Poland's experimental black metal five-piece THAW is thrilled to announce the release of its fifth album, marking its long-awaited return after years of hiatus. The album, featuring six tracks, is the quintessence of the band's musical identity, showcasing its unique sound in a new light.

The musical layer on THAW's new album truly captures the essence of the band, combining vibrant sounds with heavy, low-tuned guitars. These powerful sounds are further enriched with noisy electronics, adding depth and character to each track.

Poland's experimental black metal five-piece THAW is thrilled to announce the release of its fifth album, marking its long-awaited return after years of hiatus. The album, featuring six tracks, is the quintessence of the band's musical identity, showcasing its unique sound in a new light.

The musical layer on THAW's new album truly captures the essence of the band, combining vibrant sounds with heavy, low-tuned guitars. These powerful sounds are further enriched with noisy electronics, adding depth and character to each track.

Five The Hierophant continues to walk the winding path they’ve chosen for themselves in the beginning; further down towards within, and further out towards new horizons. Refusing to ascribe to a singular style, they blend elements of black/doom, psychedelic, ambient, experimental and jazz into one syncretic trip. “Apeiron” is a hypnotic, hallucinatory experience with heavy emphasis on the dark atmosphere, cinematic dreamscapes, and repetitive ritualistic trance-inducing sounds. The production, without a doubt, is a step up from the previous installment, “Through Aureate Void”. The band keeps expanding the use of atypical instruments, such as: horns, trumpets, gongs, bells, violins, skull shakers, ritual drums and other tools, which help to capture the haunting spirit of the music.

Five The Hierophant continues to walk the winding path they’ve chosen for themselves in the beginning; further down towards within, and further out towards new horizons. Refusing to ascribe to a singular style, they blend elements of black/doom, psychedelic, ambient, experimental and jazz into one syncretic trip. “Apeiron” is a hypnotic, hallucinatory experience with heavy emphasis on the dark atmosphere, cinematic dreamscapes, and repetitive ritualistic trance-inducing sounds. The production, without a doubt, is a step up from the previous installment, “Through Aureate Void”. The band keeps expanding the use of atypical instruments, such as: horns, trumpets, gongs, bells, violins, skull shakers, ritual drums and other tools, which help to capture the haunting spirit of the music.

LP (black vinyl) with insert, black inner sleeve and protection sleeve

Creatures of the night probably miss the 80s of the last century badly. Post-punk and New Wave reached glorious heights and their epic explorations of mixing hard guitars and driving electronics dominated alternative dance floors. Names like SISTERS OF MERCY, FIELDS OF THE NEPHILIM, DEPECHE MODE, JOY DIVISION, THE HUMAN LEAGUE, ULTRAVOX and others still have a magic ring to them. Luckily, all that subtle eroticism, the electric excitement, and dark musical pleasure is not gone for good: SOROR DOLOROSA come flying to the rescue on black wings. Their fourth album "Mond" (German for "Moon") has musical fangs that draw delicious sonic blood on the first listening experience. The classic dark post-punk and wave elements are all there, and so is the overwhelming enticement to let your feet move in an ecstatic dance under the eponymous moon. Yet SOROR DOLOROSA are no peddlers of stale snake oil nostalgia. The French band has updated the classic feel with a massive sound fitting for the new millennium. Mix and mastering of "Mond" have been successfully entrusted to PERTURBATOR mastermind James Kent, who has polished this epic album with a lush vibrant power and ethereal coldness. Lyrically, SOROR DOLOROSA remain firmly on the path they have wandered from the start, when the band was originally founded in Toulouse in 2001 and finally emerged with the "Severance" EP in 2009. Their inspiration has again come in part from poets and writers such as William Blake and Edgar Alan Poe. The romantic and cathartic emotional landscapes are still at the heart of the band. With "Mond", SOROR DOLOROSA are reaching far out of the solar sphere and into deep outer space where the musical past and future become entwined to create an exciting new chapter in the band's evolution.

LP (gold vinyl) with insert, black inner sleeve and protection sleeve (300 copies available)

Creatures of the night probably miss the 80s of the last century badly. Post-punk and New Wave reached glorious heights and their epic explorations of mixing hard guitars and driving electronics dominated alternative dance floors. Names like SISTERS OF MERCY, FIELDS OF THE NEPHILIM, DEPECHE MODE, JOY DIVISION, THE HUMAN LEAGUE, ULTRAVOX and others still have a magic ring to them. Luckily, all that subtle eroticism, the electric excitement, and dark musical pleasure is not gone for good: SOROR DOLOROSA come flying to the rescue on black wings. Their fourth album "Mond" (German for "Moon") has musical fangs that draw delicious sonic blood on the first listening experience. The classic dark post-punk and wave elements are all there, and so is the overwhelming enticement to let your feet move in an ecstatic dance under the eponymous moon. Yet SOROR DOLOROSA are no peddlers of stale snake oil nostalgia. The French band has updated the classic feel with a massive sound fitting for the new millennium. Mix and mastering of "Mond" have been successfully entrusted to PERTURBATOR mastermind James Kent, who has polished this epic album with a lush vibrant power and ethereal coldness. Lyrically, SOROR DOLOROSA remain firmly on the path they have wandered from the start, when the band was originally founded in Toulouse in 2001 and finally emerged with the "Severance" EP in 2009. Their inspiration has again come in part from poets and writers such as William Blake and Edgar Alan Poe. The romantic and cathartic emotional landscapes are still at the heart of the band. With "Mond", SOROR DOLOROSA are reaching far out of the solar sphere and into deep outer space where the musical past and future become entwined to create an exciting new chapter in the band's evolution.

2CD hardcover artbook (18x18 cm, 36 pages) with 6-track bonus CD “Aurora” and enhanced artwork (700 copies available)

Creatures of the night probably miss the 80s of the last century badly. Post-punk and New Wave reached glorious heights and their epic explorations of mixing hard guitars and driving electronics dominated alternative dance floors. Names like SISTERS OF MERCY, FIELDS OF THE NEPHILIM, DEPECHE MODE, JOY DIVISION, THE HUMAN LEAGUE, ULTRAVOX and others still have a magic ring to them. Luckily, all that subtle eroticism, the electric excitement, and dark musical pleasure is not gone for good: SOROR DOLOROSA come flying to the rescue on black wings. Their fourth album "Mond" (German for "Moon") has musical fangs that draw delicious sonic blood on the first listening experience. The classic dark post-punk and wave elements are all there, and so is the overwhelming enticement to let your feet move in an ecstatic dance under the eponymous moon. Yet SOROR DOLOROSA are no peddlers of stale snake oil nostalgia. The French band has updated the classic feel with a massive sound fitting for the new millennium. Mix and mastering of "Mond" have been successfully entrusted to PERTURBATOR mastermind James Kent, who has polished this epic album with a lush vibrant power and ethereal coldness. Lyrically, SOROR DOLOROSA remain firmly on the path they have wandered from the start, when the band was originally founded in Toulouse in 2001 and finally emerged with the "Severance" EP in 2009. Their inspiration has again come in part from poets and writers such as William Blake and Edgar Alan Poe. The romantic and cathartic emotional landscapes are still at the heart of the band. With "Mond", SOROR DOLOROSA are reaching far out of the solar sphere and into deep outer space where the musical past and future become entwined to create an exciting new chapter in the band's evolution.

In occasione dell’uscita del nuovo lavoro di Cigno e della ristampa dei due album usciti precedentemente disponibile anche un BOX con i CD dei 3 dischi insieme in un’edizione risparmiosa.
Edizione limitata a 150 copie. Oltre ai tre album il box contiene un bugiardino con le istruzioni per la somministrazione dei tre album, si raccomanda l’utilizzo con i bambini senza superare le dosi consigliate.

With their anticipated debut full length Seraphic Punishment in 2022, Fargo’s Maul dropped one of the most memorable death metal earworms of the year. Coupled with the band’s relentless drive for bringing their music to the people live throughout the country, Maul’s reputation rapidly grew and a pact with 20 Buck Spin was scrawled in blood. The initial fruit of that union was delivered late in 2023 with the Desecration And Enchantment promo tape. And now all roads have led to Maul’s second album, In The Jaws Of Bereavement.

While the rotten death metal heart at the core of the band is without question, the band have no shame in their game when it comes to embracing a penchant for the heavier side of hardcore with mosh-ready riffs and crowd-killing breaks. In The Jaws Of Bereavement manages to so skillfully fuse the eerie apparitions and melodic lead work of death metal’s greats with the punishing rhythms of hardcore’s violent power it feels completely organic. It’s all tied together by the unhinged vocal prowess of the human wrecking ball Garrett Alvarado.

At its putrescent core Maul is a live band, and the songs on In The Jaws Of Bereavement are adeptly tailored to the environs of a dank club sweltering from the energy created through this music and a crowd living for nothing but the moment and the swell of bodies on bodies. The production here is clear and in one’s face, and allows the band to expand their unique blend of old and new to become Midwest death incarnate.

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

Limited to 500 copies in deluxe clamshell box with alternative art, containing the following items:
-Digipack CD + 24paged booklet & Poster
-Textile Flag
-Crest Metal Logo Pin
-Woven Patch (digipack design)
-2x album cover stickers (of both jewel case and digipack design)

with 24 pages + poster

CD + 24 pages booklet

From the depths of outer space, a new creature reached planet Earth: Vrazorth is a new one-man band shrouded in mystery, albeit rumors say they originated somewhere in Sweden.

Vrazorth, a cryptic force lurking in Sweden’s black metal underworld, conjures chilling atmospheres that spiral through the infinite void. The solo project of Vra, shrouded in anonymity, blends icy riffs with cosmic dissonance, like the cold embrace of a forgotten star collapsing into darkness. Unholy whispers entwine with celestial screams, creating soundscapes that evoke a realm beyond time.

To craft its debut studio album, Vrazorth drew inspiration from the best: the alien atmosphere of Darkspace, the hallucinated violence of Mysticum, the unpredictable and hybrid nature of Mesarthim. Everything perfectly mixed together to create music that sings of the cosmos, its void and the hidden mysteries that lie among the stars.

From the depths of outer space, a new creature reached planet Earth: Vrazorth is a new one-man band shrouded in mystery, albeit rumors say they originated somewhere in Sweden.

Vrazorth, a cryptic force lurking in Sweden’s black metal underworld, conjures chilling atmospheres that spiral through the infinite void. The solo project of Vra, shrouded in anonymity, blends icy riffs with cosmic dissonance, like the cold embrace of a forgotten star collapsing into darkness. Unholy whispers entwine with celestial screams, creating soundscapes that evoke a realm beyond time.

To craft its debut studio album, Vrazorth drew inspiration from the best: the alien atmosphere of Darkspace, the hallucinated violence of Mysticum, the unpredictable and hybrid nature of Mesarthim. Everything perfectly mixed together to create music that sings of the cosmos, its void and the hidden mysteries that lie among the stars.

One-off edition  150 copies

Wolvencrown’s take on black metal is based on long, keyboard-layered structures, with songs seldom clocking in at less than eight or nine minutes. The solemnity of keyboards, though, is balanced by the fury and rage of guitar riffs and fast drumming, making Celestial Lands a varied and diverse effort. Different from the atmospheric black metal you often hear coming from the Pacific Northwest, Wolvencrown melodies have deep roots in the European tradition, while their lyrics deal with nature, its spirits and the damage Man has caused.

Six panels digipak CD - limited 

Wolvencrown’s take on black metal is based on long, keyboard-layered structures, with songs seldom clocking in at less than eight or nine minutes. The solemnity of keyboards, though, is balanced by the fury and rage of guitar riffs and fast drumming, making Celestial Lands a varied and diverse effort. Different from the atmospheric black metal you often hear coming from the Pacific Northwest, Wolvencrown melodies have deep roots in the European tradition, while their lyrics deal with nature, its spirits and the damage Man has caused.

many sellers would rate this as a NM--- there's moderate physiological signs of use and storage, but all in all great shape

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

This is a bundle offer / bargain to purchase one copy each of the following Darkthrone bootlegs:

"Rehearsals 1991" black vinyl

"Demos (land of frost, thulcandra, cromlch, + reh. track)"

"A night of unholy black metal" (live in Oslo)

"Return to Ultima Thule"

These are rather underground / artisanal made bootlegs, with very basic sleeves, do not expect deluxe packagings at all

although unplayed, only collected, some sleeves show a few light / small damages (corner bent i.e.)

A MINT / MINT copy of this specific edition:

https://www.discogs.com/release/4010477-Defiance-Product-Of-Society

A mint copy of this edition:

https://www.discogs.com/release/3437570-Erosion-Mortal-Agony

Media Condition:Mint (M)
Sleeve Condition:  Very Good Plus (VG+) almost near mint if not for a small price tag on the right corner

Sleeve mint, Disc near mint (just a couple of light scratches)

NEAR MINT! like new ! Gold vinyl, includes printed card (numbered)  

"777 – Sects(s)" is an organic, cascading volume of deviant, dark art that exhibits BLUT AUS NORD’s natural habitat, a cleansing blade amid transitory moments of non-importance. Hypnotic guitars, discomforting beats and alienating voices clash with the ferocity of aural tectonic plates to produce horrific Black Metal decadence for an anonymous, lost, irrelevant generation.

 

Media Condition: Mint 
Sleeve Condition: Near Mint 

more info

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

12", Unofficial Release, Blue

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Small (2 cm)  cut on the bottom side of the cover, as typical in those years, to mark nice-price, ovestocks or promo copies, they either drilled or cut the sleeve

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

the heirs of Nortt?

Gabriele Gramaglia is back with his main solo output COSMIC PUTREFACTION for another chapter of his own tale under the banner of his new LP “Emerald Fires Atop The Farewell Mountains” set for release on Oct 4th. Taking place right after “Crepuscular Dirge for the Blessed Ones”, “Emerald Fires...” takes us to an even deeper and ineluctable journey. Now that the empyrean inhabitants have fallen down for good and all the debris of physical worlds are scattered around, the main character of the tale has in-fact to walk his very last path counting only of his very last strengths to face eternal solitude and death; a path exploring both the widest astral distances imaginable and the most twisted labyrinths of the inmost self. Musically speaking, the concept is depicted through an even broader palette of influences compared with its predecessor, ranging from the most hammering death metal riffs, to progressive veins and even shades of symphonic black metal, embraced through an almost omnipresent wide atmosphere and multilayered arrangements of distant guitars, cellos and synths. Giulio Galati (ex-Hideous Divinity, Nero di Marte), once again teamed up with Gramaglia as a session drummer, to complete his effort through an extremely powerful and dynamic performance behind the kit. COSMIC PUTREFACTION was formed in 2018 as the death metal sonic incarnation of the multi-instrumentalist Gabriele Gramaglia (also behind The Clearing Path and part of Turris Eburnea, Vertebra Atlantis and Hadit), which summoned the aforementioned musical entity to re-arrange and complete the unreleased album of his first band Oaken/Throne, which begun in 2012 but was left uncompleted because the combo disbanded. This album was completed and released in 2019 under the name of “At the Threshold of the Greatest Chasm”, which comprehended six-and-a-half tracks taken from the unreleased Oaken/ Throne album. He later refined his formula through the second album “The Horizons Towards Which Splendour Withers” and Crepuscular Dirge for the Blessed Ones” which expanded the death metal roots with the multifaceted range of influences Gramaglia has developed throughout the years. For fans of Blood Incantation, Artificial Brain, Wormed, and Tomb Mold.

The munumental final DEATH album, remastered from the original studio tapes, and coupled with over an hour of previously unrealeased material and estensive liner notes!

A 2018 Peaceville CD reissue of Dodheimsgard’s 1998’s album Satanic Art featuring bonus tracks.

One of the visionaries of the mid-1990’s Norwegian Black Metal evolution, DHG are widely hailed as masters of dark and psychotic Psychedelic-tinged extremity. Satanic Art is considered a significant turning point for the band, as the compositions became less traditional in their structure and delivery, and became more abstract and twisted.

This edition of Satanic Art includes two bonus tracks, Black Treasure and an alternate rendition of Symptom.
 

• Highly anticipated fourth album from Italian Lucio Fulci death metal fanatics, based on his film The New York Ripper

• Full US Devastation in the Nation Tour in November / December 2024 with Morbid Angel, Suffocation, Mortiferum and more

• For fans of Cannibal Corpse, early Madball, Merauder, Mortician, Goblin, Giorgio Moroder, Slayer, Bolt Thrower

Jewelcase CD with 8-page booklet, including lyrics.
 

Jewelcase CD with 8-page booklet.
Yoth Iria is the brainchild of Greek black metal veterans Jim Mutilator and The Magus - the duet which developed and pioneered the underground scene back in the day.

Yoth Iria's music is an amalgam of the influences and visions of its creators. Dark, diabolical, emotional, powerful and majestic. A fresh look into '90s Greek occult black metal with a nostalgia of the past and a look into the future.The debut full-lenght album  "As The Flame Withers" was recorded and completed at the famous Pentagram Studio with George Emmanuel (Rotting Christ, Septicflesh, Lucifer’s Child, Acherontas etc). The artwork was completed by Harnasash Singh.

Jim Mutilator was the first bassist and a founding member of the legendary Greek black metal band Rotting Christ. In 1985, at the age of 14, he started a band called Black Church with the Tolis brothers. Two years later the trio went on to form Rotting Christ. He was also the first bassist in Varathron. He appears on both Rotting Christ’s Thy Mighty Contract and Varathron’s His Majesty at the Swamp, two of Hellenic black metal’s most recognised and defining albums. He also participated in the most important black metal tour back in the day, which included Blasphemy, Immortal and Rotting Christ. He left Varathron in 1993, shortly after their full-length debut. He did two more albums with Rotting Christ, Non Serviam and Triarchy of the Lost Lovers before leaving in 1996. However, he contributed lyrics to Rotting Christ all the way up until the Sleep of the Angels album.

The Magus is a Greek musician (bass, keys & vocals) and producer, well known for his work in the Greek black and death metal scenes. He formed Necromantia in 1989 together with Baron Blood (RIP), one of the most influential and avantgarde bands of the scene. A formidable composer and a sinister lyricist, his musical projects and colaborations involve: Rotting Christ, Thou Art Lord, Diabolos Rising, NAOS, Raism, Principiality of Hell among others. He is credited for shaping the ”Hellenic sound” of black & death metal.
 

Reissue of the debut Yoth Iria EP including new artwork and a bonus track. Jewelcase CD with booklet. Limited to 500 copies worldwide.

Yoth Iria is the brainchild of Greek black metal veterans Jim Mutilator and The Magus - the duet which developed and pioneered the underground scene back in the day. Originally released in January 2020, “Under His Sway” was the duet’s first release. It was an initial taste of what’s to come from the duo that developed and pioneered the underground scene back in the day: a grand blend of heavy/doom and epic black metal that travels the underground into dark realms and silent hills. A year later, the band released the debut full-length album “As the Flame Withers” via Pagan Records to critical acclaim and what many would consider as one of the most important metal albums of 2021.

The new Furia album. Ten premiere songs recorded at Czyściec Studio by Nihil, Namtar, Sars and Artur. Jewelcase CD with booklet.

Second full-lenght album from Polish black metal band Totenmesse. Jewelcase CD.

Five years after the release of the first full-length "To", Totenmesse returns with their own Black Metal - "Fiktionlust": 8 tracks recorded, mixed and mastered at Impressive Art by Przemysław Nowak. Totenmesse are: Mould, Stawrogin, Rzulty.
The cover of the album is a painting “Dwarfs and stilt walkers” by well-known Polish artist Grzegorz Stec. Layout by Sars.

Hard-cover and full-color ENGLISH edition, including numerous photos, with some previously unpublished.
The English-language edition of the unofficial but definitive biography of one of the most influential metal bands of all time - BATHORY. Written by renowned metal journalist José Luis Cano Barron, this comprehensive tome delves into the band's illustrious career, offering an uncensored and meticulously researched account of their groundbreaking music and enduring legacy.

Originally published in Spanish, “From Hades to Valhalla… BATHORY - The Epic Story” has been translated into English, making this essential work accessible to a wider audience. With 156 vibrant pages packed with rare photographs, illustrations, and reproductions, the book chronicles Bathory's journey from their early black metal roots to their Viking metal mastery, painting a vivid portrait of a band that defied categorisation and shaped the very sound of black and extreme metal.

“From Hades to Valhalla… BATHORY - The Epic Story” goes beyond mere biography, offering a deep analysis of Bathory's music and its impact on the metal scene. Cano Barron draws upon his extensive knowledge and insider access to provide insights into the creative genius of Bathory's enigmatic leader, Quorthon.
“From Hades to Valhalla… BATHORY - The Epic Story” is an essential addition to the library of any metal fan. With its captivating narrative, wealth of historical detail, and stunning visuals, this book offers a unique and immersive exploration of one of metal's most revered bands.