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Back in stock - Extreme Metal and Dark music
Nadsvest is a black metal entity based in Serbia, comprised of Serbian native S and NewZealander A.
S (Gorgoroth) and A (Barshesketh) crossed paths in 2015, and after a clear musical symbiosis had become evident, formed Nadsvest.
After an EP and a split with Portugal’s Necrobode, Nadsvest crafted their definitive debut album.
Musically, Nadsvest is a hellish combination of the first, second-wave and bestial black metal scenes, with unhealthy doses of heavy metal and nods to Serbian folk music.
Lyrical themes deal with the black arts through the lens of the darker aspects of Serbian folklore.
Conceptually, Slovo meseca i krvi is an epic poem exploring the stages in the process of awakening the primal werewolf force in the warrior, the triumph of the spirit and the ultimate sacrifice of the flesh.
Sound was forged in Sonorous Studio with the goal of evoking the noise of the tortured soul.
Extinct' is the 4th overall album of Switzerland's rising black metal malfeitors MALPHAS.
MALPHAS have been working their way through the underground for several years now and with "Extinct" they are raising the stakes even further.
"Extinct" enters a new journey into more chaotic and wild fields and unleashes the band's full hate against the world. With more thrashy influences and riffs, the album neither looses the band's classic style, nor does the melancholic and softer parts get lost. It is a fury hammer of Swedish inspired black metal, of ups and downs, of melancholy and chaos, ready to smash every listeners ears. This is the most versatile album of the band so far and expresses a general death-wish to all.
KHOLD RETURN WITH A NEW GRIM MASTERPIECE OF BLACK DARK METAL!
“Du dømmes til Død” is a concept album about henchmen and various people being condemned to the death penalty throughout Norwegian history.
Musically, you know what´s being offered: down-tuned and mid-paced metal with no compromises whatsoever. Groovy, melodic and loads of heavy riffs – this band sounds like nothing else, and that´s exactly the way it should be. And it´s how it will remain.
True.
Raw.
Primitive.
Khold.
4-panel digipack printed on 300 gsm carton w/16 page booklet printed on 135gsm art paper.
6-page folded booklet printed on on 125gsm art paper.
The classic Norwegian black/viking metal material re-issued! The 1994 Aurora Borealis demo and the 1995 Leve Vikingånden 7"ep presented as one album.
2024 repress. Including previously unseen pictures and exclusive liner notes by founding member Gunther Theys.
The debut album of the most important black metal band from Belgium finally re-issued! Noble gatefold lp (various colors) with double sided insert and 6-panel digipack with 12 page booklet including previously unseen pictures and exclusive liner notes by founding member Gunther Theys. An essential masterpiece of Morbid Glory!
The complete early works.
All the recordings are the raw versions from the demos, with no re-mastering or editing done. We chose to keep the recordings in their pure form, to keep the old raw feeling they had back in the days. These recordings were the very roots of Ancient, what got them noticed in the underground scene worldwide back in 1993/ 1994.
Includes early images and liner notes by Aphazel & Grimm.
CD 1
Tracks 1-5 from the original "Reflexions" EP
Tracks 6-7 from the "Rockslaget" compilation album
Tracks 8-13 from the Radio Blekinge Radio session
CD2
All tracks from the "Heavy Metal Night - Live In The Raw 1981" recording
The highly anticipated 3rd full-length by this U.S. band. Since the dawn of the Paleolithic age, mankind has recorded spectacular scenes of death, whether in scenes of cannibal feasts crudely etched on cave walls, massacres immortalized in glyphs adorning monuments of the ancient kingdoms, or in chance recordings of grisly accidents, compiled and sold on home video to those with a thirst for that which is denied to them by our "civilized" society. Spawned in the contaminated sewers of Santa Cruz, California in 2013, Dipygus began as a four-piece mutation performing rudimentary styles of Death Metal, a sonic evolution of the tradition continued from the time of Cro-Magnons. A 2015 demo recording, the earliest surviving documentation of the band, reveled in unexplained and bizarre events, including peculiar methods of whale carcass disposal and otherworldly monsters from on and off the silver-screen. After a lineup change in 2016, Dipygus recorded the "Long Pig Feast" EP, which featured terrifying rites, ritual mutilations and ominous sightings of a Mesozoic relic in the heart of the Congo. Their debut album, "Deathooze", slowly de-composed in the murky shallows of powerplant runoff in the Monterey Bay, ultimately being recorded in 2018. Though quickly banned in over 16 countries, Dipygus´ debut album attracted immediate attention among slime fetishists and similarly deviant circles. Placed appropriately alongside the Fiji mermaids and other grotesque artefacts found in curio cabinets of modern-day antiquarians, "Deathooze" continued the band´s exploration of inexplicable incidents, mysterious beasts and shocking carnage, including genuine audio recovered from a fatal attack at the hands of an ape gone mad! Following their debut album, Dipygus was conjoined with an additional member, and began a new exploration in search of secrets hidden in the jungles of lost continents, where life is cheap. After successful initiation into the shadowy world of black-market cuisine, an agreement was reached with Memento Mori for the release of the band´s second full-length, "Bushmeat". Showcasing more exotic and repulsive themes of the supernatural and taboo, "Bushmeat" presented an uncensored and unrelenting spectacle, with each element of the previous work irresponsibly taken to a further extreme. A prime cut of raw and grueling terror, it was fit for consumption by headhunters, body-snatchers, toad-venom junkies, cargo cultists, aquatic ape theorists, disaster tourists, carriers of tropical disease, voodoo practitioners and orgone revivalists only. All others having since been warned, Dipygus return to time primordial with an elegantly self-titled third album. Suitably graced with evocative cover art courtesy of Hayden Hall, Dipygus thrusts the helpless listener into a psychedelic jungle of grisly delights. At 10 songs in 41 minutes, the quartet qualify their most lengthy recording yet with maximum delirium and characteristically crushing execution. Everything here feels massive -tone, feel, supernatural aura- yet somehow simultaneously exhibits a spacious quality that´s unsettling to the Nth degree. Perhaps that´s due to Dipygus´ increasingly twisted songwriting, neither "tech" nor improvisatory, but a certain "elevated caveman" aspect that pushes primitivism toward mind-bending ends. Fleeting-yet-haunting leads also play a part in Dipygus´ menagerie of malodorousness, exacerbating the psychotic reactions in their humid, hellish jungle, and even touches of way-back synths get mangled within, melting into the fuckton heaviness of Dipygus´ riffing. Ever wanna hear the most tripped-out moments of Autopsy, Impetigo and especially Nuclear Death taken to their ILLogicial conclusion? Then enter Dipygus´ self-titled album... if you dare!
