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Reprint, 298 x A-Side/B-Side - baby blue/sea blue, 2x12" (180g) in black poly-lined innerbag, gatefold, full-color on 350g with 3D UV SPOT, all assembly in a PVC overbag.

By now, Denial of God should need little introduction. Since that fateful year of 1991, the brothers Azter and Ustumallagam have perfected an idiosyncratic style of black metal that's positively drenched in the supernatural and remains firm in their conviction of more classicist-styled songwriting. In fact, "black metal" might even be a misnomer; rather, BLACK HORROR METAL would be more accurate.
Of course, the journey has never been easy, and such is the case with the band's now-classic debut album, The Horrors of Satan, originally released in 2006. Although a debut album is usually a momentous event for most bands, The Horrors of Satan almost never came to be because of lineup problems. Drummer Sorgh left the band in 1999, just after the release of the mini-album Klabautermanden and just when work was about to begin on DENIAL OF GOD's first full-length. After this, the band worked with session drummer R. Salskov for about three years and songwriting progressed well, when also this lineup fell apart and left the band a two-piece of vocalist Ustumallagam and guitarist Azter. Things looked bleak for the future when no new drummer for years was found, but in 2005, finally, Galheim joined the band and helped incarnate what is now considered the band's classic lineup. Work was immediately assumed for the first album, and in 2006, The Horrors of Satan was finally recorded and released, comprising material that was written from the ‘90s to shortly before the actual recording.
Furthering DENIAL OF GOD's by-then already-unique style, The Horrors of Satan retains a very medieval feel with its lyrics about witches, werewolves, vampires and the infamous iron gibbet, which was a body-shaped iron cage used to display the bodies of dead or dying criminals. The album also became the beginning of a new and stronger chapter for DENIAL OF GOD, with many of the songs still appearing in the band's live sets today - a chapter which, so far, has produced several EPs and three albums. It also saw the band moving towards an even-more-epic songwriting, proved by the 13-minute title track, for example, which closes the album.
At long last, The Horrors of Satan is back on vinyl again for the first time in 14 years, with CD and cassette versions also to be widely available. Experience this resounding classic again, or for the first time!

Reprint, 190 x black vinyl 2x12" (180g), 12 page vinyl sized booklet , full-color on 140g offset art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.

Alongside contemporaries Dissection and Marduk, DARK FUNERAL are among the most important Swedish black metal bands ever. In fact, when one merely mentions the phrase “Swedish black metal,” thoughts immediately turn to their name: since their formation in 1993, DARK FUNERAL quickly came to define the shocking sound of cryogenic melody and cruelly blasting fury. Though their six albums to date have been patiently parceled out over a considerable amount of time, their works endure to this day and have influenced countless bands over the past 20 years.

Originally released in the autumn of 2005, of DARK FUNERAL's fourth album, Attera Totus Sanctus, was arguably the band's fastest and fiercest record ever – which is all the more remarkable given the band's longevity to that point. Where most bands soften or slow down as they get older – or break up, respectably, before ruining their good name – DARK FUNERAL proved that age is just a number and made their razor-sharp yet always-melodic sound that much more nuclear-powered. In fact, that they were able combine such amazingly blitzed speeds with melodies that are highly memorable, even at those speeds, is something that's black magick indeed… And another fiery album cover proved that nothing could extinguish DARK FUNERAL's inferno!

At long last, OSMOSE will do DARK FUNERAL's back catalog justice with the first of many reissues. This version of Attera Totus Sanctus will faithfully reproduce the original, now finally available on vinyl for the first time in nearly a decade.

Reprint, 300x orange crush with black marble effect 12" (180g) in black poly-lined innerbag, gatefold full color, and black flood inside, on 350g, all assembled in a PVC overbag.

Belgian speed metallers Bütcher have exploded onto the scene and have been making a name for themselves internationally. Their music caters to the blackened souls who love old school speed, thrash, heavy and black metal. Cuts such as Iron Bitch, 45 RPM Metal and 666 Goats Carry My Chariot are now part of the canon of the old school metal community.

After an avalanche of successful shows and festivals throughout Europe they are proud to present their 3th LP “ON FOWL OF TYRANT WING”. After the rabid debut “BESTIAL FÜKKIN' WARMACHINE” (Babylon Doom Cult Records, 2017) and the heralded sophomore album “666 GOATS CARRY MY CHARIOT” (Osmose Productions, 2020), they delve deep into their specific mixture of the golden 80's and extreme 90's.

BÜTCHER have always mixed ancient speed and thrash metal with NWOBHM, classic hard rock and black metal. On side A of the new album, they continue their very own legacy. On side B they double down on that premise. It's a concept side with an overarching unique story (written by R Hellshrieker) and a fully composed tour de force (by KK Ripper) where tempo changes, interwoven melodies, sitars, organs and various percussion instruments create an unexpected musical journey.

Heavy, death and black metal counter the speed metal and nobody will see it coming. Both progressive and very traditional, this album is sure to opiate fans and critics alike.

400x heavyweight orange crush 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g, download card, gatefold jacket, full-color printed on 350g carton, all assembled in a plastic overbag.

 High Roller Records, slipcase, poster,...

 In the year 2015 came out Devotion For The Devil, the first full length album of Finnish black metal phenomena Aegrus.

The album full of raw energy, catching songs and great melodies not forgetting profane and deepful lyrics dealing with misanthropy, Devil worship and Death!

Osmose Productions is now re-releasing the album after eight years in vinyl, cd and tape formats.

Re-issue, 500x beer 12" (140g) in a black poly-lined innersleeve; download card, poster A3, full-color on 250g art paper, folded; gatefold, full-color printed on 350g, all assembled in a plastic overbag.

'We are God”, the 3rd full length album by the German band TSATTHOGGUA, is aimed at all the perverted black sado-crazies out there. The original line-up of the band has reunited after more than twenty years to kick some ass and dominate. In true black love, they are once again signed to the renowned Osmose Productions label and offer you nine brutally hellish, blasphemous black terror tracks of the bizarre kind for 40 minutes.
The anthems of hate and contempt were recorded and mixed at the infamous Rambado recording studio. Incredibly powerfully mastered by the fantastic D. Koehne, the new songs promise pure glorious ecstasy.
With this release they are taking a completely new path with their bizarre art paired with the inimitable chaotic style of years past. The next extraordinary artwork was designed by the fantastic artist MorphArts and shows in his art the clear demarcation from everything known from this and past days.
With this release, TSATTHOGGUA show once again that there is no paradise for human sheep. It will pass the time until salvation.

Jewel case edition, 12 page booklet on 135g art paper, sealed.

"Hosanna Bizarre" is the debut album of the German lunatic squad TSATTHOGGUA. With the infamous "Siegeswille" demo tape from 1995 they unleashed their hazardous speed and poisonous skills in luciferian kinky arts. "Hosanna Bizarre" was originally released in 1996 and took the world of hyperspeed Black Metal by storm. Infernal hymns and black leather masks scream to the unholy scum of our world. Even nowadays, this album is a must have for the forgotten realms of mankind.

Re-issue, fully revisited with complete new layout. Original sound recording.

Reprint 2019  // osmose

Cult black metal from Sweden 

1. The Beast Of Fire 01:41
2. The Book Of Leviathan 02:34
3. Towards The Golden Dawn 01:51
4. The Sign Of The Evil Spirit 03:37
5. Lady Lilith 02:02
6. Black Blood 02:28
7. The Spirit Of Solitude 02:31
8. After My Prayers 04:42
9. The Goat Of Mendes 02:14
10. The Priest Of Satan 04:37
11. The Black Opal Eye 04:13
12. Whirlwinds Through The Land Of Ice 06:57

"Sorcier Des Glaces' second offering to the mortal world was recorded just two years after the very first album, in August 1999. Nevertheless, the maturity of their sound and composition is perceptible. It's no longer a one-man band this time, involving Luc more extensively, who this time records all the drum parts and also participates in the elaboration of several keyboard parts. The infernal duo is officially up and running.

With its icy atmosphere and dark yet melodic compositions reflecting the northern forests of Quebec, "Moonrise in Total Darkness" defines a young band still in exploration mode. Certainly more raw in its aestheticism than the band's more recent material, but with an authenticity that has forged their identity over the years".

Re-issue, 4 page booklet 145g in a jewel case, sealed.