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Back in stock - Extreme Metal and Dark music
Comes in deluxe 6-panel Digisleeve with die-cut inside, incl. all lyrics. Additional poster-booklet on uncoated paper with artwork and liner notes.
Autumnal, drifting, dark and dreamy – the sonic landscapes created by Norwegian folk-act Enge Store are full of longing and bittersweet nostalgia. Eisenwald has the pleasure to release the debut-record „Det høstes nå", a collection of songs created over five years.
The Oslo-based trio's name, translating into „Vast meadows", is indeed indicative of the band's aspiration: to open up a dreamy topography of haunted places and remnants of things lost. Plucked guitars, pulsating percussion, aching strings, and mournful choirs are signature elements in Enge Store's channeling of distant voices.
Autumnal, drifting, dark and dreamy – the sonic landscapes created by Norwegian folk-act Enge Store are full of longing and bittersweet nostalgia. Eisenwald has the pleasure to release the debut record „Det høstes nå", a collection of songs created over five years.
ORANSSI PAZUZU’s previous album Kosmonument was received with great critical acclaim as a brilliant album by a band developing into something all their own. On Valonielu, the band has sharpened their songcraft into a more succinct and salient statement, formidably invoking '90s-era Darkthrone yet boldly reaching further out into the multiverse of the psych and experimental side they have always inhabited. From the beginning chainsaw riff of album opener “Vino Verso” (“Askew Sprout”) to the climactic, world-downfall of final track “Ympyra On Viiva Tomussa” (“A Circle Is A Line In The Dust”), ORANSSI PAZUZU masterfully establish a cosmology all their own.
Black Vinyl
Ascolta su YouTube
Promo Tape 1994 finally on vinyl. Deep underground Polish Black Metal, featuring Nergal (Behemoth) on drums. Includes 4 pages booklet with pics and interviews printed on glossy 150g paper. Remastered for vinyl by Carlo at Toxic Basement studios. Limited edition of only 200 copies.
Finland’s death metal pacesetters Corpsessed celebrate their fifteenth anniversary with the release of brand-new album Succumb To Rot on Dark Descent Records.
The unholy union of Corpsessed and Dark Descent Records, that began with 2011’s highly acclaimed The Dagger & The Chalice EP, endures to this day. Both entities have since gone to transform the shape of the death underground as one know its, carving out a unique niche reserved only for true old school zealots. With a steady line-up of seven years in place, and a strong foothold on the top of the death metal hierarchy, Corpsessed deliver an arrogantly superior milestone of atmospheric old school death metal enveloped in existential dread.
“One circle closes only for another to begin anew. This is the logical conclusion to Impetus Of Death where the limits of human existence gives us a push to even do things in life (art being the pinnacle)—Succumb To Rot is the inevitable end where all things must eventually die and give into the relentless forces of entropy, and disintegrate into nothingness,” reflects guitarist M.M..
The mentally distressing artwork by Vladimir “Smerdulak” Chebakov also continues a tradition of exceptional Corpsessed album covers.
• Cryptic death metal from Finland
• Highly awaited follow-up to 2019’s Impetus Of Death
• Striking cover art by Vladimir Chebakov
• For fans of Incantation, Dead Congregation, Krypts and Grave Miasma
Fourth press, exclusive color vinyl, gatefold cover
Fourth press, Black vinyl, gatefold cover
E-L-R's sophomore full-length "Vexier" oscillates elegantly between velvet darkness and flaring bursts of high energy. The style of the Swiss has been dubbed 'doomgaze' and 'post-metal' and both terms apply loosely to the trio's meandering, down-tempo doom-epics. E-L-R's hypnotic phrases that are constantly varied and warped in repeating loops are reminiscent of shamanic rituals imbued with psychedelic colours. The trio weaves a subtle tapestry with diligence and persistence that depicts a labyrinth full of intricate details and hidden treasures.
First time on CD! - New Stereo Mix and Master.
Classic Jewelcase Edition w/Obi-Strip
„Eventyr", the debut record by Norwegian folk-act Byrdi, shows the work of two musicians, creating the first touch of something bigger than we – as humans – are. On the occasion of the band's tenth anniversary, Eisenwald re-releases the album digitally and – for the first time – on CD.
Since the first version was unintentionally released in mono, now the record got a stereo treatment – newly mixed by former band member Jørn Øyhus in his own Bergart Studio and mastered by Greg Chandler (Priory Recordings). It features a stunning artwork by David Thiérrée and a new, expanded layout, created at House Of Inkantation, with archival footage from the phase while the album was recorded.
With „Eventyr", Byrdi delivered a fresh take on nordic folk – authentic, handmade, emotive, and unique. A reflection of personal spirituality, seen through the lens of nature and lore. Now fans of dark, hypnotic music, who like to indulge themselves in the melancholic beauty of moody acoustic guitars and chants, can finally take their chance to add this 2014 released gem to their collections – in its definitive version.
Solid sleeve, heavy stock insert, black paper inner sleeve with a protective layer, designed download card for the digital album.
Conceptually, "Les nuits de Gethsémani" explores three pictures of a man stepping into the night, with bare feet, on the Mount of Olives. The three movements showcase a staggering ability to convey emotion through the power of composition, as elements of myth, sin, death, sun, and blood are juxtaposed to form an engrossing whole. Précieux Sang is interested in religious sentiment, tragedy, and abjection. Rejecting the more widespread fascination of their contemporaries with the occult, Précieux Sang is more interested in the exoteric aspect of religious experience: the Sacred rather than the secret. Considering that this is the band's first release, there is an impressive depth to the songwriting on display, with each track flowing effortlessly from passages of high-paced, frenetic yet never out of control chord based riffing to gargantuan mid-tempo sections as well as calmer, meditative sections, with a highly emotive vocal performance perfectly complimenting the glorious melodic shifts in the guitars throughout.
The production of "Les nuits de Gethsémani" is of particular note, with mixing and mastering duties handled by Xavier Tehom in March 2021 in Montréal, these songs sound incredibly clear and dynamic, without losing the passion and essence of the performances in plastic studio trickery. The sonic force on display in these three tracks is something to behold, offering a rich texture that showcases these three songs in a way complimenting the music and certainly warranting repeated listens
