In occasione dell’uscita del nuovo lavoro di Cigno e della ristampa dei due album usciti precedentemente disponibile anche un BOX con i CD dei 3 dischi insieme in un’edizione risparmiosa.
Edizione limitata a 150 copie. Oltre ai tre album il box contiene un bugiardino con le istruzioni per la somministrazione dei tre album, si raccomanda l’utilizzo con i bambini senza superare le dosi consigliate.

With their anticipated debut full length Seraphic Punishment in 2022, Fargo’s Maul dropped one of the most memorable death metal earworms of the year. Coupled with the band’s relentless drive for bringing their music to the people live throughout the country, Maul’s reputation rapidly grew and a pact with 20 Buck Spin was scrawled in blood. The initial fruit of that union was delivered late in 2023 with the Desecration And Enchantment promo tape. And now all roads have led to Maul’s second album, In The Jaws Of Bereavement.

While the rotten death metal heart at the core of the band is without question, the band have no shame in their game when it comes to embracing a penchant for the heavier side of hardcore with mosh-ready riffs and crowd-killing breaks. In The Jaws Of Bereavement manages to so skillfully fuse the eerie apparitions and melodic lead work of death metal’s greats with the punishing rhythms of hardcore’s violent power it feels completely organic. It’s all tied together by the unhinged vocal prowess of the human wrecking ball Garrett Alvarado.

At its putrescent core Maul is a live band, and the songs on In The Jaws Of Bereavement are adeptly tailored to the environs of a dank club sweltering from the energy created through this music and a crowd living for nothing but the moment and the swell of bodies on bodies. The production here is clear and in one’s face, and allows the band to expand their unique blend of old and new to become Midwest death incarnate.

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

Limited to 500 copies in deluxe clamshell box with alternative art, containing the following items:
-Digipack CD + 24paged booklet & Poster
-Textile Flag
-Crest Metal Logo Pin
-Woven Patch (digipack design)
-2x album cover stickers (of both jewel case and digipack design)

with 24 pages + poster

CD + 24 pages booklet

Official reissue on Peaceville

From the depths of outer space, a new creature reached planet Earth: Vrazorth is a new one-man band shrouded in mystery, albeit rumors say they originated somewhere in Sweden.

Vrazorth, a cryptic force lurking in Sweden’s black metal underworld, conjures chilling atmospheres that spiral through the infinite void. The solo project of Vra, shrouded in anonymity, blends icy riffs with cosmic dissonance, like the cold embrace of a forgotten star collapsing into darkness. Unholy whispers entwine with celestial screams, creating soundscapes that evoke a realm beyond time.

To craft its debut studio album, Vrazorth drew inspiration from the best: the alien atmosphere of Darkspace, the hallucinated violence of Mysticum, the unpredictable and hybrid nature of Mesarthim. Everything perfectly mixed together to create music that sings of the cosmos, its void and the hidden mysteries that lie among the stars.

From the depths of outer space, a new creature reached planet Earth: Vrazorth is a new one-man band shrouded in mystery, albeit rumors say they originated somewhere in Sweden.

Vrazorth, a cryptic force lurking in Sweden’s black metal underworld, conjures chilling atmospheres that spiral through the infinite void. The solo project of Vra, shrouded in anonymity, blends icy riffs with cosmic dissonance, like the cold embrace of a forgotten star collapsing into darkness. Unholy whispers entwine with celestial screams, creating soundscapes that evoke a realm beyond time.

To craft its debut studio album, Vrazorth drew inspiration from the best: the alien atmosphere of Darkspace, the hallucinated violence of Mysticum, the unpredictable and hybrid nature of Mesarthim. Everything perfectly mixed together to create music that sings of the cosmos, its void and the hidden mysteries that lie among the stars.

One-off edition  150 copies

Wolvencrown’s take on black metal is based on long, keyboard-layered structures, with songs seldom clocking in at less than eight or nine minutes. The solemnity of keyboards, though, is balanced by the fury and rage of guitar riffs and fast drumming, making Celestial Lands a varied and diverse effort. Different from the atmospheric black metal you often hear coming from the Pacific Northwest, Wolvencrown melodies have deep roots in the European tradition, while their lyrics deal with nature, its spirits and the damage Man has caused.

Six panels digipak CD - limited 

Wolvencrown’s take on black metal is based on long, keyboard-layered structures, with songs seldom clocking in at less than eight or nine minutes. The solemnity of keyboards, though, is balanced by the fury and rage of guitar riffs and fast drumming, making Celestial Lands a varied and diverse effort. Different from the atmospheric black metal you often hear coming from the Pacific Northwest, Wolvencrown melodies have deep roots in the European tradition, while their lyrics deal with nature, its spirits and the damage Man has caused.

One-off only edition of 100

Following their 2021 debut De Rerum Natura, Italian atmospheric/melodic black metal duo Eard is back with their sophomore album, Melancholia.
In the band's words, “Melancholia is a deeply introspective work exploring human experience, heavily influenced by the poetic tradition of Romanticism. A defining aspect of Eard is the atmosphere shaped by the strings of the celtic harp interwoven with wistful, evocative guitar melodies. Continuing the tradition initiated with their debut album, the music is enriched by the vocals of guest artists, including Saor’s mastermind Andy Marshall and Belgian multi-instrumentalist Déhà (SLOW, Déhà, Acathexis and many more), who was featured in the previous album and returns this time to contribute to two tracks”.

Eard pays homage to Anglo-Saxon poetry, such homage beginning with the very name of the band, the Old English word used to describe the concept of earth, land and home. Melancholia tells tales of misty lands of old and ancient voyages across the seas, and its haunting melodies will pierce through the greyness of everyday life.

Following their 2021 debut De Rerum Natura, Italian atmospheric/melodic black metal duo Eard is back with their sophomore album, Melancholia.

In the band's words, “Melancholia is a deeply introspective work exploring human experience, heavily influenced by the poetic tradition of Romanticism. A defining aspect of Eard is the atmosphere shaped by the strings of the celtic harp interwoven with wistful, evocative guitar melodies. Continuing the tradition initiated with their debut album, the music is enriched by the vocals of guest artists, including Saor’s mastermind Andy Marshall and Belgian multi-instrumentalist Déhà (SLOW, Déhà, Acathexis and many more), who was featured in the previous album and returns this time to contribute to two tracks”.

Eard pays homage to Anglo-Saxon poetry, such homage beginning with the very name of the band, the Old English word used to describe the concept of earth, land and home. Melancholia tells tales of misty lands of old and ancient voyages across the seas, and its haunting melodies will pierce through the greyness of everyday life.

Single LP mastering for this new pressing

200 copies limited - natural clear vinyl / gatefold sleeve

Black 12" vinyl (33 rpm) in deluxe gatefold sleeve.
First pressing 500 copies worldwide.

Tamás Kátai has a vision that extends far beyond his native Hungary, but THY CATAFALQUE’s twelfth album is tied to the past in more ways than one.
Whereas his previous album returned to the heavier days of THY CATAFALQUE, ‘XII’ takes Kátai on a more figurative journey. The album unfolds like a dark night of the soul, whisked away by the dreamy-yet-haunting opener “Piros kocsi, fekete éj”. “Run with me, life / Whisper the tales”, Attila Bakos sings in Hungarian. His cleans soar over the airwaves, reappearing with ease 15 years after he first joined THY CATAFALQUE for the project’s breakout album ‘Róka Hasa Rádió’.
More old friends join Kátai on this journey. “A gyönyöru álmok ezután jönnek” features 20+ guest musicians, including familiar faces from inside and outside of the Hungarian metal scene. Violin, cello and clarinet bring the comforts of home. Still, the road can be quite harsh. “Mindenevo” is consumed with humanity’s self-destructive appetite, fueled by mechanized blast beats and distorted downpicking that recalls the fiery black metal from which THY CATAFALQUE was originally forged in 1998.
Hungarian history looms behind the album’s most crushing moments. The coal blackened chugger “Vasgyár” is named after the rusted-out ironworks that once fueled the country’s economy. In the video for the album’s title track and lead single, Kátai runs through not only his hometown but surreal scenes from past and present issues that lie beneath the surface of the countryside. But his flair for the avant-garde still shines like the dawn. The synth's minor key melody glows with the faint but familiar reassurance that the beautiful dreams are yet to come.

For fans of SOLEFALD, ARCTURUS, BLUT AUS NORD, ULVER.

Turquoise & black marbled 12" vinyl (33 rpm) in gatefold.
Limited to 350 copies worldwide!

Tamás Kátai has a vision that extends far beyond his native Hungary, but THY CATAFALQUE’s twelfth album is tied to the past in more ways than one.
Whereas his previous album returned to the heavier days of THY CATAFALQUE, ‘XII’ takes Kátai on a more figurative journey. The album unfolds like a dark night of the soul, whisked away by the dreamy-yet-haunting opener “Piros kocsi, fekete éj”. “Run with me, life / Whisper the tales”, Attila Bakos sings in Hungarian. His cleans soar over the airwaves, reappearing with ease 15 years after he first joined THY CATAFALQUE for the project’s breakout album ‘Róka Hasa Rádió’.
More old friends join Kátai on this journey. “A gyönyöru álmok ezután jönnek” features 20+ guest musicians, including familiar faces from inside and outside of the Hungarian metal scene. Violin, cello and clarinet bring the comforts of home. Still, the road can be quite harsh. “Mindenevo” is consumed with humanity’s self-destructive appetite, fueled by mechanized blast beats and distorted downpicking that recalls the fiery black metal from which THY CATAFALQUE was originally forged in 1998.
Hungarian history looms behind the album’s most crushing moments. The coal blackened chugger “Vasgyár” is named after the rusted-out ironworks that once fueled the country’s economy. In the video for the album’s title track and lead single, Kátai runs through not only his hometown but surreal scenes from past and present issues that lie beneath the surface of the countryside. But his flair for the avant-garde still shines like the dawn. The synth's minor key melody glows with the faint but familiar reassurance that the beautiful dreams are yet to come.

For fans of SOLEFALD, ARCTURUS, BLUT AUS NORD, ULVER.

CD in deluxe Mediabook with 52 pages limited to the first pressing only.

Tamás Kátai has a vision that extends far beyond his native Hungary, but THY CATAFALQUE’s twelfth album is tied to the past in more ways than one.
Whereas his previous album returned to the heavier days of THY CATAFALQUE, 'XII: A Gyönyöru Álmok Ezután Jönnek’ takes Kátai on a more figurative journey. The album unfolds like a dark night of the soul, whisked away by the dreamy-yet-haunting opener “Piros kocsi, fekete éj”. “Run with me, life / Whisper the tales”, Attila Bakos sings in Hungarian. His cleans soar over the airwaves, reappearing with ease 15 years after he first joined THY CATAFALQUE for the project’s breakout album ‘Róka Hasa Rádió’.
More old friends join Kátai on this journey. “A gyönyöru álmok ezután jönnek” features 20+ guest musicians, including familiar faces from inside and outside of the Hungarian metal scene. Violin, cello and clarinet bring the comforts of home. Still, the road can be quite harsh. “Mindenevo” is consumed with humanity’s self-destructive appetite, fueled by mechanized blast beats and distorted downpicking that recalls the fiery black metal from which THY CATAFALQUE was originally forged in 1998.
Hungarian history looms behind the album’s most crushing moments. The coal blackened chugger “Vasgyár” is named after the rusted-out ironworks that once fueled the country’s economy. In the video for the album’s title track and lead single, Kátai runs through not only his hometown but surreal scenes from past and present issues that lie beneath the surface of the countryside. But his flair for the avant-garde still shines like the dawn. The synth's minor key melody glows with the faint but familiar reassurance that the beautiful dreams are yet to come.

For fans of SOLEFALD, ARCTURUS, BLUT AUS NORD, ULVER.

many sellers would rate this as a NM--- there's moderate physiological signs of use and storage, but all in all great shape

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

This is a bundle offer / bargain to purchase one copy each of the following Darkthrone bootlegs:

"Rehearsals 1991" black vinyl

"Demos (land of frost, thulcandra, cromlch, + reh. track)"

"A night of unholy black metal" (live in Oslo)

"Return to Ultima Thule"

These are rather underground / artisanal made bootlegs, with very basic sleeves, do not expect deluxe packagings at all

although unplayed, only collected, some sleeves show a few light / small damages (corner bent i.e.)

A MINT / MINT copy of this specific edition:

https://www.discogs.com/release/4010477-Defiance-Product-Of-Society

A mint copy of this edition:

https://www.discogs.com/release/3437570-Erosion-Mortal-Agony

Media Condition:Mint (M)
Sleeve Condition:  Very Good Plus (VG+) almost near mint if not for a small price tag on the right corner

Sleeve mint, Disc near mint (just a couple of light scratches)

NEAR MINT! like new ! Gold vinyl, includes printed card (numbered)  

"777 – Sects(s)" is an organic, cascading volume of deviant, dark art that exhibits BLUT AUS NORD’s natural habitat, a cleansing blade amid transitory moments of non-importance. Hypnotic guitars, discomforting beats and alienating voices clash with the ferocity of aural tectonic plates to produce horrific Black Metal decadence for an anonymous, lost, irrelevant generation.

 

Media Condition: Mint 
Sleeve Condition: Near Mint 

more info

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

12", Unofficial Release, Blue

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Small (2 cm)  cut on the bottom side of the cover, as typical in those years, to mark nice-price, ovestocks or promo copies, they either drilled or cut the sleeve

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

the heirs of Nortt?

Beer [Transparent] With Red Splatter

Beer [Transparent] With White & Black Splatter

Limited Edition, Blue [Sea] With Yellow Splatter

Black Vinyl

LTD TO 500 COPIES, 6 PANELS DIGI CD, 8p. BOOKLET

GATEFOLD COVER, 250X BABY PINK,  2023 REPRESS

2023 REPRESS WITH GATEFOLD COVER AND THE OLD LOGO!

limited to 250 copies in clear/blue splatter vinyl.

Comes in gatefold cover sleeve, inside jackets are printed with lyrics.

250x SWAMP GREEN COPIES

Track D2 is a bonus track.

2023 reissue in glossy gatefold sleeve.
4-pages insert.
Limited to 250 copies on solid orange with grimace purple splatters.
A3, D1 are marked(*) as bonus tracks.

Sea Blue/Milky Clear LIMBONIC ART, around mastermind Vidar Jensen a.k.a. Daemon, have played themselves with their first albums in the mid/end of the 90s to the spearhead of the Norwegian, and worldwide Symphonic Black Metal.

The third album “Epitome Of Illusions” from 1998 is released a fourth century after the original release as a limited vinyl reissue in gatefold cover and with remastered sound.