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Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.
Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.
Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.
Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.
Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.
Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.
Anthropic Bias (2022) explores themes of cosmic significance and existential philosophy, echoing the idea of humanity’s tendency to see the universe as centered around itself. The music itself is a fusion of icy, tremolo-picked guitar riffs, blast beats, and haunting, atmospheric synth layers. It carries an otherworldly mood, drifting between aggression and contemplation. The song also incorporates electronic elements and ambient interludes, which provide a vast, ethereal soundscape. This single is both relentless and meditative, capturing Mesarthim’s ability to craft immersive, spacey atmospheres while retaining black metal’s raw intensity.
Departure (2024) leans heavily into the band’s cosmic themes, evoking feelings of journeying through space or leaving behind something familiar. The track opens with a somber and almost melancholic tone, gradually building into a massive, swirling blend of distorted guitars and atmospheric keys. The song shifts through dynamic phases, from soaring melodies to intense, fast-paced sections. Like much of Mesarthim’s work, Departure utilizes synth layers to create a celestial, almost dreamlike atmosphere, suggesting both the awe and isolation of venturing into the unknown. The track serves as a contemplative journey, fitting with the title’s theme of departure and escape.
Second press - translucent blue
Double vinyl, 3 sides recorded (side D is empty).
150 copies edition
We're running a small reprint on demand
Available only in L
We're running a small reprint on demand
Available only in M
Double vinyl, trans orange, 3 sides recorded (side D is empty).
300 copies edition
A special edition - double black vinyl with side D etched!
100 copies only
special offer, CD still sealed and fully functional but arrived slightly crushed from shipping
New copy, sealed and unplayed, but arrived with a corner ding due to transportation
Sound Cave Exclusive vinyl color
Mesarthim are now developing their Phase II, and following their latest EP released this very spring Vacuum Solution, they reached the farthest corner of the known universe with the new CLG J02182–05102.
“Astronomers are a bit like archeologists as they dig back through space and time searching for remnants of the early universe. In a recent deep excavation, courtesy of NASA's Spitzer Space Telescope, astronomers unearthed what may be the most distant, primitive cluster of galaxies ever found.
In a twist, however, this apparent ancestor to today's "big cities" of grouped galaxies looks shockingly modern. Called CLG J02182-05102, the ancient cluster is dominated by old, red and massive galaxies, typical of present-day clusters. For example, it is similar to a young version of the Coma Cluster of today, which has had billions of more years to develop.” Says NASA.
Mesarthim are now developing their Phase II, and following their latest EP released this very spring Vacuum Solution, they reached the farthest corner of the known universe with the new CLG J02182–05102.
“Astronomers are a bit like archeologists as they dig back through space and time searching for remnants of the early universe. In a recent deep excavation, courtesy of NASA's Spitzer Space Telescope, astronomers unearthed what may be the most distant, primitive cluster of galaxies ever found.
In a twist, however, this apparent ancestor to today's "big cities" of grouped galaxies looks shockingly modern. Called CLG J02182-05102, the ancient cluster is dominated by old, red and massive galaxies, typical of present-day clusters. For example, it is similar to a young version of the Coma Cluster of today, which has had billions of more years to develop.” Says NASA.
Mesarthim are now developing their Phase II, and following their latest EP released this very spring Vacuum Solution, they reached the farthest corner of the known universe with the new CLG J02182–05102.
“Astronomers are a bit like archeologists as they dig back through space and time searching for remnants of the early universe. In a recent deep excavation, courtesy of NASA's Spitzer Space Telescope, astronomers unearthed what may be the most distant, primitive cluster of galaxies ever found.
In a twist, however, this apparent ancestor to today's "big cities" of grouped galaxies looks shockingly modern. Called CLG J02182-05102, the ancient cluster is dominated by old, red and massive galaxies, typical of present-day clusters. For example, it is similar to a young version of the Coma Cluster of today, which has had billions of more years to develop.” Says NASA.
