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Songs talks about landscapes, cohabitation between man and nature, the music is deeply inspired by Cascadian black metal bands like Wolves in the Throne Room, Alda…
At times you might get the feeling that this is music being piped through from another time. It is music mercifully free of the tropes that trip us up and the trends that scratch on the grubby windows of the music scene.
‘Samoht Nara’ is music dedicated to the natural and listening to it feels like a rare, beautiful privilege.

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Norwegian viking pagan black metal brigade NIFROST is set to release their new, long-awaited, full length album to the masses 
NIFROST already established its own remarkable identity built upon cold and ferocious sounds attack, intense melodies and charging guitars.
Combining unrelenting black metal atmosphere and vision from varying extreme metal genres with a apocalyptic twist of inspiration, careful listeners may just be able to identify themes from some of their stories, concepts and more…
The concept of their third album began with the title “Orkja”, which is the name of a mountain infamous for landslides that turned into murderous floods in the olden days of Jølster, on the wild and beautiful western coast of Norway.
Through these old stories, they found a spark of inspiration in approaching apocalyptic themes in a bigger or on smaller more personal-level picture, both physically and metaphorically.

When the band wrote the album “Orkja” in late 2018, they never knew how fitting these doomsday-themes would come to be in current times. The seven songs that comprise “Orkja”, each have its own connection to the end of things, and to the possibility of new beginnings.

Norway’s cold Black Metal act HOVMOD arise at their debut full length studio album, “Doedsformasjon”, which has been released in winter 2019 on Dusktone.

Formed in Toten, Norway, HOVMOD is one of the seven deadly sins, and it represents aggression, rage, pride and the opposite of humility- something that reflects in HOVMOD’S music in the upcoming debut album “Doedsformasjon” that has been released in both CD and Vinyl format.

Expect a thick and impenetrable blanket of cold northern fog that becomes sound, this grim graveyard of straight nowegian black metal is some of the creepiest music that Dusktone has released so far.

Pressed on 180g vinyl. Housed in a reverseboard-printed cardstock cover with a 3.5mm spine. Includes a professionally printed, double-sided, 12x12" uncoated cartonstock insert.

Noen hater oss is a black metal band hailing from the stormy shores of Stavanger, Norway. Formed by multi instrumentalist Raum in the year of 2016.
After a couple of years as a one man band, Morloc joined the fold as vocalist and eventually also as a second guitarist. In 2023 Morloc was dismissed from the band due to Irreconcilable differences regarding the bands future.
The musical realm that Noen hater oss reside in can best be described as icy and bleak, melodic yet malicious black metal. With a strong gravitation towards the 90’s sound and philosophies.
The lyrical concept revolves around norwegian folklore, old superstitions, religion and the bloodlust and evil that dwells deep within nature and mankind, yearning to be let out.

The name ‘Noen hater oss’ is norwegian and roughly translates to «someone hates us». It has a deeper meaning than most people tend to presume. With «Someone» being an invisible force, a higher power or even a god of sorts, with little or no regard for the human race.
Noen hater oss has released three albums so far, the self titled «Noen hater oss» in 2018, «Bastarder» in 2019 and «Siste stopp skjærsilden» in 2021.

A fourth album titled «Kunsten aa gjoere jorden ubeboelig» will be this time with sole member Raum handling all instruments and vocals.
So, Noen hater oss are emerging once again from the shadows with their fourth opus «Kunsten aa gjoere jorden ubeboelig», containing seven hymns of purebred, norwegian hatred, shrouded in a raven

Norwegian dissonant death black metal unit Zustand Null is hailing from Oslo and formed in 2009 by Max Engvik and Ion Solounias

The music they offer could be described as simultaneously chaotic and refined; dissonant, punchy, and melodious. Blending blackened metal with thrash and industrial undertones..

After two amazing singles Zustand Null has finally released the highly anticipated full length album titled "Beyond the Limite of sanity" which is a forward-thinking venture through the realms of black/death and industrial metal with progressive touch far beyond the usual confines of the genre

First album for this Spanish band.

Black metal 90's in pure Norwegian style.

Cold and Raw.

Mini debut album for this Spanish band.

Black metal 90's in pure Norwegian style.

Cold and Raw.

VEMOD are by no means an average band. The Norwegians exist in the liminal spaces and the crossroads of places. The trio has chiselled their sophomore full-length "The Deepening" from the same sonic granite that its predecessor "Venter på stormene" came from over a decade ago. This bedrock is found in Namsos, where VEMOD were conceived as a lifelong passion project at the turn of the century by then 12-year old Jan Even Åsli. The nearest big city is Trondheim where the fiercely individual local Nidrosian black metal scene, which refers to the city's original name, provided VEMOD with its first point of musical reference as embodied by the first demo "Kringom fjell og skog" (2004).

When the Norwegians reemerged seven years later with both the track "Moestæ Qverelæ" on a split-single and the demo "Vinterilden" in 2011, they had considerably changed. The trio had taken a step outside by strengthening elements that have already been present before: a sprinkle of the majesty reminding of early IN THE WOODS..., a dash of melancholia, and a knife tip of introvert contemplation among a wide range of emotional and vivid sonic imagery. VEMOD's musical transition finds comparable parallels in the development of French brothers-in-spirit ALCEST even though there was no direct influence flowing either way. In hindsight, the Norwegians also pioneered such currently popular styles such as blackgaze and post-black metal, although they never subscribed to either. With their debut full-length "Venter på stormene" just a year later in 2012, VEMOD opened their music to new places: A mind-blowing performance at the prestigious Beyond the Gates festival in 2013 and the legendary special show within the national treasure of the Vigeland Mausoleum at Oslo's Inferno Festival 2014 cemented VEMOD's excellent reputation even across the Atlantic.

Now, "The Deepening" arrives with a different production, which resulted in a changed overall tone compared to earlier works and the Norwegians also reached out and tapped into new stylistic strata adding further elements to their sound. Even the lyrical themes running through "The Deepening" tell of change, transience, transformation, and growth. "The Deepening" offers an opportunity to look past long held beliefs and comforting illusions. At the crossroads of VEMOD's second album at this point in space and time waits a deepening understanding of their musical world.

DYMNA LOTVA have many reasons to carry the torch of rebellion. The duo had to flee their native Belarus due to political persecution and attempts by the Lukashenka dictatorship to censure and suppress their art. On their third album, "The Land under the Black Wings: Blood" (original, not transcribed tile: "Зямля Пад Чорнымі Крыламі: Кроў"), DYMNA LOTVA continue to sing songs filled with grief and pain. The Belarusians have beautifully and powerfully enhanced their very personal style. With a solid base in black metal, but also taking many elements from doom as well as traditional music, the duo has moved beyond the post-black metal tag and created melancholic, haunting melodies that bear their unmistakable trademark and results in a unique emotional sound. DYMNA LOTVA base their lyrics on true tales from Belarus, which is filled with accounts of sorrow gleaned from historical archives or folklore, while new horrors are committed in their country every day. Composer Jauhien Charkasau and vocalist Katsiaryna "Nokt Aeon" Mankevich date the inception of DYMNA LOTVA to November 8, 2015.
The spark that ignited their musical fire was the news of Belarusian writer Svetlana Alexandrovna Alexievich winning the Nobel Prize in Literature. On the same day, the duo created their first song, which was inspired by the Chernobyl nuclear catastrophe and released as a single entitled 'Самотны Чалавечы Голас' ("A Solitary Human Voice") in 2016. This was followed by DYMNA LOTVA's first full-length "The Land under the Black Wings: Swamp" (Зямля пад чорнымі крыламі: Дрыгва) in the same year. The debut album also formed the first part of a conceptual trilogy based on the duo's homeland. With their sophomore album, "Wormwood" (Палын), which is not part of the planned trilogy, DYMNA LOTVA returned to the topic of Chernobyl in 2017. In 2020, DYMNA LOTVA openly supported the protests against their country's dictator Lukashenka. In 2021, following a politically motivated trial of singer Lesley Knife, who was the guest vocalist on the latest single "To Freedom" (Да Волі), all the band's scheduled concerts were officially banned and they had to disband their live line-up. Vocalist Nokt Aeon was forced to leave the country to avoid arrest. The duo intended to reunite in Ukraine, but then Russia invaded the country. Two weeks after the outbreak of war, the singer finally escaped from the heavy fighting around the city of Irpin. Both musicians were later able to meet again in Poland. For DYMNA LOTVA the release of "The Land under the Black Wings: Blood" (Зямля Пад Чорнымі Крыламі: Кроў) is also an act of defiance. Their music can be read in more than one way. By itself it is an extremely beautiful yet also a very painful piece of contemporary metal on the dark end of the spectrum with an audible Belarusian sound. Yet in a wider artistic context, DYMNA LOTVA unleash a furious and mournful cry for freedom and justice with “The Land under the Black Wings: Blood" (Зямля Пад Чорнымі Крыламі: Кроў).

Official reissue on Peaceville