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With the new album "They Often See Dreams About the Spring" DRUDKH's traditional black metal sweeps in like a cold wind from the East. Timeless frozen melodies adorn an uncompromising attack, creating yet another epic work from one of the genre's most important bands.

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With a past that stretches back to the late '90s and a patient path that began in 2013 with a moniker change, Brazil's THE KRYPTIK burst forth into brilliance when they aligned with PURITY THROUGH FIRE. In the autumn of 2019 came their acclaimed second album, When the Shadows Rise, a startlingly immersive gem of symphonic black metal, and many finally took notice. A year late came the 40-minute Behold Fortress Inferno, which poignantly expanded on their vast canvas despite "only" being a mini-album. Between these two records especially, THE KRYPTIK proved that "symphonic black metal" need not be a dirty word; with no outside influence from the nowadays "black metal" scene, the duo dependably practiced their mystical arts and erected a grand citadel of sound - an atavistic awakening of when all was simply BLACK METAL, heedless of appellations. 

And so it goes with THE KRYPTIK's massive third album, A Journey to the Darkest Kingdom. Truly titled, the seven-track/70-minute A Journey to the Darkest Kingdom reveals the duo's grandest vision yet: neo-ancient symphonic black metal drenched in the dark waters of the cosmos, a castle of crystalline ice whose spires reach into boundless space. The band's ebon flow continually crests and cascades, synths swirling all about and with utterly magickal effect. The production here in this Darkest Kingdom is clear and sharp - all murk excised for maximum immersion, gorgeous swell, and pulsing violence - altogether sounding incredibly vintage and era-authentic yet somehow fresher than most nowadays black metal recordings. But, that magick largely resides in THE KRYPTIK's songwriting, as each song is an epic in its own right and then are all threaded together as one fever dream: melodicism, majesty, and malice in perfect balance. Thus, A Journey to the Darkest Kingdom follows logically in THE KRYPTIK's continuum whilst pushing their creativity to even-more-breathtaking heights. Have they delivered a classic on par with Witchcraft, The Sad Realm of the Stars, or even Stormblåst? Only time shall be the judge...

The debüt Album of the amazing symphonic Black Metal horde!

NORDIC METAL

HELHEIM, founded in Bergen, Norway in 1992 were eager to establish themselves in the Norwegian Black Metal scene and released their first demo in 1993. Heavily influenced by BATHORY and including a cover of VENOM`s “Countess Bathory” to pay tribute to one of their foremost influences, the first demo, while being an interesting document of the time and showing potential, still lacked the depth and ambition of their later work.

Their second demo entitled Niðr Ok Norðr Liggr Helvegr and released in 1994 marked a major leap in style and quality. With a for a demo unusually long playing time of nearly 50 minutes, HELHEIM`s second effort saw the horde introducing female vocals, folk and Viking elements and even trumpets. Obviously influenced by compatriots ENSLAVED, it featured non-linear compositions and a unique sound. This demo is considered a landmark in Norwegian Metal and far surpasses the typical expectations of a demo release. It`s with Niðr Ok Norðr Liggr Helvegr that HELHEIM found their sound and catapulted themselves to the forefront of Norwegian Black Metal.

Remastered from the original DATs by Patrick W. Engel at Temple of Disharmony.

A long and detailed new interview about the time from 1992-1997 was conducted with the band exclusively for these current reissues.
The double-LP comes with a hugh 16-page 12” booklet including the interview and many never before-seen pictures.
An A2 poster will be added to every vinyl too.

Gold Vinyl

Official reissue in limited edition six panel Digipak Cd of the legendary Ep originally released in 1997 with restored original cover artwork and unreleased photos.

A masterpiece made of epic songs, furious harsh vocals, tight drumming and a strong romanticism which built the very essence of 90's Black Metal.

Finally available on Cd, in limited edition Digipak, " Vardøger" (2023), the second album by the unknown artist Demian through his creature A DIFFERENT CLOUD. An authentic gem of Atmospheric Black Metal full of sadness, sorrow melodies and cold atmospheres. A superb listening experience of pure dark art. Amazing artwork by Benjamin König (Lunar Aurora/Sperber Illustrationen

Official reissue of the majestic and melancholic masterpiece “A Requiem For The Light”.
An immersive journey into Atmospheric Black Metal, where ghostly melodies drift through the void,and tortured whispers echo like forgotten prayers. Cold, emotional, and otherworldly… a requiem carved in silence and sorrow.
Available in Digipak Cd, strictly limited to 300 copies.

In the secluded wilderness of northeastern Finland, a solitary journey has taken shape. Sielue, the latest endeavour of multi-instrumentalist Janne Posti (Häxkapell, Sons of Crom), marks a profound return to his musical roots, as he steps beyond his metal and classical foundations to explore the realm of dark acoustic folk.

 “Askel tyhjyyteen” (‘A Step Into Emptiness’) is a collection of diverse songs woven together by themes of life and death. Drawing on his classical training in piano, vocals, composition, and arrangement, Janne crafts intricate melodies where acoustic guitar and piano take centre stage.

The album captures the desolation and solitude of the wilderness surrounding Posti’s family cabin, embodying autumn winds, dense fog, and the haunting resonance of a freezing lake – the ‘singing ice’ recorded shortly after his initial writing session on All Hallow’s Eve in 2022. Song structures range from traditional verse-chorus formats to linear compositions, reflecting Janne’s eclectic musical background across metal, rock, pop, jazz, folk, and classical genres.

“Askel tyhjyyteen” is more than an album; it is a personal testament and a spiritual journey. It invites listeners to embrace the longing for another plane of existence and the beauty found in the acceptance of mortality. In stepping into emptiness, Sielue embarks on a journey that doesn’t end at the grave but begins there – into the winds of the cosmos, guided by swans through a portal to a place of peace and fulfilment

Debut album of the melodic black metal band from Tasmania. Limited to 500 copies.

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Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.

Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).

2nd pressing, limited to 500 copies.

The LP comes with a 12-page 12” booklet incl. new liner-notes by Olivier ‘Zoltar’ Badin, a double sided A2 poster and a download-card.

Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.

Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).

2nd pressing, limited to 500 copies.

Comes with a 12-page 12” booklet incl. new liner-notes by Olivier ‘Zoltar’ Badin, a double sided A2 poster and a download-card.