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Vèrmyapre Kommando’s demos are now officially released
Side project of VLAD TEPES members - ugly & filthy, Black Legions Metal at it's worst! Drakkar Productions.

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Vèrmyapre Kommando’s demos are now officially released
High quality Drakkar CD issue of the obscure demo released by Wlad and Vorlok from VLAD TEPES. True darkness and hate from the depths of the Black Legions itself.

Ascolta su BandCamp
 

Brand new limited reedition of Dødsfall’s third full-length, originally released in 2013 ! with “Djevelens Evangelie”, Dødsfall leaves us a brilliant testimony of what black metal should remain: fast, cold, raw and hard-hitting. a must-have classic for all fans of the Norwegian scene from the 90s.
Comes in a 2 part CD digipack with an 8 pages booklet and a picture printed CD
2023 Drakkar Productions release

Released in January 2013 as a 7", this split ep is now being reissued ten years later as a 10" with some changes on the MonumentuM side:
PJ Harvey's classic "The River" is here featured in a different version from the one on the original ep, plus, to bless the two bands sodality, we are adding the song "In Misery Front Row", which originally appeared in 1998 as an instrumental track called "The Colour Of Compassion" on Misanthopy Records label's compilation Presumed Guilty, but hereby featuring Shining's mastermind Niklas Kvarforth on vocals.

LP in galaxy effect, oxblood with green. Printed innersleeve

Please note, if you are an Avantgarde Music Circle of Wax subscriber, this release is a part of bundle #3 (February bundle)

Five long years after their fascinating debut, Milan-based duo A Pale December deliver their sophomore album, Death Panacea. Compared to The Shrine Of Primal Fire, Death Panacea steers towards more aggressive, warring sounds. The “atmospheric black metal” label which so aptly described their debut album, is now just one of the many, partial definitions which could be used to define the band’s music.

When asked about their new opus, multi-instrumentalists Riccardo Di Bella and Ernesto Ciotola provided the following, strong statement: “While many metal albums seem to appeal to a feeling of fierceness, a call to war, an urge to fight something, we wanted to express the opposite. Death Panacea is an album about defeat and hopelessness, about the inherent futility of human strife and all our laughable attempts at masking this unescapable nature.

We wanted to praise failing and giving up, as opposed to perseverance, pride and the grinding mentality. We wanted to praise the rejects above the leaders, who naively think they can escape this race towards oblivion, and the coward above the fighting man, whose only fault was believing in the frail concept of nation and a false sense of belonging.

While distancing ourselves from these delusional sentiments, we also didn't want to fall into optimistic nihilism; the idea that the awareness of an impending void can grant any peace is simply preposterous. 

Ultimately, this is the meaning that lies behind the title of the album: death is what keeps us in check and yet is the one and only panacea to all our anguishes. In all this, one could almost find a cold comfort, knowing that the top step of the podium is eventually just a springboard to the abyss”.

Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death.  Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.

ISON new album! Gatefold sleeve, double LP in Black vinyl 

Ferum is a death doom metal band originated in Italy, but now scattered
over two countries. Asunder / Erode, the band’s debut album, is an
obsessive and monolithic record. Slow, funereal riffs are tied to faster,
sharper parts, while harmonized melodies and solos paint a cavernous
atmosphere. The drums wisely marches, moving from the background into
the spotlight, always followed by the bass guitar.
Asunder / Erode was recorded and mixed at Walter Productions in Tallinn,
Estonia by producer and sound engineer Are Kangus. The studio is located
inside the historic Tallinna Linnahall, a behemoth built during the Soviet
occupation. Today it is an urban wreck kept alive by few commercial
activities which are based on the inside: it is in fact closed to the public,
with the exception of some parts. Its interior is a maze of stillbirth potential,
and inspired one of the album's pieces.
The record was mixed completely in analogue to give the songs a deeper,
more archaic, real thickness. The master by Dan Swanö added the final
touches, making the album consistent, organic and even heavier.
Conceptually, Asunder / Erode is a journey that explores the idea of
separation and its dichotomy, up to erosion and collapse. This is
represented in a morbid and extreme way by the cover by Maestro Paolo
Girardi. The choice of oil on canvas follows the same logic of the analogue
mix: to make the whole as natural, as real as possible, and to pay homage
to the influences that inspired Ferum, by reinterpreting them

Ikarie is a newborn band formed by experienced musicians from the Mediterranean coast of Spain. They describe themselves as a band developing “the concept we call cosmic existentialism, which is about our freedom and responsibility as a rational species, aware of its insignificant, terrifying and astonishing existence in the universe”.

Cuerpos En Sombra is the first album by Ikarie, a post-metal opus in the vein of Cult Of Luna and Year Of No Light, “a legend of ghosts, of those who emerge from the deepest wounds of the soul. Installed in their universe of silent and silenced scars, inspired by the desert and sea landscapes of the Spanish Levant where we grew up, it delves into the theme of the human being from its limits, where it almost ceases to be, in a world where perhaps it is not allowed to be”.

The album deals with “what happens and doesn't happen when we become an unproductive and annoying absence, showing a series of desolate places and characters as if they had come out of the collective imaginary of the uncomfortable, painful and demented”.

Cuerpos En Sombra is the first chapter of a trilogy in which Ikarie intend to denounce the stigma of being different, the lack of resources in everything related to mental illness and the pathologization of people with problems which are mainly structural.