Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.

This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic

deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.

Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.

This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic

deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.

Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.

This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic

deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.

By now, GOATS OF DOOM should require no introduction. Since their formation in 2008, they've remained one of the Finnish underground's best-kept secrets, largely because of a somewhat misleading moniker, but make no mistake: GOATS OF DOOM are 100% black metal through and through. Their stout catalog has seen the band develop from a synth-based style of black metal during their first three albums; then, with an expansion from a trio to quintet, GOATS OF DOOM truly began their ascent with 2018's Rukous, where an uptick in aggression melded with the mysterious atmosphere of old. Aligning with PURITY THROUGH FIRE in 2020 for Tie on hänen omilleen, GOATS OF DOOM finally seemed to have gotten their due or at least raised their profile - not for nothing, that, as Tie on hänen omilleen was arguably the band's most powerful 'n' poignant record to date. But, a year later came the eclipsing Shiva, where they unloaded anthem after anthem, proving that the metal can be kept firmly within black metal without sacrificing its mystical powers.

Following something of a respite - unusual for the band, given the feverish release rate at which they operated since 2015 - GOATS OF DOOM return refreshed and recharged with INRI. The Finns' seventh full-length thus far, INRI is a rather unique entry in their gem-laded catalog: initially beginning as a disarmingly raw affair, the album soon opens up into a bountiful feast of alternately asskicking / ethereal black METAL. GOATS OF DOOM unload the entirety of their arsenal here - charging-hard speed, Bathorian gallop, medieval triumph, and pagan hymnal, all with a pronounced emphasis on melancholic, distinctly Finnish melodicism - and really give rise to heroic heavy metal leads, which seem strangely out of character for cold & raw black metal, but their burning-hot touch eventually melts the ice and floods the heart with emotion or at least reflection. The cleaner, choir-style vocals also aid this lateral move, imbuing INRI with a soaring / ascending sensation - or, again, ethereal in many senses of the word - that's absolutely perfect for the album's unique production style. As ever, when GOATS OF DOOM wanna get going, they kick ass with the best of 'em and exude charisma every step of the way; it's just that they're here able to incorporate more acoustic passages without losing steam, which also goes for album's track sequence, closing out the latter third of it in epic fashion. Thus, INRI is yet another triumph of ANTHEMIC black metal heroism: bow before these GOATS of greatness!

A forgotten tale, long buried beneath the snows of time, is about to be retold. “Midvintersagor” (‘Midwinter Sagas’) is the first music ever composed by Örnatorpet, a landmark in both personal and artistic discovery. Originally self-released in a small cassette run, this unaltered reissue allows listeners to experience the album exactly as it was conceived – pure, unrefined, and brimming with the wonder of creation.

At its core, “Midvintersagor” is a soundtrack to an unwritten legend. Each track weaves a narrative steeped in medieval fantasy, channelling the essence of forgotten folklore and the grandeur of winter’s stillness. Inspired by the interludes and atmospheric passages of 90s black metal, Örnatorpet sought to craft an instrumental world as evocative as the landscapes of his native Sweden.

Since its inception in 2018, Örnatorpet has become one of the foremost torchbearers of dungeon synth. With no formal musical training, he followed only instinct and inspiration, carving out a path that has since led him to the forefront of the genre. “Midvintersagor” is where that journey began – an unpolished gem gleaming with the spirit of discovery, now unearthed for a new audience to behold.

For over a decade, Nechochwen has bridged the gap between history and mythology, folklore and personal journey. With “spelewithiipi”, the West Virginian duo returns to their earliest roots – trading the weight of distortion for the delicate power of dark folk.

“spelewithiipi” is the sound of rivers that remember, of trails worn by centuries of footsteps, of stories whispered through leaves and stone. Nechochwen weaves rich acoustic instrumentation with an immersive sense of place, crafting melodies steeped in the Eastern Woodlands’ indigenous past. Echoes of Nest, Tenhi, and October Falls resonate throughout, but the heart of the album belongs to the Ohio River Valley – the spelewithiipi, the Big Turkey River – its wild beauty flowing through every note.

This is an album of patience and reverence, composed slowly over eleven years, gathering shape and meaning. It is a tribute to forgotten pathways and the wisdom they carry. From the spectral visions of “othaškwa’alowethi behme” to the contemplative stillness of “Precipice of Stone”, each piece is a portal – to memory, to mystery, to the primordial pulse of the land itself.

Nechochwen is an artistic force dedicated to preserving the past through sound. With “Kanawha Black”, the West Virginia duo delves deeper into the folklore, war, and generational wisdom of Appalachia, transforming history into music that is both urgent and timeless. This is an album shaped by the land itself – its rivers and ridgelines, its battles and buried secrets, its ghosts and forgotten voices.

Melding intricate folk passages with the might of black metal, “Kanawha Black” is a work of contrasts: the tangible and the spectral, history and legend, past and present. The doomed last stand of Chief Cornstalk in “I Can Die But Once” and the ancestral scars of “Generations of War” stand alongside the mythic – the great horned serpent of “The Murky Deep”, the strange omens of “Visions, Dreams, and Signs”, and the meditative “A Cure for the Winter Plagues”, a tribute to nature’s quiet resilience. The further one listens, the more the lines blur, until history and folklore become one.

More than an album, “Kanawha Black” is a testament to the unbroken lineage of Appalachian customs and indigenous tradition. With this reissue through Nordvis – now available on CD for the first time – its themes remain as vital as ever, offering new listeners a chance to step into Nechochwen’s world.

This edition also includes two bonus tracks: “Eastern Hemlock Medicine Song”, appearing on physical format for the first time, and “Across the Divide (Acoustic Version)”, making its debut release.

Black vinyl, 12-page 12“ booklet, A2 poster.
Founded in 1994 and laied to rest in 2012, LUNAR AURORA during their existence released 9 full length albums, two demos and some split releases with SECRETS OF THE MOON, PAYSAGE D‘HIVER and NORDLYS.
Partly atmospheric, partly aggressive but always unique and special, LUNAR AURORA created a deep and mysteries sound full of grim Black Metal with symphonic, ambient and modern classical elements.

After the picture-disc edition in 2024, we are proud to now offer you an edition on classic black wax from LUNAR AURORAs last magnum opus Hoagascht too.
All lyrics are in the Upper Bavarian dialect. A Hoagascht (local varieties include Hoangartn, Huigert or Hoimgarta) is a term usually used in southern Germany and Austria for a local musical gathering featuring folk musicians.
This album was originally released in 2012 by Cold Dimension Records and marks the end of the band and the cooperation between Whyrhd and Aran.

many sellers would rate this as a NM--- there's moderate physiological signs of use and storage, but all in all great shape

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

Sleeve mint, Disc near mint (just a couple of light scratches)

NEAR MINT! like new ! Gold vinyl, includes printed card (numbered)  

"777 – Sects(s)" is an organic, cascading volume of deviant, dark art that exhibits BLUT AUS NORD’s natural habitat, a cleansing blade amid transitory moments of non-importance. Hypnotic guitars, discomforting beats and alienating voices clash with the ferocity of aural tectonic plates to produce horrific Black Metal decadence for an anonymous, lost, irrelevant generation.

 

Small cut on the sleeve, 5 mm long, on the bottom part, as they used to do back then to mark nice-price / overstock or store promo copies

Media Condition: Mint 
Sleeve Condition: Near Mint 

more info

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

12", Unofficial Release, Blue

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Bootleg. Absence of sleeve, only two slabs of thick paper with the artwork. Contains only a fragment of 10 tracks compared to "Vinterskugge" CD releaces which have 16 tracks.
Tracks A1-B2 taken from "Vandreren" 1993 demo
Tracks B3-B5 taken from "Horizons" 1991 demo
Limited to 500 copies.

Media Condition: Mint (M) 
Sleeve Condition: Mint (M)

Small (2 cm)  cut on the bottom side of the cover, as typical in those years, to mark nice-price, ovestocks or promo copies, they either drilled or cut the sleeve

Black vinyl version. Compilation of the "Satanist Stryken" demo tape and "Hail Satanas, We Are The Black Legions" 7" EP.

Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)

700 copies on black vinyl 
Includes A2 poster, lyric insert and 12x12cm sticker

Near Mint / Near Mint

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

the heirs of Nortt?

Second album by Yorkshire’s White Medal. “Lyke Wake” features 9 new tracks recorded in 2015. The new songs follow on from “Guthmers Hahl” (2013) in terms of song writing and over all feeling but with a more refined sound. All lyrics in Yorkshire dialect with very personal themes of graft, death, grief, loss and paganism.
 

The Clearing Path is a very young and talented solo-artist recording project. 'Watershed...' was initially released only as digital, and benefits of a promotional campaign conducted by Earsplit PR, receiving a lot of web-media consensus.
It's bleak, noisy, extremely emotional, but listening to it is so easy that you won't realize you are giving it a 3rd spin in two hours without getting bored. It appeals to a wide range of extreme music fans, from black metal to Neurosis and Pelican

Comes in a radical chic essential-design digipack

Ascolta su BandCamp

Contains the last 3 Demos of the finnish Horde. Bestial Black/Death/Doom Metal with members of Witchcraft and Ceremonial Torture 

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
 

Nuovo e a dir poco clamoroso album per i norvegesi FUNERAL...
Arrangiamenti e produzione di una classe superiore.....
Doom di altissima fattura ala Evoken, Esoteric...
 

131 copies numbered & limited edition, one-only run never to be reprinted, "Saturnalia" Wooden Box consisting of:

Wood-made box
"Saturnalia" album CD in A5-digipak edition
28 pages, A5 sized booklet
Flag
Die-cut shaped Patch
Card certificate with number
Solid amulet

This specific edition comes with Metal badge in Silver color Limited to 80 copies!

On an important note, "Saturnalia" is announced as the final album of Selvans.
The third and last chapter of the Trilogy Lupercalia - Faunalia - Saturnalia.
Selvans is dead, long live Selvans! 

Born in 2014 as an atmospheric band blending black metal with traditional Italian folk music elements and deeply rooted in themes of local folklore, mythology, and dark cultural heritage, Selvans released two landmark albums "Clangores Plenilunio" and "Lupercalia".
In the mid of their career though the band let their 70's dark/prog background influences prevail in their new compositions, stylistically reaching a model they like to describe as "Dark Italian Art." This evolution was notable in the in subsequent releases (Faunalia, 2018 and Dark Italian Art, 2021).
Initially a duo, the band transitioned to a solo project under Selvans Haruspex in 2019 and we can definitely envision their music as heavy metal with black metal and prog-rock influences, lirically inspired by Italian folk-horror tales and imagery.
SELVANS has toured extensively around Europe - including performances at such festivals as Metaldays (Slovenia), De Mortem Et Diabolum (Germany), Metalowa Wigilia (Poland), Frantic Fest (Italy), Rites of the Black Mass (Romania), Dark Medieval Fest (France), Autumn Souls of Sofia (Bulgaria) and Emanations of the Absolute (Switzerland).  New album "Saturnalia" is entirely sung in Italian and sees for the first time an orchestra and a choir consisting of 60 elements playing side by side with SELVANS and his band.

Day, Night, Darkness, Light.
The Blaze Of Sorrow’s Voyage touches the forgotten sides of mind. With the music we try to reach the highest peak of our feelings playing what we were supposed to play.
Our notes are captured from sadness, nature’s beauty, water, fire, earth and wind. Let the shades embrace you thoughts, let the abyss caress your soul. We’re what we are: a fire’s breath in the infinity of the Sun.
 

ABYSMAL GRIEF's classic debut EP, Mors Eleison, on CD format for the first time ever.

ABYSMAL GRIEF should require little introduction. Since 1996, the band have prolifically maintained their position as Italy's foremost purveyors of traditional doom. Originally released in 2006 on vinyl, Mors Eleison followed a handful of demos and split releases; as such, it was ABYSMAL GRIEF's first stand-alone pro recording just prior to their classic self-titled album in 2007. Even this early on, their sulfurous magick was a beyond-heady brew that was simply impossible to deny. Sure, they embodied all the sonic/aesthetic traits otherwise associated with "doom," but it was the gothic horror (and sometimes, just straight-up gothiness) that really put ABYSMAL GRIEF into a class all their own, deeper and deeper into virtual and literal DOOM, and arguably here on Mors Eleison is where it first truly took flight...or is that depth(s)? Punning conundrums aside, the band also really underlined their grand lineage - and oddball uniqueness - with a cover of granddaddy Paul Chain's "Occultism" as well as the frequent excursions into crypt-dwelling ambient soundscapes. Also included in this new (and, we feel, definitive) version is the rare video for "Dies Funeris." Enter the crypt again, or for the first time!

The new revelation of Italian Black Metal scene: Blaze Of Sorrow!
Echi is the third album in the band's existence.
Expect stylish Italian Nostalgic Black Metal.
A must release for the Italian Black Metal lovers who are into late Spite Extreme Wing.
 

Atmospheric, cold Canadian Black Metal with melancholy and very unique way.
 

German ambient black metal outfit ColdWorld, led by Georg Börner, will release a new album after 8 year called "Autumn".

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