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FEN draws its inspiration from the windswept, desolate landscape of England's Fen region after which the band was named. By fusing the cold rage of Black Metal with more reflective influences, FEN succeeds in creating a deeply intense, atmospheric, almost otherworldly sound, redolent of loss and melancholic yearning. “Dustwalker” is the twilight descending upon empty heathland and the cries of the crows that wheel in the bunching stormclouds...

including exclusive Iron Pendant with the distinctive band's Logo
including exclusive bonus track

Botanist is a highly creative Experimental Avant-garde Black Metal band, or, in their perspective, Green Metal. At times eerie and ghostly, almost mystical, the sound is harsh, but it's still gorgeous and almost delicate, haunting, atmospheric and soothing. This new edition of the now sold out "Hammer of Botany" EP feature a 12min long brand new unreleased bonus track titled "Oplopanax Horridus".

Translucent Swamp Green LP (limited to 300 copies)

Info: Botanist is a highly creative Experimental Avant-garde Black Metal band, or, in their perspective, Green Metal. At times eerie and ghostly, almost mystical, the sound is harsh, but it's still gorgeous and almost delicate, haunting, atmospheric and soothing. This new edition of the now sold out "Hammer of Botany" EP feature a 12min long brand new unreleased bonus track titled "Oplopanax Horridus".

Black Vinyl

‘HOSTILE ARCHITECTURE is a sonic exploration of the ways that subjects under late capitalism are constrained and set in motion via the various structures that uphold stratification and oppression in urban contexts. It is inspired by brutalist, postmodern and utilitarian architectural structures that are found throughout post-industrial cities, hauntological in nature, being designed to provide for the populace through affordable housing but ultimately cost-cutting exercises and unfit for purpose. The term hostile architecture refers to design elements in social spaces that deter the public from using the object for means unintended by the designer, e.g. anti-homeless spikes, which the album presents as emblematic of a foundational contempt for the poor and working class, an exemplification of a status quo fortified in concrete. The album invites the listener to explore the dissonance of these contradictions in their own circumstances and perhaps consider possibilities for a world beyond what Mark Fisher called “Capitalist Realism.”’

The stronger the spiritual pain, the worse the physical damage. Suppurating plagues can be carved and cleansed: spiritual wounds are impossible to sterilize. Mental germs grow, mutate, infect, colonize and suppress the once healthy host. "Il giorno dei campanelli", CANAAN's eight album, is a diary of mental putrefaction. No antibiotic can work here: these 14 songs will leave no soul unharmed.

2-Folder Digisleeve + booklet + inner sleeve

Messa play obscure and evoking doom with deliciously haunting female vocals, influenced by Pentagram, Bellwitch, Windhand, Jex Thoth, Sabbath Assembly, Bathory. Their debut album titled "Belfry" mix dark ambient drones with vintage heavy occult doom and mesmerizing female vocals that will drive you through a scarlet velvet trip.

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New 2018 Canaan's chapter

Come in gatefold card case with wonderful artwork

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Following a fourteen-year slumber, cult Swedish industrial black metal misanthropes, DIABOLICUM, now featuring the diseased vocal conjurings of Shining’s Niklas Kvarforth, return with the tormented tones of third full-length, Ia Pazuzu (The Abyss Of The Shadows). Spewing forth nine merciless tracks of sonic scorn, and featuring guest appearances by Malfeitor Fabban (Aborym) and Vargher (Naglfar, Bewitched, Ancient Wisdom), with cryptic artwork by Maxime Taccardi, Ia Pazuzu (The Abyss Of The Shadows) is anguished, devouring and destined to become a new milestone within the industrial black metal community.