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Includes: CD, patch, metal pin.

“Uomo Mangia Uomo”, a limited edition CD compilation that brings together their notorious Trilogia della Morte Italiana for the first time in one unholy volume.

Self-styled as Italian Horror Glorifying Death Metal, TENEBRO have carved out a singular niche, channeling the rotting essence of the country’s most depraved horror and exploitation cinema.

This compilation includes their three cult EPs, previously released on cassette (Dismal Fate Records) and 7-inch vinyl (Seven Metal Inches Records), now unearthed together with an exclusive unreleased bonus track, “Uomo Mangia Uomo”, recorded specifically for this edition.

Digipak comes with a cut on the front probably due to being pressed against a hard edge

pre owned copy

comes with cracked tray (digi is VG-)

Disc is NM

Six panels digipack CD 

Near Mint

third press .................... Jewelcase edition 03/2023

With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient. 

The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.

A still-mysterious quintet hailing from the black metal hotbed of Finland, AGANTHROS formed in 2021 and digitally released their debut demo a year later. Those two songs served as a swift foretaste of the band's forthcoming debut album, Syntiset Saatanat Kurjat, which is at last at hand.

Unlike the vast number of bands honoring their homeland's prevailing black metal paradigm, AGANTHROS walk their own left-hand path both lyrically and especially sonically. Those lyrical themes of course include Satanism and the left-hand path; others more or less include the noble tragicalness of humanity and life. Gazing within instead of outside and walking the sewers of the individual and collective subconscious, AGANTHROS on their debut album musically illustrate such pathos through a wide-ranging but always-melodic sturm und drang style of black metal that bears similarities to Finnish iconoclasts Enochian Crescent and Trollheims Grott - or, thinking further afield of Finland, the avant-garde angularity of Ved Buens Ende meeting the spiraling melodicism of Mgla. However, such references are merely a springboard from which to meet AGANTHROS on Syntiset Saatanat Kurjat. From its disarming folk-inflected opening on through the rest of its 41-minute runtime, the album bracingly balances a whole host of extremities that the band masterfully wrangle to their own design, reaping triumphant rumbling on to twisted nightmare psychedelia. You never quite know what's coming next, but AGANTHROS thread it together with punishing physicality and serpentine flow. Refreshingly different and yet timeless all the same, Syntiset Saatanat Kurjat sounds the trumpets for the new/now sound of Finnish black metal.