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Preorder items - Extreme Metal and Dark music
Reissue of the sold out CD from 2018 alongside the band's second album. Comes in jewel case with 8-page booklet.
Bloodbark is an Epic/Atmospheric Black Metal project of unknown origin and should appeal to fans of Caladan Brood and similar bands.
199 copies on brown/yellow galaxy vinyl, incl. gatefold cover and download.
Spere was founded in 2023 as a two-piece project by members of the German black metal bands Horn and Halphas. Designed to be performed with only guitar, vocals, and drums, the band focuses on energetic, rhythmic structures and groove, combined with eerie arpeggios. This approach creates a dynamic and atmospheric soundscape, made more robust by varied drum fills and layered guitar effects transported via both guitar and bass amps.
The debut album "Eight - led to the beam" revolves around the narrative of eight fictional characters who became obsolete and met their end. Each song explores the stories of these characters, figures of will, faith, energy, or even those with despicable natures, who overstayed their welcome in this world. The band embraces an archaic visual style, centered around bronze hues, oil lamps, candlelight, and metallic artifacts, reflecting the themes of the album
Collector's Edition in 8-panel Digipack, limited to 999 copies.
Spere was founded in 2023 as a two-piece project by members of the German black metal bands Horn and Halphas. Designed to be performed with only guitar, vocals, and drums, the band focuses on energetic, rhythmic structures and groove, combined with eerie arpeggios. This approach creates a dynamic and atmospheric soundscape, made more robust by varied drum fills and layered guitar effects transported via both guitar and bass amps.
The debut album "Eight - led to the beam" revolves around the narrative of eight fictional characters who became obsolete and met their end. Each song explores the stories of these characters, figures of will, faith, energy, or even those with despicable natures, who overstayed their welcome in this world. The band embraces an archaic visual style, centered around bronze hues, oil lamps, candlelight, and metallic artifacts, reflecting the themes of the album
400x black/white ice vinyl
For the first time, these 5 tapes (Ash Nazg …, lux devicta est, promo tape 2/94, Moonrise and In Hate & Sin) are compiled as a stand-alone 2LP / 2CD album, accompanied by extensive photo material and an in-depth interview, covering the period from the formative 1980s, over the conditions leading to the establishment of the band, up to the days when a deal for their debut Verwüstung/Invoke The Dark Age was signed.
The direct and unveiled nature of these recordings invites the listener to travel back in time, step into ABIGOR´s rehearsal cellar and experience the raw, youthful energy which shows a different side of the band than the successive recordings at Hörnix Studio.
The pressing and print quality make this double-album the ultimate memorial to the reckless bygone days not only of ABIGOR but also of Black Metal as a whole.
On 48 A5 pages respectively, the circumstances around each demo are treated individually.
After more than 30 years, the hands-on experiments of those simple, analogue times still work their magic!
400x black vinyl
For the first time, these 5 tapes (Ash Nazg …, lux devicta est, promo tape 2/94, Moonrise and In Hate & Sin) are compiled as a stand-alone 2LP / 2CD album, accompanied by extensive photo material and an in-depth interview, covering the period from the formative 1980s, over the conditions leading to the establishment of the band, up to the days when a deal for their debut Verwüstung/Invoke The Dark Age was signed.
The direct and unveiled nature of these recordings invites the listener to travel back in time, step into ABIGOR´s rehearsal cellar and experience the raw, youthful energy which shows a different side of the band than the successive recordings at Hörnix Studio.
The pressing and print quality make this double-album the ultimate memorial to the reckless bygone days not only of ABIGOR but also of Black Metal as a whole.
On 48 A5 pages respectively, the circumstances around each demo are treated individually.
After more than 30 years, the hands-on experiments of those simple, analogue times still work their magic!
For the first time, these 5 tapes (Ash Nazg …, lux devicta est, promo tape 2/94, Moonrise and In Hate & Sin) are compiled as a stand-alone 2LP / 2CD album, accompanied by extensive photo material and an in-depth interview, covering the period from the formative 1980s, over the conditions leading to the establishment of the band, up to the days when a deal for their debut Verwüstung/Invoke The Dark Age was signed.
The direct and unveiled nature of these recordings invites the listener to travel back in time, step into ABIGOR´s rehearsal cellar and experience the raw, youthful energy which shows a different side of the band than the successive recordings at Hörnix Studio.
The pressing and print quality make this double-album the ultimate memorial to the reckless bygone days not only of ABIGOR but also of Black Metal as a whole.
On 48 A5 pages respectively, the circumstances around each demo are treated individually.
After more than 30 years, the hands-on experiments of those simple, analogue times still work their magic!
Prior to their legendary Death/Thrash masterpiece, MERCILESS cut their teeth recording two demos, Behind the Black Door and Realm of the Dark. Released in 1987 und 1988 respectively, both are naturally rather raw affairs but what they may lack in proficiency and sound quality, is made up for by unbridled ferocity and MERCILESS’ youthful enthusiasm.
These two demos are important historical relics and a peephole into times long past by one of Sweden’s pioneering bands that alongside e.g. OBSCURITY or MORBID paved the way for the Swedish (and beyond) Black- and Death Metal scene.
Jewel-case CD with 24-page booklet including an in-depth interview with Erik Wallin and many never seen before pictures.
Prior to their legendary Death/Thrash masterpiece, MERCILESS cut their teeth recording two demos, Behind the Black Door and Realm of the Dark. Released in 1987 und 1988 respectively, both are naturally rather raw affairs but what they may lack in proficiency and sound quality, is made up for by unbridled ferocity and MERCILESS’ youthful enthusiasm.
These two demos are important historical relics and a peephole into times long past by one of Sweden’s pioneering bands that alongside e.g. OBSCURITY or MORBID paved the way for the Swedish (and beyond) Black- and Death Metal scene.
Jewel-case CD with 24-page booklet including an in-depth interview with Erik Wallin and many never seen before pictures.
Swe-doomdeath MOONDARK returns with the debut “The Abysmal Womb”, a brooding and dense atmosphere weaving towering grooves of perpetual tenebrosity. With insurmountable gloom strewn over the entire album, “The Abysmal Womb” permeate a striking yet unique parallelism of early Crematory, Crowbar and peppered with bits of debut-album Cathedral; the clever utilization of megalithic riffs are clearly evident and immense pulsations are scorched in deep abyssic darkness. Recorded between several locations and with mixing and mastering handled by Peter Bjärgö (Tyrant, Crypt Of Kerberos, etc) at Erebus Odura Studio, the cover artwork for “The Abysmal Womb” was conceptualized by Johan Jansson and Allan Lundholm.
Swe-doomdeath MOONDARK returns with the debut “The Abysmal Womb”, a brooding and dense atmosphere weaving towering grooves of perpetual tenebrosity. With insurmountable gloom strewn over the entire album, “The Abysmal Womb” permeate a striking yet unique parallelism of early Crematory, Crowbar and peppered with bits of debut-album Cathedral; the clever utilization of megalithic riffs are clearly evident and immense pulsations are scorched in deep abyssic darkness. Recorded between several locations and with mixing and mastering handled by Peter Bjärgö (Tyrant, Crypt Of Kerberos, etc) at Erebus Odura Studio, the cover artwork for “The Abysmal Womb” was conceptualized by Johan Jansson and Allan Lundholm.
