Vinyl

After a whole decade of silence, Downfall Of Nur is back with a new album. The studio project born from Italian-born Antonio Sanna is finally ready to give a proper follow up to the acclaimed debut Umbras de Barbagia (2015). And the Firmament will Burn to Quench the Pain of this Earth unfolds as a profound reflection on the ancestral memory and deeply rooted symbols of Sardinia.
At its core lies the dual figure of the feminine: the Mother Goddess, an ancient archetype associated with fertility, the earth, and permanence, represented in the prehistoric iconography of Sardinia, and human mothers, silent protagonists who carry the restrained sorrow of mourning their children lost to ancestral conflicts, such as the disamistade, a ritualized enmity deeply embedded in Sardinian cultural memory.
The album’s central narrative revolves around the transition of an individual caught in these ancient cycles of hostility. Upon shedding his physical form, his spirit merges with the archetype of the Mother Goddess, an ancestral presence embodying the exhaustion provoked by the endless repetition of violence and death. This union marks a threshold: an essential act of purification that confronts oblivion and halts the ceaseless recurrence of suffering.
Though not explicitly named, the mothers form the ethical and emotional foundation of the work. Their grief transcends the individual and extends into the collective, shaping the social memory and the ontological relationship between human beings and the land they inhabit. The Mother Goddess and the mothers symbolically intertwine, revealing the rupture between humanity and the earth that sustains it. The album posits a breaking point: the weariness of the Mother Goddess in the face of perpetual cycles of vengeance, death, and forgetting. This rupture is not presented as punitive, but as an inevitable act of purification, fire consuming what has been denied by collective memory.
And the Firmament Will Burn to Quench the Pain of This Earth calls for attentive and contemplative listening. It is not a linear or conclusive narrative, but a fragmented ritual space that opens the way to multiple layers of interpretation, where history, mythology, and human mourning converge. Ultimately, the album stands as an act of living memory—a tribute to Sardinia as a sacred, wounded land, bearer of silenced histories—and an invitation to recognize, through listening, the profound sorrow that resides in the broken bond between man, woman, earth, and the divine. 

After a whole decade of silence, Downfall Of Nur is back with a new album. The studio project born from Italian-born Antonio Sanna is finally ready to give a proper follow up to the acclaimed debut Umbras de Barbagia (2015). And the Firmament will Burn to Quench the Pain of this Earth unfolds as a profound reflection on the ancestral memory and deeply rooted symbols of Sardinia.
At its core lies the dual figure of the feminine: the Mother Goddess, an ancient archetype associated with fertility, the earth, and permanence, represented in the prehistoric iconography of Sardinia, and human mothers, silent protagonists who carry the restrained sorrow of mourning their children lost to ancestral conflicts, such as the disamistade, a ritualized enmity deeply embedded in Sardinian cultural memory.
The album’s central narrative revolves around the transition of an individual caught in these ancient cycles of hostility. Upon shedding his physical form, his spirit merges with the archetype of the Mother Goddess, an ancestral presence embodying the exhaustion provoked by the endless repetition of violence and death. This union marks a threshold: an essential act of purification that confronts oblivion and halts the ceaseless recurrence of suffering.
Though not explicitly named, the mothers form the ethical and emotional foundation of the work. Their grief transcends the individual and extends into the collective, shaping the social memory and the ontological relationship between human beings and the land they inhabit. The Mother Goddess and the mothers symbolically intertwine, revealing the rupture between humanity and the earth that sustains it. The album posits a breaking point: the weariness of the Mother Goddess in the face of perpetual cycles of vengeance, death, and forgetting. This rupture is not presented as punitive, but as an inevitable act of purification, fire consuming what has been denied by collective memory.
And the Firmament Will Burn to Quench the Pain of This Earth calls for attentive and contemplative listening. It is not a linear or conclusive narrative, but a fragmented ritual space that opens the way to multiple layers of interpretation, where history, mythology, and human mourning converge. Ultimately, the album stands as an act of living memory—a tribute to Sardinia as a sacred, wounded land, bearer of silenced histories—and an invitation to recognize, through listening, the profound sorrow that resides in the broken bond between man, woman, earth, and the divine. 

CIRCULAR RUIN is the ever-recurring end of everything once great, the endless cycle of temporary prosperity followed by death and devastation, and the inevitable demise of humanity by its own hand.

Hybris Divina, the debut full-length from Oraculum, is a merciless assault and a sonic damnation. The title, signifying "Divine Transgression," guides the album's thematic descent into mythical and spiritual blasphemy. This record is a raw and chaotic maelstrom, delivering bludgeoning riffs, dissonant textures, and unholy invocations that return to the genre's forgotten primordial essence. It is a testament to the enduring, chaotic legacy of Chilean death metal—a calculated and feral vortex of sound. Hybris Divina is set to establish Oraculum as the modern standard-bearer for the most uncompromising, first-wave death metal sound.

TRANSILVANIA returns with "Magia Posthuma", an unholy necromantic spell of black/thrash metal. A deliberate, high-production assault from the emptied crypts of Austria, this is the definitive soundtrack to a post-mortem existence. The band delivers a blistering combination of vampiric fury, the raw, driving spirit of classic thrash, and the chilling, cold atmosphere of black metal.

Recorded in 1992, the album delivers primitive riffs, harsh vocals, and a bleak atmosphere that marks the birth of Marduk's infernal legacy. Fierce, unpolished, and uncompromising, Dark Endless stands as a primal monument to the band's origins.

Though Marduk would later evolve into one of the fastest and most intense black-metal bands, "Dark Endles"s stands as the crucial 1st chapter: a rare snapshot of the band's formative sound, a bridge between death and black metal, and an essential piece of Swedish extreme-metal history.

Uncompromising and relentlessly grim, it remains a cornerstone release for anyone exploring the origins of Marduk's reign.

 

"Eight years after 'Eonian', DIMMU BORGIR returns with 'Grand Serpent Rising', a thirteen-track album that is both relentless and remarkably diverse. The title itself symbolizes renewal: for the band, the serpent represents transformation, knowledge, and liberation—a necessary shedding after more than thirty years in the industry. From the introduction 'Tridentium' to the explosive 'Ascent', the band confirms that it has lost none of its intensity or aura. Over nearly an hour of music, the album showcases majestic power, blending the raw energy of 90s Norwegian black metal with the mastery gained over the decades. With 'Grand Serpent Rising', DIMMU BORGIR delivers an imposing and ambitious work, driven by an intact inspiration and a vision more grandiose than ever."

SPECIAL MULTI-FORMAT LIMITED BOX SET EDITION OF THE NEW STUDIO ALBUM OF PRIMITIVE METAL FROM THE NORSE CAVEMEN.

This special edition of ‘Pre-Historic Metal’ is presented as a limited boxset, & contains:
- Exclusive splatter 180gm heavyweight vinyl with gatefold sleeve & exclusive alternate cover artwork by Maciej Kamuda.
Splatter | Black + Transparent + Silver + Orange LP
- Exclusive cassette edition.
- CD edition.
- Booklet including an interview with Harald Fossberg on the making of ‘Pre-Historic Metal’.
- 2 posters

In a year which marks the 40th anniversary since the initial formation - under the moniker of Black Death - of what would subsequently grow into influential genre legends, 2026 marks the return of the imperishable Norwegian duo of Fenriz & Nocturno Culto for their new opus of high calibre old metal, under the banner of ‘Pre-Historic Metal’. As Fenriz himself proclaims of the title’s symbolic origin, “Prehistoric is a loose term. I just figure it’s our VIBE, our take on things & it’s more a statement that we use old style to create something new”.

‘Pre-Historic Metal’ contains eight tracks of primal epics & gargantuan riffs with organic sound & the ever-present permeating spirit of the 70’s & 80’s, for a new continuation of the mastery witnessed on 2024’s ‘It Beckons Us All’. This next chapter in Darkthrone’s extensive & ongoing catalogue presents a vast odyssey through the sonic landscapes of Thrash, Black, Heavy & Doom Metal &, adorned with a punishing & “in your face” guitar presence, Darkthrone stirs the cauldron of savage creativity with a nod to the writing methods which were indicative of their earlier works of the late 80’s, but with a more refined craft.

'Pre-Historic Metal' was recorded at Chaka Khan Studios, Oslo, with production work conducted by Ole Øvstedal, Silje Høgevold & Mads Luis. Mastering was carried out by Jack Control at Enormous Door, & Maor Appelbaum Mastering.

In 2026—marking the 40th anniversary of their original formation under the name Black Death—the legendary Norwegian duo Darkthrone, comprised of Fenriz and Nocturno Culto, returns with a new high-caliber opus devoted to old metal, under the banner of “Pre-Historic Metal.”

Pre-Historic Metal features eight tracks shaped by primordial epics and colossal riffs, driven by an organic sound infused with the ever-present spirit of the ’70s and ’80s. It stands as a worthy continuation of the mastery already showcased in It Beckons Us All (2024). This new chapter unfolds as a vast odyssey through the sonic landscapes of Thrash, Black, Heavy, and Doom Metal. Enhanced by punishing, aggressive guitar work, Darkthrone blend a cauldron of wild creativity with a nod to the songwriting methods that defined their late-’80s beginnings—now delivered with a more refined craftsmanship.

This edition of Pre-Historic Metal is available in multiple formats: CD in jewel case with a 12-page booklet, standard black vinyl, limited edition purple marble vinyl, and a deluxe limited box set. The box set includes an exclusive 180g splatter vinyl with gatefold sleeve and alternative artwork by Maciej Kamuda, an exclusive cassette edition, a CD version, a booklet featuring an interview with Harald Fossberg on the making of Pre-Historic Metal, and two posters.

A descent into the most grotesque and shadowed depths of metal: For God Your Soul... For Me Your Flesh by Pungent Stench fuses visceral death metal and grindcore into a disturbing sonic mosaic.

The album shifts between ferocious bursts and sludge-soaked slowdowns, translating the macabre into pure “Gore ’n’ Roll.” Through filthy riffs and a shock-driven aesthetic, it leads the listener into an extreme reflection, suspended between black humor and a raw, unmistakable sonic violence.