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This twisted and perverted death metal album is your personal premium membership allowing full access to Club Squirting Blood.
Every room designed to bring extreme pleasure and hard on pain. Sensually orchestrated death metal filth, smeared with sleazy grease.
Welcome in, welcome f'n nude. Ugh!
This twisted and perverted death metal album is your personal premium membership allowing full access to Club Squirting Blood.
Every room designed to bring extreme pleasure and hard on pain. Sensually orchestrated death metal filth, smeared with sleazy grease.
Welcome in, welcome f'n nude. Ugh!
Almost 4 years after their debut album “Drapsdalen” Valdaudr returns with the mighty follow up!
“Du Skal Frykte” brings even more nostalgia and atmosphere from the past to the table. There's a bit more melodic touch to it, but in the right way. Often reminding of the great early Satyricon, Ulver and other scene pillars, this album still brings you back to the early 90's and the whole reason why we started enjoying this epic and majestic genre. Hail Norwegian Black Metal!
Almost 4 years after their debut album “Drapsdalen” Valdaudr returns with the mighty follow up!
“Du Skal Frykte” brings even more nostalgia and atmosphere from the past to the table. There's a bit more melodic touch to it, but in the right way. Often reminding of the great early Satyricon, Ulver and other scene pillars, this album still brings you back to the early 90's and the whole reason why we started enjoying this epic and majestic genre. Hail Norwegian Black Metal!
Prepare for the unholy union of darkness and destruction with "Draw Blood", the latest offering from Svarttjern!
Let darkness spread, "Draw Blood" will raise the dead.
Ten tracks of terror, with a lyrical fist, each one a torment you won’t want to miss.
Let the darkness unfold, with Draw Blood, a black metal tale so cold.
Prepare for the unholy union of darkness and destruction with "Draw Blood", the latest offering from Svarttjern!
Let darkness spread, "Draw Blood" will raise the dead.
Ten tracks of terror, with a lyrical fist, each one a torment you won’t want to miss.
Let the darkness unfold, with Draw Blood, a black metal tale so cold.
'Graveside' is an indulgence in (and of) the most celebrated and earliest 'naive' works of such luminaries of the early 90's scene as Emperor, Satyricon, Dimmu Borgir, Gehenna and others. As such, 'Graveside' shows OLD FOREST's willingness to regress back to their roots and once more adopt instinctive and spontaneous composition and recording, whilst casting aside such trivial matters as 'innovation' or 'perfection'.
'Graveside' is an indulgence in (and of) the most celebrated and earliest 'naive' works of such luminaries of the early 90's scene as Emperor, Satyricon, Dimmu Borgir, Gehenna and others. As such, 'Graveside' shows OLD FOREST's willingness to regress back to their roots and once more adopt instinctive and spontaneous composition and recording, whilst casting aside such trivial matters as 'innovation' or 'perfection'.
This old and rancid sabbatical articulation was consecrated in morbid malignancy through archaic incunabula vampyric texts and the twisted philosophical structure of vinegar blood, the cadaveric cauldron with which these texts are nourished and bathed and the vibrational current of cryptic music, is embraced under the temple of heresy regarding the visions and the reverse trance anointed in mortal blood on octingenti black candles, unbaptized opus that serve as a funerary reminder towards the pestilent and monumental orchestrations of the "Vampyric Arts of Putrefaction".
The bestiality and ferocity are translated into a fiery and black barbaric cadence that is robustly justified with the putrid gloomy emblem of a distant black church, an unbaptized fortress of agonizing mist and black pylons of catacombs and unclean spirits. Die Schattenfestung serves a single evil purpose which is reflected under octingenti black candles of a rotten and cadaverous sound rehearsal as an album of primordial force towards vampyric raw black metal.
Odes Past & Mysticism From the Southern Lands is a unique work that delves into the inner realms of the mirror dimension and evil iridescence of Black Metal Opus, the exalted composition of this new album is directly related to the old and dark wisdom of Valdivian enclave, the blackened mythology and mysticism behind the eternal sorrow and the siege, the rusty canyons of the past and the old fortresses scattered over the old veins of the Pacific Ocean, each of the tracks throughout this musical piece is composed mainly of the mournful stories inherited with the blood of the ancients, the vestiges of the kingdom and the Valdivian shadows that remains as a solid banner.
Emissaries of the Past (Ancient Ruins 1675) is the orchestration that manages to unify the ancient cryptic emanation and belongs to one of the last visions of the past, which symbolizes a oneiric narrative of the mystical pilgrimage and memories of a solitary traveler who found his refuge and at the same time his tomb in the fortress of San Pedro de Alcántara after entering the gates of oblivion.
Rising from the black flame in which it once came, Vampirska presents the new full length album titled “A Liminal Heart Paints the Deepest Shade of Serenity”
Vampirska, birthed from its melancholic flame in the US returns with it’s third full length overture in this dismal trilogy. As its mind degrades over time, each chapter represents the downward spiral of life.
A work covered in its majesty’s blood… its tears… Seven chapters of dysphoria personified.
“The life it tolls, the breath it suffocates.”
Rising from the black flame in which it once came, Vampirska presents the new full length album titled “A Liminal Heart Paints the Deepest Shade of Serenity”
Vampirska, birthed from its melancholic flame in the US returns with it’s third full length overture in this dismal trilogy. As its mind degrades over time, each chapter represents the downward spiral of life.
A work covered in its majesty’s blood… its tears… Seven chapters of dysphoria personified.
“The life it tolls, the breath it suffocates.”
Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.
Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.
Metal, magic and freedom. Three words to describe Hellenic black metallers YOTH IRIA. Lead by the legendary Jim Mutilator, YOTH IRIA holds nothing back in recreating, reinventing and reigning in the light of the spirits of old. Although modern and exciting in their approach, the darkness YOTH IRIA thrust ahead into the nothingness of modern music, comes from an ancient place. A place untouched by the plagues of conformity and compromise. BLAZING INFERNO offers no pardon but provides you with a visit to the occult spirituality the modern world lacks to offer. Humanity used to be linked with nature and was respectful of the forces we weren’t capable of understanding. YOTH IRIA sends a strong spiritual reminder to all of us, to not ignore the past at the cost of your future.
“YOTH IRIA is the rays of Lucifer the first, Satan the second and Devil the third sent to the earth to help and give courage to the simple people and help mother earth to survive. After YOTH IRIA came in, the earth took shape and form. Magic as a way of life and freedom without fear.”
If you want to hear some new music that looks back without hesitation, but still creates something new and exciting - Check out BLAZING INFERNO!
After “Anthropophagy” (1987) and “Who Are the True” (1988),Vulcano entered the 1990s heeding the signs of the times without compromising their initial brutality. As a result, the band’s fifth album “Ratrace” perfectly balances thrashing madness with a more contemporary, midtempo approach. “I was really incredulous about how he managed to save that album,” band leader Zhema comments on Patrick W. Engel’s restored and remastered version on the original tapes. “The vocals, guitars and bass – everything is finally more defined!” And after frequent bad luck with both recording studios and labels, the Brazilian extreme metal forerunners found a capable partner in High Roller Records to reissue “Ratrace”. The album, which saw a glorious return of guitarist Soto Jr. († 2001) from the line-up of the group’s seminal debut “Bloody Vengeance” (1986), would be their last release for 14 years but an impressive temporary farewell no less. With tracks like the two-minute barrage ‘Welcome to the Army’ or the similarly frantic ‘White Violence’ set against more chunky stuff such as ‘Just a Matter of Time’, “Ratrace” is a forgotten thrash gem to be (re-)discovered!
Fourth press of the first full length for this vampire goth punk combo on vinyl! Featuring members of Kontatto, Campus Sterminii, Giuda, Headed Nowhere and Sumo, Horror Vacui keep on exploring the dark side of the pentagram.
9 tracks of absolute goth/death rock powered by 101% punk attitude.
Fans of Belgrado, Bellicose Minds, Arctic Flowers, Lost Tribes, don't miss the Italian answer to these bands!
Second press of the third full length by the mighty Italian dark gang on vinyl! Three years after their second album "Return Of The Empire", the Italian Vampire punx combo returns with their new full length „New Wave of Fear’’. The tunes got darker and less punk than their previous releases but, all in all, the formula hasn't changed too much, and, hell yeah, this is a concept album about life and death. The A side has been named "This Side" and deals with things that belong to the world we're living (immigration, the rise of the extreme right wing parties, terror, life in general etc.). The B side has been named "Other Side" and it's all dedicated about death. It's a more intense record and definitely better than their old ones, and you can also hear the crusty roots of some of the members in their last song where Amebix and Fields Of The Nephilim meet in a no men's land to face the end of it all.
Fourth press of the second full length for the Italian vampire punx Horror Vacui after their (already) classic "In Darkness You Will feel Alright" on vinyl! 10 brilliant tracks of pure goth/death rock in the vein of Lords Of The New Church, Spectres, T.S.O.L., Sisters Of Mercy and 1919. This record has originally been released in 500 copies by the American label Black water in support of their October/November 2014 U.S.A. tour and then it's been repressed several times by L.O.T.D./Agipunk, Avant! Records and Plastic Bomb Records. This version includes the 2014 U.S. tour single 7" tracks as a bonus. Don't miss the chance to add this item to your collection or be damned forver!
Clear With Black / Red Splatter
Ltd 100 copies.
Though they came together from far corners of the Nordic underground, Night Shall Drape Us are united by blood and an unwavering spirit for fast, melodic, uncompromising black metal.
Their debut album features eight perfectly executed hymns sung by a relentless choir of lunatics. ‘Lunatic Choir’ offers fast blast beats together with raw yet melodic traditional black metal riffs.
“One with the beasts of the black flame”, the band chant in dedication during "Under the Dead Sky", giving themselves into the arms of Holy Death.
For fans of CRAFT, MGLA, DØDHEIMSGARD, SATYRICON, DISSECTION.
Back indications (tracks listed sequentially):
1: Demo 1984 2: Demo 1981 3: Demo 1985 ("Red Skies Disappear" Version)
4: Demo 1984 5: Demo 1985 (Re-recorded by The Mission)
6: Demo 1982 (Written by Dolly Parton)
7: Live 1985 (Written by Suicide)
Back indications (tracks listed sequentially):
1: Unreleased Demo 1983
2-4: Demo 1984 (*Craig Adams Vocals)
5-7: Instrumental Versions
8: Demo 1982
many sellers would rate this as a NM--- there's moderate physiological signs of use and storage, but all in all great shape
Media Condition:Mint (M)
Sleeve Condition: Very Good Plus (VG+) almost near mint if not for a small price tag on the right corner
Sleeve mint, Disc near mint (just a couple of light scratches)
NEAR MINT! like new ! Gold vinyl, includes printed card (numbered)
"777 – Sects(s)" is an organic, cascading volume of deviant, dark art that exhibits BLUT AUS NORD’s natural habitat, a cleansing blade amid transitory moments of non-importance. Hypnotic guitars, discomforting beats and alienating voices clash with the ferocity of aural tectonic plates to produce horrific Black Metal decadence for an anonymous, lost, irrelevant generation.
Small cut on the sleeve, 5 mm long, on the bottom part, as they used to do back then to mark nice-price / overstock or store promo copies
This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.
#076/102
12", Unofficial Release, Blue
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Bootleg. Absence of sleeve, only two slabs of thick paper with the artwork. Contains only a fragment of 10 tracks compared to "Vinterskugge" CD releaces which have 16 tracks.
Tracks A1-B2 taken from "Vandreren" 1993 demo
Tracks B3-B5 taken from "Horizons" 1991 demo
Limited to 500 copies.
Media Condition: Mint (M)
Sleeve Condition: Mint (M)
Small (2 cm) cut on the bottom side of the cover, as typical in those years, to mark nice-price, ovestocks or promo copies, they either drilled or cut the sleeve
Japanese edition, exactly this one:
https://www.discogs.com/release/7003836-Heathen-Victims-Of-Deception
Mint copy but there is NO OBI, (the other janapese booklet/insert is included!)
8 panels digipack
Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
RUTTOKOSMOS were one of the great "what if?"s of Finnish black metal. The band formed sometime in 2003 and released the five-song Ja minä näin kuoleman demo in 2006 and then the six-song Kärsimys demo a year later. Afterward, nothing was heard from RUTTOKOSMOS ever again. Only one member concurrently played in Divina Inferis, and the other two members either disappeared or played pseudonymously in other bands. In 2021, WEREWOLF compiled both demos onto one massive compilation, (re)introducing RUTTOKOSMOS to a newer generation starved for authentic mysticism in black metal, with the cryptic suggestion that a debut album may someday or decade arrive.
For years one of Finnish black metal's best-kept secrets, in recent times have FORGJORD sprung to prominence among the adventurous as practitioners of a strangely alluring sort of obsidian. Although existing since the mid '90s and patiently parceling out their recordings in an almost-clandestine manner, the upswing in activity began with FORGJORD's third album (and first with WEREWOLF), Uhripuu, in 2017 and was followed by the equally challenging Ilmestykset in 2019, the comparatively more rockin' Laulu kuolemasta a year later, and the draw-everything together Ruumissaarna Pt. 1 in 2022. Among those four full-lengths, the Finnish trio solidified and strengthened their strident aesthetic - malodorous melodicism, hypnotically rendered through a ripped-raw soundfield, making their strangely hummable ruminations on triumph & tragedy sound all the more alien, each album unified yet unique within that aesthetic - and made it all seem effortless. Finally, it seemed that the name FORGJORD was no longer a "secret."
Limited to 200 copies on Transparent Vinyl; comes with lyrics sheet
Metal, magic and freedom. Three words to describe Hellenic black metallers YOTH IRIA. Lead by the legendary Jim Mutilator, YOTH IRIA holds nothing back in recreating, reinventing and reigning in the light of the spirits of old. Although modern and exciting in their approach, the darkness YOTH IRIA thrust ahead into the nothingness of modern music, comes from an ancient place. A place untouched by the plagues of conformity and compromise. BLAZING INFERNO offers no pardon but provides you with a visit to the occult spirituality the modern world lacks to offer. Humanity used to be linked with nature and was respectful of the forces we weren’t capable of understanding. YOTH IRIA sends a strong spiritual reminder to all of us, to not ignore the past at the cost of your future.
“YOTH IRIA is the rays of Lucifer the first, Satan the second and Devil the third sent to the earth to help and give courage to the simple people and help mother earth to survive. After YOTH IRIA came in, the earth took shape and form. Magic as a way of life and freedom without fear.”
If you want to hear some new music that looks back without hesitation, but still creates something new and exciting - Check out BLAZING INFERNO!
It was but the very beginning of 2022 when THE MIST FROM THE MOUNTAINS released their momentous debut album, Monumental - The Temple of Twilight, through PRIMITIVE REACTION. The record was presciently titled, too: hailing from the ever-fertile Finnish scene, THE MIST FROM THE MOUNTAINS were a brand-new formation with a very old heart, with their chilling-yet-breathtaking ruminations harkening to the golden days of melodic, nature-inspired black metal back during the mid '90s. Names invoked included old Borknagar, Kvist, Old Man's Child, Norway's Gehenna, and even earliest Dimmu Borgir, but on the songwriting strength across Monumental, these still-young Finns were well on their way to forging an odyssey all their own.
On Crepuscular Dirge For The Blessed Ones, sole mastermind Gabriele Garmaglia continues the Cosmic Putrefaction narrative begun on previous album The Horizons Towards Which Splendour Withers, wherein the only survivor from an apocalyptic annihilation of a dying planet walks towards its withered horizons. In this next chapter, this character ultimately finds an even more sorrowful truth at the end of his journey, one that shows the empyrean fall of man throughout the metaphysical world and the gods which inhabit it.
On Crepuscular Dirge For The Blessed Ones, Gramaglia establishes even more his own vision of death metal, this time enriching his multifaceted sound with widened atmospheres and a patina of omnipresent melancholy suggested by distant arpeggios, e-bow guitars and sometimes even synths organically blended with the relentless, ferocious riffs always present in this new effort. To cap off this layered effort, Gramaglia this time relied on drummer Giulio Galati (Nero di Marte, Hideous Divinity) to deliver an extremely powerful and dynamic performance behind the kit.
Cosmic Putrefaction was formed in 2018 as the death metal sonic incarnation of multi-instrumentalist Gramaglia (also behind The Clearing Path and part of Turris Eburnea and Vertebra Atlantis), who summoned the aforementioned musical entity to re-arrange and complete the unreleased album of his first band Oaken/Throne, which was begun in 2012 but left uncompleted due to the combo disbanding. This became 2019’s At The Threshold Of The Greatest Chasm, which absorbed six-and-a-half tracks taken from the aforementioned unreleased Oaken/Throne album. He later refined his formula through second album The Horizons Towards Which Splendour Withers, which expanded the death metal roots and multifaceted range of influences Gramaglia has developed throughout the years.
Gabriele Gramaglia is back with his main solo output COSMIC PUTREFACTION for another chapter of his own tale under the banner of his new LP “Emerald Fires Atop The Farewell Mountains” set for release on Oct 4th. Taking place right after “Crepuscular Dirge for the Blessed Ones”, “Emerald Fires...” takes us to an even deeper and ineluctable journey. Now that the empyrean inhabitants have fallen down for good and all the debris of physical worlds are scattered around, the main character of the tale has in-fact to walk his very last path counting only of his very last strengths to face eternal solitude and death; a path exploring both the widest astral distances imaginable and the most twisted labyrinths of the inmost self. Musically speaking, the concept is depicted through an even broader palette of influences compared with its predecessor, ranging from the most hammering death metal riffs, to progressive veins and even shades of symphonic black metal, embraced through an almost omnipresent wide atmosphere and multilayered arrangements of distant guitars, cellos and synths. Giulio Galati (ex-Hideous Divinity, Nero di Marte), once again teamed up with Gramaglia as a session drummer, to complete his effort through an extremely powerful and dynamic performance behind the kit. COSMIC PUTREFACTION was formed in 2018 as the death metal sonic incarnation of the multi-instrumentalist Gabriele Gramaglia (also behind The Clearing Path and part of Turris Eburnea, Vertebra Atlantis and Hadit), which summoned the aforementioned musical entity to re-arrange and complete the unreleased album of his first band Oaken/Throne, which begun in 2012 but was left uncompleted because the combo disbanded. This album was completed and released in 2019 under the name of “At the Threshold of the Greatest Chasm”, which comprehended six-and-a-half tracks taken from the unreleased Oaken/ Throne album. He later refined his formula through the second album “The Horizons Towards Which Splendour Withers” and Crepuscular Dirge for the Blessed Ones” which expanded the death metal roots with the multifaceted range of influences Gramaglia has developed throughout the years. For fans of Blood Incantation, Artificial Brain, Wormed, and Tomb Mold.
After years of lurking in the deepest, darkest corners of the Black Metal underground, the entity known as Death Like Mass finally rears its head again, this time presenting us with 45 minutes of relentless Black Metal Magic. An album that will divide the herd with its unabating fury, maniacal madness and theatrical grandeur. A stab in the heart of nowadays Black Metal, this album comes at a futile time of a long lost genre, awakening spirits of old whilst never straying away from their by now signature audial Darkness.
Chaos in Order, Order in Chaos.
Welcome to the third chapter of MISOTHEIST:
Vessels by which The Devil is made Flesh
The band continues where For the Glory of your Redeemer left off, delving into a massive, profound album filled with unpredictable, intricate Black Metal as we come to expect from this band.
Its aggressive, yet beautiful, with gorgeous and sublime melodies covered in darkness and torment. Each listen reveals something new; a new detail, another riff, another twist you previously didn’t notice, making this an unbelievable album that grows and pulls you in further upon each listen. The incredible songwriting and musicianship is something this band has gotten a name for, something this album seals once and for all!
High Roller Records, reissue 2024, black/ neon green galaxy effect vinyl, ltd 500, 425gsm heavy cardboard cover with high gloss lamination, insert, 2 x poster
Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY
Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate reissue of this eternal classic!
Snake - vocals
Piggy (R.I.P. 2005) - guitars
Blacky - bass
Away - drums
Spectral Wound play black metal. Furious and visceral, untrammeled by esoteric posture or grasping idealism. It is music for the poisoned, the futile, the debauched and profane. The blooming of a flower of corruption, torn by cold winds.
Following the raw early offering of Terra Nullius (Arcane Angels / Out of Season 2015), Spectral Wound continued their path of creeping, opulent decay and searing melody, weaving strands of Métal noir Québécois with the weft of the Scandinavian canon. Refining its sound over Infernal Decadence (Vendetta, 2018) and the towering, exultant melancholy of A Diabolic Thirst (Profound Lore, 2021), with Songs Of Blood And Mire (Profound Lore 2024) the band delivers an elegy of the void, seething with the venom and clamour of an ever-emptying world.
Spectral Wound play black metal. Furious and visceral, untrammeled by esoteric posture or grasping idealism. It is music for the poisoned, the futile, the debauched and profane. The blooming of a flower of corruption, torn by cold winds.
Following the raw early offering of Terra Nullius (Arcane Angels / Out of Season 2015), Spectral Wound continued their path of creeping, opulent decay and searing melody, weaving strands of Métal noir Québécois with the weft of the Scandinavian canon. Refining its sound over Infernal Decadence (Vendetta, 2018) and the towering, exultant melancholy of A Diabolic Thirst (Profound Lore, 2021), with Songs Of Blood And Mire (Profound Lore 2024) the band delivers an elegy of the void, seething with the venom and clamour of an ever-emptying world.
Limited to 150 copies. Comes with A2 sized poster.
Rare, swiss weird project - avantgarde thrash
Disc: VG (quite a few scratches but plays perfectly)
Inlays: NM
Limited edition CD & DVD with documentary, house in a digipak with a 12 page booklet.
https://www.discogs.com/release/2858770-Sepultura-Chaos-AD
Insert/card VG++ The tape looks like unplayed but Please note: we did not play/test this cassette so We cannot guarantee the quality of the tape throughout its playing time
Media Condition: Mint
Sleeve Condition: Near Mint
Part of "The Cursed Singles" boxset printed by Avantgarde Music in 1995
Media Condition: Very Good (VG)
Sleeve Condition: Very Good Plus (VG+)
Behind Dim Lights hides Finnish award-winning composer, producer and multi-instrumentalist Ville Pallonen, founder of Chaoswaves Composing and better known to the extreme metal world as V-Khaoz. After receiving great praise with several black metal projects, namely Vargrav and Olio Tahtien Takana, Pallonen decided to (temporarily?) put metal aside and focus on pure electronic music, and dystopic and futuristic tunes are what you should expect while making your way through Dim Lights dreamy, melancholic notes. The work of great composers and electronic producers coexist inside V-KHaoz music, the offspring of both the ‘80s cyberpunk and the ‘20s videogame culture.
Gray-and-black splattered vinyl.
This release includes an exclusive circular spirit board.
Includes a download code for an mp3 version of the 7".
Limited to 110.
Release of 300 in gatefold jacket.
(c) & (p) Black Crucifixion 2014. (In back cover)
(c) & (p) Black Crucifixion 2013 & 2014. (In LP)
Coronation Of King Darkness was recorded and mixed at Drophammer and Hell Fi Studios in Finland in 2012. Pre-production 1990 - 2012.
Released in a J-card case with a single-sided 4-panel J-card; no lyrics.
