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VOUNA is the project of multi-instrumentalist and composer Yianna Bekris. With her second full-length album “Atropos”, she unveils a towering and singular doom metal wonder in a unique visioning reminiscent of My Dying Bride, Paradise Lost, and Evoken. Upon the thick foundation of doom, multiple musical textures intertwine into her sound: atmospheric black metal, dungeon synth, darkwave, film scores, and rebetiko. It is through these woven sonic tapestries that Bekris creates vivid atmospheres expressing the myriad emotions surrounding death, mourning, and suicidal ideation. “Atropos”, named for the Greek fate who cut the thread of life thus determining the final fate for mortals, not only conveys the inevitability of death, but also explores its contrasting and dynamic nature through immersive compositions representing despair, loneliness, anxiety, peace, and dignity.

After 25 years of silence, Swedish Death metal legends EPITAPH unleash their second album "Sinner Waketh

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Ishtar Labbatum is a dark ritualistic ambient recording which exalts and invokes the Luciferian Goddess of ancient Mesopotamia, ISHTAR, represented as the planet Venus: The Morning & Evening Star. The structure of this album possesses interlayers of specifically composed and arranged sounds, atmospheres, and voices. Two tracks on this album, 1. ISHTAR LABBATUM & 2. ISHTAR LABBATUM (Queen of Heaven II) are a ritualistic collaboration of recordings between AKHTYA and CORONA BARATHRI. Ishtar in ancient Assyria, Babylonia and Sumeria (as Inanna) was the Goddess of Love (lust, desire) and War (rejoicing in bloodshed in temple hymns).
Ishtar is the balanced manifestation of the Luciferian Mind as present in the individual who rejects blind faith and outlets such as the media in trying to control human ability to use rational logic and critical thought. Ishtar Labbatum presents ancient hymns and invocations to Inanna/Ishtar in her most violent and lustful incarnations, manifest in a structure of modern sound and ancient instruments including the lyre and frame drums

Dark Folk from France

CD in Digipack with golden hot stamping

For fans of folk guitars, rainy ambiences and medieval sorcery

Very interesting and quite unique Black Metal with certain Folk-vibe but definitely without any hippie and happy modern melodies. No clean singing here! Eerie vocals add the right atmosphere to keep the music grim and sinister.

This 2nd release and first full length long player from ABSTRACT THE LIGHT, sees a continuation and further development of the sounds and feelings touched on on the debut release “From Out Of The Void” yet steps further into the dark and mystical folk sounds and bleak and emotive black metal touched on in passages previously...

Further drawing influence from a life of experience, trials and tribulations, loss and sadness this album delves further into the psyche of man.

“MAGNA SAPIENTIA QUAERERE : to the depths of thy soul...” was again recorded, mixed and mastered by Jarred Nettle at the House Of SAP, and this time features some excellent vocal contributions from our friends Rowan London (Virgin Black), Gregor Pikl, Sandra Mortis, as well as guest lead guitar performance by Jason Van Den Driesen, and Cello played by Hannah Yates.

It has been 17 years, but finally the time has come for the reaper to wield his scythe once again. Ancient Wisdom is the musical alter ego of Marcus E. Norman, veteran of the Swedish black metal scene and member of Naglfar and Bewitched. To us, not only he means one of the best cult acts of the ’90s and early ’00s, but also one of the first artists to find a home under the Avantgarde Music banner, back in 1993.

Formed by Norman in Umeå, Sweden, under the name Ancient in 1992 as a full band, Ancient recorded their demo tape In the Eye of the Serpent. In 1993 the name was changed into Ancient Wisdom, and in December the second demo tape Through Rivers of the Eternal Blackness was recorded, after which the band signed a record deal with Avantgarde Music. In December 1994 the debut album For Snow Covered the Northland was recorded, but due to some technical errors it was not released until 1996, and during this time Marcus decided to continue the project on his own.

From 1997 to 2004 Ancient Wisdom recorded and released three other albums: The Calling (1997), ...and the Physical Shape of Light Bled (2000) and Cometh Doom, Cometh Death (2004), before entering a hiatus seventeen-year long.

A Celebration in Honor of Death, the fifth full length album from Ancient Wisdom and their comeback after such a long time, displays a dismal and more sinister side of this Swedish entity that has been spreading its darkness since 1992. 7 tracks of the purest death worship, draped in haunting melodies and an atmosphere reeking of broken coffins and graveyard dust.

Three years after their fascinating debut, Suicide Forest is back with Reluctantly, a sophomore album which further develops their art. Taking their name from the Japanese Aokigahara forest, where many troubled 
people travel to end their life, the one-man band from Tucson, Az., moves from classic depressive black metal coordinates and expands their sound palette. As a result, Reluctantly settles somewhere in between DSBM, atmospheric black metal and post-black/blackgaze.
The perfect company for restless souls, Reluctantly reminds of the eerie keyboard patterns of Burzum and the dilated atmospheres of contemporary US black metal pillars like Ash Borer, mixed with some unpredictable twists such as dissonant riffs and solos. Suicide Forest will please both those looking for furious up-tempos and the more introvert blacksters, looking for a sanctuary from the outside world.
Multi-instrumentalist and mastermind A.Kruger wrote Reluctantly in the second half of 2019, before the pandemic struck us all, but began tracking the album at his home studio in early 2020. About the lyrics, when asked what themes inform his work, he plainly replied: The whole album focuses
on the themes of resent and isolation, feelings that were only compounded considering the entirety of Reluctanlty was recorded during the covid-19 lockdown”.

Abigail has been a staple in the roster of Nuclear War Now! since its earliest days nearly twenty years ago. In addition to multiple albums and EPs, the label released a collection of early EPs and the band’s contribution to a split, entitled “The Lord of Satan.” Now NWN! and Abigail conspire once again to further proliferate the spread of the band’s earliest material with the release of “Blasphemy Night.” This collection, presented on vinyl LP format, includes both “Demo 1” from 1992 and the “Blasphemy Night” demo from 1993. These tracks document the band’s original sound, which is best characterized as an unpolished, abrasive variety of black metal, in contrast to the sharper, more thrash-oriented sort that has resulted from the band’s evolution. As such, it is an essential addition to any Abigail fan’s collection and, more generally, to anyone who celebrates the true spirit of black metal.