasphemy Art Records, this album has a little of everything. Members are well seasoned, talented individuals who managed to put on tape a nice raw, well-balanced production of amazing musicianship. The vocals, ranging from deep to mid-tone growling, are kinda buried in the mix; but don't get me wrong, they add up to the overall gloomy atmosphere. The drum work is simply amazing, pounding non-stop along the way and some songs highlight great bass work too. Guitars shift from fast tremolo riffing to heavy as hell power chords, some harmonized lines and blazing leads. I hate to compare bands, but INSORCIST could easily be the bastard child of MY OWN GRAVE and (old) IMMOLATION. With this said, one can only conclude the obvious result: a hellish spawn of heavy and ultra-fast Death Metal. A relentless 30 minute attack that shall appeal to any self-proclaimed Death Metal fan. If you don't bang your head to "The Slaughter Of Divine Creed" you might as well be dead.
Four years on from their critically acclaimed Let the Devil In masterpiece,
SARGEIST return with their massively anticipated fourth album, Feeding the Crawling Shadows. More than just a quintessentially "black metal" album title, Feeding the Crawling Shadows is a veritable raison d'etre for these Finnish scene legends: With faith and devotion, through ritual and necromancy, SARGEIST feed the blackest, most Satanic essence at the core of BLACK METAL and, in turn, wield its clandestine powers with sorcerous might.
Another wicked project released by the Ancient Records family....
a modern trademark for ultra-underground, spiritually ill, swedish black metal.
NEW AND UNPLAYED, but arrived with a very very little corner ding
500x beer with black marble effect 12" (140g) in a black poly-lined innerbag, 8 page booklet vinyl size full-color on 190g offset paper, jacket full color on 350g, all assembled in a PVC overbag.
Phlebotomized crashed into the then booming Dutch scene of the early 90’s, and especially their debut is still a very much in demand album, a true Underground classic at par with old The Gathering ...