Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.

Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.

Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.

Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.

Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.

Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.

Preorder offer only: digi cd + vinyl

Todestrieb is a Polish black metal duo formed in 2023 in Cracow by blein (guitars and bass) and Res (vocals and lyrics). After several months of hard work, the duo completed their debut studio record, Corona Tenebra, which will be released in December by Avantgarde Music.
Drawing their inspiration from bands such as Watain, Odraza, Drastus, Kriegsmaschine, Tortorum, Funeral Mist and many more, Todestrieb managed to find their own way in the crowded black metal underground, specifying that “those bands influenced rather the essence of our music than the form”.
Corona Tenebra consists of five tracks and an outro, and its lyrics, all written in Polish but translated into English in the album booklet, circle around themes like spirituality, gnostic satanism, blasphemy, theology and philosophy.

Featuring Mgła, Hauntologist and Owls Woods Graves’ Michał “The Fall” Stępień on drums, Todestrieb debut is a very diverse, fascinating take on black metal. Corona Tenebra was recorded in No Solace studio and mixed and mastered at Impressive Art Studio. With an artwork by Izabela Grabda, Corona Tenebra will be released via Avantgarde Music on CD, LP and digital on December 13th, 2024.

Gatefold sleeve with insert

Todestrieb is a Polish black metal duo formed in 2023 in Cracow by blein (guitars and bass) and Res (vocals and lyrics). After several months of hard work, the duo completed their debut studio record, Corona Tenebra, which will be released in December by Avantgarde Music.
Drawing their inspiration from bands such as Watain, Odraza, Drastus, Kriegsmaschine, Tortorum, Funeral Mist and many more, Todestrieb managed to find their own way in the crowded black metal underground, specifying that “those bands influenced rather the essence of our music than the form”.
Corona Tenebra consists of five tracks and an outro, and its lyrics, all written in Polish but translated into English in the album booklet, circle around themes like spirituality, gnostic satanism, blasphemy, theology and philosophy.

Featuring Mgła, Hauntologist and Owls Woods Graves’ Michał “The Fall” Stępień on drums, Todestrieb debut is a very diverse, fascinating take on black metal. Corona Tenebra was recorded in No Solace studio and mixed and mastered at Impressive Art Studio. With an artwork by Izabela Grabda, Corona Tenebra will be released via Avantgarde Music on CD, LP and digital on December 13th, 2024.

Todestrieb is a Polish black metal duo formed in 2023 in Cracow by blein (guitars and bass) and Res (vocals and lyrics). After several months of hard work, the duo completed their debut studio record, Corona Tenebra, which will be released in December by Avantgarde Music.
Drawing their inspiration from bands such as Watain, Odraza, Drastus, Kriegsmaschine, Tortorum, Funeral Mist and many more, Todestrieb managed to find their own way in the crowded black metal underground, specifying that “those bands influenced rather the essence of our music than the form”.
Corona Tenebra consists of five tracks and an outro, and its lyrics, all written in Polish but translated into English in the album booklet, circle around themes like spirituality, gnostic satanism, blasphemy, theology and philosophy.

Featuring Mgła, Hauntologist and Owls Woods Graves’ Michał “The Fall” Stępień on drums, Todestrieb debut is a very diverse, fascinating take on black metal. Corona Tenebra was recorded in No Solace studio and mixed and mastered at Impressive Art Studio. With an artwork by Izabela Grabda, Corona Tenebra will be released via Avantgarde Music on CD, LP and digital on December 13th, 2024.

Pure Unholy Black Metal from the entrails of the blackest abyss & first Black Metal Fest in The USA. We present the first of it’s darkest offerings!

Judas Iscariot’s first ever live appearance manifested and recorded at Sacrifice of the Nazarene Child 2nd Black Metal Fest in 1999.

Available now on on 12” vinyl limited to 666 copies.

Black Metal.

Official Compact disk version of the Studio Live LPs on HMSS. Killer sound.

Raw Evil Black Metal exhumed by Vrajitor of Warmoon Lord.

Most of the Kerkerengel's songs were written in 2020, but had to wait until the time was right for the session to take place. In just two days, the ritual was complete and this organic and rotten Black Metal abomination was given birth.

U.S. Black Metal beast returns with their fourth full album.

An unrelenting and infernal assault aimed to sever the tongues of naysayers and decapitate all unbelievers.

For years one of Finnish black metal's best-kept secrets, in recent times have FORGJORD sprung to prominence among the adventurous as practitioners of a strangely alluring sort of obsidian. Although existing since the mid '90s and patiently parceling out their recordings in an almost-clandestine manner, the upswing in activity began with FORGJORD's third album (and first with WEREWOLF), Uhripuu, in 2017 and was followed by the equally challenging Ilmestykset in 2019, the comparatively more rockin' Laulu kuolemasta a year later, and the draw-everything together Ruumissaarna Pt. 1 in 2022. Among those four full-lengths, the Finnish trio solidified and strengthened their strident aesthetic - malodorous melodicism, hypnotically rendered through a ripped-raw soundfield, making their strangely hummable ruminations on triumph & tragedy sound all the more alien, each album unified yet unique within that aesthetic - and made it all seem effortless. Finally, it seemed that the name FORGJORD was no longer a "secret."

For years one of Finnish black metal's best-kept secrets, in recent times have FORGJORD sprung to prominence among the adventurous as practitioners of a strangely alluring sort of obsidian. Although existing since the mid '90s and patiently parceling out their recordings in an almost-clandestine manner, the upswing in activity began with FORGJORD's third album (and first with WEREWOLF), Uhripuu, in 2017 and was followed by the equally challenging Ilmestykset in 2019, the comparatively more rockin' Laulu kuolemasta a year later, and the draw-everything together Ruumissaarna Pt. 1 in 2022. Among those four full-lengths, the Finnish trio solidified and strengthened their strident aesthetic - malodorous melodicism, hypnotically rendered through a ripped-raw soundfield, making their strangely hummable ruminations on triumph & tragedy sound all the more alien, each album unified yet unique within that aesthetic - and made it all seem effortless. Finally, it seemed that the name FORGJORD was no longer a "secret."

RUTTOKOSMOS were one of the great "what if?"s of Finnish black metal. The band formed sometime in 2003 and released the five-song Ja minä näin kuoleman demo in 2006 and then the six-song Kärsimys demo a year later. Afterward, nothing was heard from RUTTOKOSMOS ever again. Only one member concurrently played in Divina Inferis, and the other two members either disappeared or played pseudonymously in other bands. In 2021, WEREWOLF compiled both demos onto one massive compilation, (re)introducing RUTTOKOSMOS to a newer generation starved for authentic mysticism in black metal, with the cryptic suggestion that a debut album may someday or decade arrive.

Masterminded by VARGRAV / DRUADAN FOREST mainman V-Khaoz, DEAD FLESH STIGMA is a psilocybin-fueled plunge into the vast-yet-oft-unexplored abyss of industrialized black metal. Joining him are a number of esteemed guest vocalists, including Hellwind (GRIEVE, EMBRYONIC SLUMBER et. al.), Narqath and J13 from Azaghal, and the notorious Graf Werwolf von Armageddon.

The collective's first public work, Necrocosmic Death Ritual is an aptly titled album: in space, no one can hear you scream. With rusty robotic pistons pumping and torched tones searing above and below, DEAD FLESH STIGMA's debut album seeks to overwhelm the senses, and succeeds with devilish ease. Granted, one perhaps has to be acclimated to that rarefied idiom - one pioneered by Mysticum's landmark In the Streams of Inferno, the most obvious influence here, and then expounded upon by the likes of early Blacklodge, Traumatic Voyage, Diapsiquir, later Trollheims Grott, and of course Dodheimsgard's 666 International - to truly immerse themselves in this rippling body high (or negation?). But as with all things that bear V-Khaoz's touch, form and content intertwine in a symphony of totality, synthetic and caustic in equal measure.
 

Shining the latest album from Swallow the Sun, encapsulates the profound duality of the human experience and the band's enduring brilliance. The album explores the intrinsic challenges of being human, contrasting the beauty and purity within individuals with the transformation that occurs when we come together, chasing us away from innocence like rats from Eden. It highlights the struggle and disillusionment in human interactions.

Marking 23 years of their musical progression, Shining also symbolizes the band's pride and resilience, showcasing their brightest and strongest work to date. This album is a testament to Swallow the Sun's artistic legacy, intertwining existential reflections with their characteristic majestic sound.

Shining the latest album from Swallow the Sun, encapsulates the profound duality of the human experience and the band's enduring brilliance. The album explores the intrinsic challenges of being human, contrasting the beauty and purity within individuals with the transformation that occurs when we come together, chasing us away from innocence like rats from Eden. It highlights the struggle and disillusionment in human interactions.

Marking 23 years of their musical progression, Shining also symbolizes the band's pride and resilience, showcasing their brightest and strongest work to date. This album is a testament to Swallow the Sun's artistic legacy, intertwining existential reflections with their characteristic majestic sound.

Picture LP that comes in 70/80's-style gatefold jacket (called Unipak) with the vinyl sliding from the inside the gatefold

One press of 300

In occasion of its 10th anniversary (occuring early 2025) ENISUM celebrate what's by many still is considered their best album so far, "Arpitanian Lands", or to say the least the one album that started it all for this italian atmospheric nature-inspired black metal band.

The new edition comes with a completely revised artowrk, with (double) vinyl now packed in a gatefold sleeve and an eight panels digipak CD.
Both formats come in limited editions/runs as copies of their previous versions are still available on the market.

In occasion of its 10th anniversary (occuring early 2025) ENISUM celebrate what's by many still is considered their best album so far, "Arpitanian Lands", or to say the least the one album that started it all for this italian atmospheric nature-inspired black metal band.

The new edition comes with a completely revised artowrk, with (double) vinyl now packed in a gatefold sleeve and an eight panels digipak CD.
Both formats come in limited editions/runs as copies of their previous versions are still available on the market.

Frostmoon Eclipse, one of the oldest Black Metal entities from Italy are celebrating their 30th anniversary in 2024 and what better way to celebrate three decades of darkness then to relive the days of old? For this special occasion we excavated their back catalogue and breathe new life into their first four full length albums through a remastering of the old works and repacking each album in brand new artwork, to be released each on Vinyl for the very first time and together in an exclusive 4disc CD boxset.

Full coloured cover with white inner jacket + Insert. Limited to 100 copies on 12" Vinyl.

Full coloured cover with white inner jacket + Insert. Limited to 150 copies on 12" Vinyl.

many sellers would rate this as a NM--- there's moderate physiological signs of use and storage, but all in all great shape

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

A MINT / MINT copy of this specific edition:

https://www.discogs.com/release/4010477-Defiance-Product-Of-Society

A mint copy of this edition:

https://www.discogs.com/release/3437570-Erosion-Mortal-Agony

Media Condition:Mint (M)
Sleeve Condition:  Very Good Plus (VG+) almost near mint if not for a small price tag on the right corner

Sleeve mint, Disc near mint (just a couple of light scratches)

NEAR MINT! like new ! Gold vinyl, includes printed card (numbered)  

"777 – Sects(s)" is an organic, cascading volume of deviant, dark art that exhibits BLUT AUS NORD’s natural habitat, a cleansing blade amid transitory moments of non-importance. Hypnotic guitars, discomforting beats and alienating voices clash with the ferocity of aural tectonic plates to produce horrific Black Metal decadence for an anonymous, lost, irrelevant generation.

 

Media Condition: Mint 
Sleeve Condition: Near Mint 

more info

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

12", Unofficial Release, Blue

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Bootleg. Absence of sleeve, only two slabs of thick paper with the artwork. Contains only a fragment of 10 tracks compared to "Vinterskugge" CD releaces which have 16 tracks.
Tracks A1-B2 taken from "Vandreren" 1993 demo
Tracks B3-B5 taken from "Horizons" 1991 demo
Limited to 500 copies.

Media Condition: Mint (M) 
Sleeve Condition: Mint (M)

Small (2 cm)  cut on the bottom side of the cover, as typical in those years, to mark nice-price, ovestocks or promo copies, they either drilled or cut the sleeve

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

the heirs of Nortt?

Black Vinyl

Gatefold DLP with inlaycard (30x30 cm) and in black vinyl

The last album Metamorphosis, released in 2021, was their first under the
renowned label AOP Records and reached number 29 on the official
German album charts. Additionally, it was named one of the top 5 black
metal releases of 2021 by German Metal Hammer. These recent
successes, along with past achievements, highlight the band's continuous
development.
 
With nine releases, including six full-length albums, Agrypnie has created
an extensive discography that reflects the variety and depth of their
musical universe. This year (as of 2024), the release of their seventh
album is planned, while the drum recordings for the eighth album are
already completed.
 
Over time, Agrypnie has completed numerous tours and festival as well as
club performances, captivating their audience with their intense stage
presence and powerful performances.

Black metal

Judas Iscariots ground breaking third album available again for the first time in almost a decade! The fore-father of US Black Metal, mastermind Akhenaten defined a sound that is still being copied today. A major influence on scene luminaries such as Xasthur, I Shalt Become, Leviathan and Krieg to name but a few. No longer shall Christianity suffocate human spirit and potential! Distant in Solitary Night - Seven hymns to the triumph of evil ! Bow to the master! 

TRELLDOM are the brainchild of Kristian Eivind Espedal, who is better known under his artist's name Gaahl. The Norwegian became one of the leading figures of the Nordic black metal scene after joining the notorious Bergen outfit GORGOROTH in 1998. For many years, the vocalist was pigeonholed for his extreme vocals and attracted many, often dark rumours about his person. If any notion is true about Espedal, it is to always expect the unexpected. TRELLDOM have already written black metal history. The band founded by Gaahl in Sunnfjord, Vestland in 1992 released their debut album "Til evighet..." (1995) to great acclaim in underground black metal circles. Having changed the line-up to include guitarist Valgard and Stian "Sir" Kårstad on bass, TRELLDOM unleashed their sophomore full-length "Til et annet..." (1999) to already much attention of mainstream metal media. This album was produced by the legendary sound engineer Pytten at Grieghallen Studios in Bergen. Pytten also recorded the third milestone "Til minne..." (2007), which became highly regarded both by critics and fans. One of the key aspects of TRELLDOM's first trilogy has always been that in his own band Gaahl was free of the strict limitations under which GORGOROTH operated, and therefore able to explore his voice at will. With "...by the shadows..." the Norwegian artist breaks free from another mould. Returning after many years of dormancy, in which the musicians involved went on to work with several other projects, there is both continuity and change. The crucial collaboration with Stian Kårstad remains at the musical heart of the band. The by far the largest part of all songs on "...by the shadows..." has been created by Sir, who has also taken over all guitar duties. Yet Espedal has changed other aspects of TRELLDOM, which created fascinating effects. Now the renowned percussionist Kenneth Kapstad sits on the drum-stool,who was formerly of MOTORPSYCHO and is also driving the beats in SPIDERGAWD, MØSTER!, and THORNS. Kapstad also brought the internationally acclaimed jazz musician and saxophone player Kjetil Møster (MØSTER!, RÖYKSOPP, THE END) into the fold. The inclusion of Møster's unorthodox saxophone sounds can already be taken as an indication that TRELLDOM are no longer shackled by the narrowest definition of black metal. The music on "...by the shadows..." does remain dark and fierce. It is also clearly still growing out of its roots in the black past. Yet Espedal has willed his band into becoming a far more layered beast and set it free to roam in an avant-garde dimension – with the dissonant sound at times even turning towards the experimental. TRELLDOM have awakened from their slumber and "...by the shadows..." is a spirited manifesto for artistic freedom as well as a grand declaration of war against nostalgic stagnation. This album poses a challenge that states: love it or leave it!